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The Man Who Came to Dinner (2000)

TV Movie  |   |  Comedy, Drama  |  7 October 2000 (USA)
7.7
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Broadcast of a live performance of the Roundabout Theater Company's 2000 New York revival of the classic Kaufman-Hart comedy, about a famous (and famously acid-tongued) theater critic who ... See full summary »

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Title: The Man Who Came to Dinner (TV Movie 2000)

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Cast

Cast overview, first billed only:
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Maggie Cutler (as Harriet Harris)
Lewis J. Stadlen ...
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Byron Jennings ...
Linda Stephens ...
Terry Beaver ...
William Duell ...
Mary Catherine Wright ...
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Ruby Holbrook ...
Julie Boyd ...
Jeff Hayenga ...
John (as Jeffrey Hayenga)
...
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Storyline

Broadcast of a live performance of the Roundabout Theater Company's 2000 New York revival of the classic Kaufman-Hart comedy, about a famous (and famously acid-tongued) theater critic who is forced to stay in a Midwestern couple's home and the havoc that ensues. Written by Tommy Peter

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Genres:

Comedy | Drama

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Release Date:

7 October 2000 (USA)  »

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1.33 : 1
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Did You Know?

Trivia

This production restored some lines that had been censored or omitted from the 1941 film, among them Sheridan Whiteside's opening line "I may vomit". It also restored the line "you have the touch of a sex-starved cobra", which had been changed in the old film to "you have the touch of a love-starved cobra". See more »

Quotes

[last lines]
Sheridan Whiteside: Miss Preen! I want Miss Preen back! I'm suing you for $650,000!
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Connections

References Fantasia (1940) See more »

Soundtracks

What Am I To Do
(uncredited)
Written by Cole Porter
Performed by Byron Jennings
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User Reviews

 
Best of the best
12 June 2001 | by (Tulsa, Oklahoma) – See all my reviews

As someone who goes out of his way to see performances of "The Man Who Came to Dinner"--one of the greatest comic concoctions of the 20th century--I thought this was the best media presentation of the play to date, much better than the 1940 film version. My only quibble concerns the decision to pattern Lewis Stadlen's Banjo after Jimmy Durante's version in the film, rather than Harpo Marx (upon whom the character was originally modelled), but that's a matter of personal taste. (And to be fair, Stadlen does just fine, perhaps even out-Duranting Durante.) Conversely, I can't imagine anyone better in the title role than Nathan Lane, and he lives up to my hopes splendidly. (I hope PBS broadcasts him in "The Producers" one of these days!)


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