Directed by | |||
| Mike Barker | |||
Writing credits(in alphabetical order) | ||
| R.D. Blackmore | novel | |
| Adrian Hodges | ||
Produced by | |||
| Delia Fine | .... | executive producer | |
| Alison Gee | .... | line producer | |
| Deirdre Keir | .... | producer | |
| Gareth Neame | .... | executive producer | |
| Jane Tranter | .... | executive producer | |
Original Music by | |||
| John Lunn | |||
Cinematography by | |||
| Chris Seager | |||
Film Editing by | |||
| Guy Bensley | |||
Casting by | |||
| Julia Duff | |||
Production Design by | |||
| Sophie Becher | |||
Art Direction by | |||
| Chris Lowe | |||
Set Decoration by | |||
| Penny Crawford | |||
Costume Design by | |||
| Nic Ede | |||
Makeup Department | |||
| Jean Speak | .... | hair designer | |
| Jean Speak | .... | makeup designer | |
| Debbie Ross | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Phil Booth | .... | second assistant director | |
| Tim Lewis | .... | first assistant director | |
| Nick Powell | .... | second unit director | |
Art Department | |||
| Giles Asbury | .... | storyboard artist | |
| Julia Castle | .... | assistant art director | |
| Dean Clegg | .... | art department assistant | |
| Martin Griffiths | .... | daily dressing props | |
| Tom Hannam | .... | stand-by art director | |
| Josh Jones | .... | stand-by carpenter | |
| Lloyd Vincent | .... | stand-by prop | |
| Howard Weaver | .... | scenic artist | |
Sound Department | |||
| Philip Barnes | .... | dialogue editor | |
| Gary Desmond | .... | production sound mixer | |
| Dave Humphries | .... | sound re-recording mixer | |
| Alan Sallabank | .... | sound re-recording mixer | |
| Justin Wilkinson | .... | boom operator | |
Special Effects by | |||
| Colin Gorry | .... | special effects | |
| Graham Hills | .... | special effects technician | |
Visual Effects by | |||
| Alan Church | .... | visual effects producer | |
| Simon Giles | .... | visual effects supervisor | |
Stunts | |||
| Rowley Irlam | .... | stunt rider | |
| Justin Pearson | .... | stunt performer | |
| Buster Reeves | .... | stunts | |
| Ian van Temperley | .... | stunts | |
| Len Woodcock | .... | stunt performer | |
Camera and Electrical Department | |||
| Jon Beacham | .... | second assistant camera | |
| Steve Ellingworth | .... | key grip | |
| Jeremy Hiles | .... | camera operator | |
| Wayne Mansell | .... | generator operator | |
| Paul Worley | .... | grip | |
Casting Department | |||
| Chuck Douglas | .... | extras casting | |
Costume and Wardrobe Department | |||
| Mike Skorepa | .... | costumer | |
Editorial Department | |||
| Mark Neale | .... | first assistant editor | |
Other crew | |||
| Cherry Fiddaman | .... | production accountant | |
| Richard Fiddaman | .... | assistant accountant | |
| Jane Gibson | .... | choreographer | |
| Linda Gibson | .... | script supervisor | |
| Rob Grundy | .... | supervising armorer | |
| Carol Hodge | .... | production executive | |
| Deborah Morgan | .... | production coordinator (as Deborah Hubbard) | |
| Andreas Petrides | .... | fight arranger | |
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| The New World | The Libertine | Lorna Doone | Royal Deceit | The Deluge |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
This is an enjoyable adaptation of the period novel set in late 17th century England. It is well cast with excellent performances from many of the lead actors. Martin Clunes as Captain Sickles steals many of the scenes and Amelia Warner makes a beautiful Lorna.
The action scenes are well done and fast paced, and the characterisations are very good.
As with many period pieces, what does let it down a little is the costuming, which owes more to Hollywood's idea of historical clothing than what was actually worn (although the soldiers uniforms are very good) and the fact that the Doone's clothing and hairstyles seem to owe more to Braveheart than history!!
Despite the clothing inaccuracies, over-all it is a very entertaining adaptation, well worth watching.