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When a woman tries to outwit her husband's sexy young mistress, the unexpected consequences include starring as King Lear in a very amateur production - with the mistress, an aspiring actress, playing The Fool.
Marcia Gay Harden,
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. ... See full summary »
Set in the year 1912 on Cape Cod, a lighthouse keeper who has disavowed any association with females, must deal with the appearance of two attractive women who move into a nearby cottage for the summer.
An undercover FBI agent falls in love with a recently widowed mafia wife seeking to start her life over after her husband's murder and who is also pursued by a libidinous mafia kingpin seeking to claim her for himself.
The decurion Randus holds himself so well in the command of his troops, that Caesar promotes him to centurion. He is subsequently sent to Egypt, to keep Caesar informed on the actions and ... See full summary »
Gianna Maria Canale
This is an Italian identity-swapping film from 10 years ago, which emanates that this comedic sub-genre never cease, popping up into my mind is the most recent Hollywood one called THE CHANGE-UP (2011), stars Ryan Reynolds and Jason Batesman. But this Italian one is a quantitatively upgraded version as it mingles with 3 persons' turmoils of their lives, and interweaving with 3 females whom they cannot eschew from their pristine life.
I have some trouble understanding the dialogues since there was not subtitles for it and my Italian level is still on the verge of B1 (which is thought-provoking by stark contrast with a Chinese film, in which most of them are too taciturn to let languages steal the thunder). Thus please forgive me if my review could be a trifle partisan. The film itself is merely satisfying and entertaining in a foreseeable scale, the performance is sterile but benevolent, three male leaders, Fabio De Luigi, Gioele Dix and Emilio Solfrizzi carries their characters with ease and a hackneyed happy-ending is implausibly welcome.
A petty mention, the sci-fi fraction (the process of changing identities), which literally lasts only 10 seconds maximum, is trashy and deceitfully naive. Anyway, it one has to fuss about that, he must be a helpless perfectionist, whom I don't mean to be in any circumstances.
This film is director/writer Giulio Manfredonia's debut feature film, whose later work SI PUO' FARE (2008) had been selected as a contestant in The 12th Shanghai Film Festival in 2009, which I feel more intrigued to watch (in spite of the fact that I generally distrust the festival's quality).
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