A New York City doctor, who is married to an art curator, pushes himself on a harrowing and dangerous night-long odyssey of sexual and moral discovery after his wife admits that she once almost cheated on him.
As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
Incarcerated and charged with murder, David Aames Jr. is telling the story of how he got to where he is to McCabe, the police psychologist. That story includes: being the 51% shareholder of a major publishing firm, which he inherited from his long deceased parents; the firm's board, appointed by David Aames Sr., being the 49% shareholders who would probably like to see him gone as they see him as being too irresponsible and immature to run the company; his best bro friendship with author, Brian Shelby; his "friends with benefits" relationship with Julie Gianni, who saw their relationship in a slightly different light; his budding romance with Sofia Serrano, who Brian brought to David's party as his own date and who Brian saw as his own possible life mate; and being in an accident which disfigured his face and killed the person who caused the accident. But as the story proceeds, David isn't sure what is real and what is a dream/nightmare as many facets of the story are incompatible to ... Written by
Cameron Crowe says, "The original film is like a song our band really liked and we decided to cover it our own way. I view my adaptation as a 'remix' rather than a 'remake'; the film is a genre-bending, mind-twisting portrait of the American male as he exists five minutes into the future. Hopefully, it honors the original. I like the idea it could be sort of a dialogue between the two movies. I kept thinking of the original like a folk song. There's so many different ways you can play it, and you can reinvent it in your own way. I would never say to somebody, 'Don't see his, see ours.' I want people to see both." See more »
When Brian tells David that the "new guy is shit" and then he says to David, "I love you, period," you can hear the crew laugh at this in the background. See more »
Open your eyes.
Open your eyes. Open your eyes. Open your eyes. Open your eyes. Open you...
[David wakes up and pushes the snooze button on his alarm]
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There are no opening credits for the film. See more »
I could not agree more with the quote "this is one of the best films ever made." If you think Vanilla Sky is simply a "re-make," you could not be more wrong. There is tremendous depth in this film: visually, musically, and emotionally.
Visually, because the film is soft and delicate at times (early scenes with Sofia) and at other times powerful and intense (Times Square, post-climactic scenes).
The music and sounds tie into this movie so perfectly. Without the music, the story is only half told. Nancy Wilson created an emotional, yet eclectic, score for the film which could not be more suitable for such a dream-like theme (although never released, I was able to get my hands on the original score for about $60. If you look hard, you may be able to find a copy yourself). Crowe's other musical selections, such as The Beach Boys, Josh Rouse, Spiritualized, Sigur Ros, the Monkees, etcetera etcetera, are also perfect fits for the film (Crowe has an ear for great music).
More importantly, the emotional themes in this film (i.e. love, sadness, regret) are very powerful, and are amplified tenfold by the visual and musical experience, as well as the ingenious dialogue; I admit, the elevator scene brings tears to my eyes time and time again.
The best part of this film however (as if it could get any better) is that it is so intelligently crafted such that each time you see the film, you will catch something new--so watch closely, and be prepared to think! Sure, a theme becomes obvious after the first or second watch, but there is always more to the story than you think.
This is easily Cameron Crowe's best work, and altogether a work of brilliance. Much of my film-making and musical inspiration comes from this work alone. It has honestly touched my life, as true art has a tendency of doing. It continually surprises me that there are many people that cannot appreciate this film for what it is (I guess to understand true art is an art itself).
Bottom line: Vanilla Sky is in a league of its own.
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