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Christmas Carol: The Movie (2001)

5.6
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Ratings: 5.6/10 from 1,233 users  
Reviews: 14 user | 14 critic

The film begins with a live-action sequence set in Boston in 1857, the site of a live reading by renowned novelist Dickens. As he begins his 'story of ghosts' a woman in the audience ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Belle (voice)
...
Marley (voice)
...
...
...
Bob Cratchit (voice)
...
Mrs. Cratchit / Mother Gimlet (voice)
...
Old Joe (voice)
Iain Jones ...
Fred (voice)
...
Fezziwig (voice)
...
Fan (voice)
Arthur Cox ...
Dr. Lambert (voice)
...
Mr. Leach / Undertaker (voice)
Joss Sanglier ...
Choir Master (voice)
Sarah Kayte Foster ...
Mouse (voice) (as Sarah Annison)
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Storyline

The film begins with a live-action sequence set in Boston in 1857, the site of a live reading by renowned novelist Dickens. As he begins his 'story of ghosts' a woman in the audience screams because she has seen a mouse and Dickens points out that this is appropriate since his story begins with a mouse. At this point the story turns into the animated version and Dickens explains that the mouse, named Gabriel, carries a glimmer of hope amidst the glaring co-existence of rich and poor in the streets of London. Throughout the subsequent unfolding of the well-known story Gabriel acts as a miniature Greek chorus, providing younger members of the audience with a point of entry into the story and, in the case of the potentially frightening elements (the Ghosts of Past, Present and Future), a place of refuge. Written by John Nickolaus

Plot Summary | Add Synopsis

Genres:

Animation | Family

Motion Picture Rating (MPAA)

Rated PG for momentary language | See all certifications »
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Details

Country:

|

Language:

Release Date:

7 December 2001 (UK)  »

Also Known As:

Um Conto de Natal  »

Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

£171,576 (UK) (7 December 2001)

Gross:

£1,372,998 (UK) (4 January 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Ebenezer Scrooge: Merry Christmas to you, Mr. Snowman!
See more »

Connections

Version of Mickey's Christmas Carol (1983) See more »

Soundtracks

Come Gather Round The Christmas Tree
Free lyrics by Richard Niles
Music German Traditional- 16th C Es Ist Ein Reis Entsprungen
Arranged by Julian Nott
Illuminated Films (Christmas Carol) Ltd 2001
2001 Illuminated Films (Christmas Carol) Ltd
Performed by Mathew Wmith, Nick Smith, William Nott, Carl Wayne, Stephen Lazell, Ben Pope,
Phillip Pope
See more »

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User Reviews

 
It's Just So Lifeless
19 April 2006 | by (United States) – See all my reviews

I've probably seen every version of "A Christmas Carol" ever done. It's probably my favorite story. It's about pain and suffering and redemption. It's a wonderful ghost story. It has great characters and a great deal of sentimentality. It take a really good actor to pull off the character of Scrooge. Alaister Sim and George C. Scott are my favorites. The character has to have a link to an unhappy past. Cruelty is one thing, but we need some humanity as well. If he is not complex, he is nothing. This had potential. It has very nice animation. The problem, for me, is that Scrooge is too young. He has the angular face of a forty year old. His lines are delivered without any underlying emotion. I don't think the people doing the voices did much homework. Also, what's wrong with the original plot. Do people change it so they can put their own signature on it. This one isn't too bad, but it's so wooden. Those mice are also really annoying. If one wanted to take this to its logical end, London at that time, was overrun with disease ridden vermin, which did decrease the surplus population. Now, I know that's really harsh to these two little guys, but I would imagine that Scrooge would have as soon flattened them with a boot as look at them. You either make a commitment to tell the story, or you throw the whole thing out an ignore the elements. The mice should go. There's also a group of social issues that are just dropped in. All in all, however, it seems so lacking in pizazz. There is supposed to be elation at the end; even giddiness. There is nothing giddy about this film.


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