6.8/10
1,356
18 user 25 critic

Kôrei (2000)

Not Rated | | Drama, Horror, Thriller | TV Movie 12 May 2001
A psychic housewife and her husband become burdened with a kidnapped girl who escaped her assailant. Junko will not let her husband call the hospital or the police for purely selfish ... See full summary »

Director:

Writers:

(novel), (teleplay) | 1 more credit »
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2 wins & 1 nomination. See more awards »

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Cast

Credited cast:
...
Sato
Jun Fubuki ...
Junko Sato
Tsuyoshi Kusanagi ...
Hayasaka
Hikari Ishida ...
Junko's customer
Kitarô ...
Detective
Ittoku Kishibe ...
College professor
Ren Ôsugi ...
Restaurant customer
Shô Aikawa ...
Shinto priest
Daikei Shimizu ...
Tazaki, sound engineer
Rest of cast listed alphabetically:
Kazuya Horiguchi
Hajime Inoue
Shiuri Isobe
Michisuke Kashiwaya
Kôji Satô
Edit

Storyline

A psychic housewife and her husband become burdened with a kidnapped girl who escaped her assailant. Junko will not let her husband call the hospital or the police for purely selfish reasons. The girl dies while still in their house and her ghost begins to haunt not only Junko but also her husband, Sato (Koji Yakusho). Written by kwedgwood@hotmail.com

Plot Summary | Add Synopsis

Plot Keywords:

psychic | haunt | ghost | police | remake | See All (18) »

Genres:

Drama | Horror | Thriller

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

12 May 2001 (Japan)  »

Also Known As:

Seance  »

Company Credits

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Technical Specs

Runtime:

| (Buenos Aires Festival Internacional de Cine Independiente)

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Connections

Version of Seance on a Wet Afternoon (1964) See more »

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User Reviews

 
Interesting, but...
11 July 2006 | by (us) – See all my reviews

Overall, this movie (and Cure for that matter) is nicely done. With Seance, appropriately, a lot of negative space mise-en-scene was deftly carried out; with Cure, narrative as well as formal (eg spliced split-second frames, abrupt scene cuts etc) ellipses are done well with good editing. I liked the continuity of both the protagonist and the restaurant (albeit from a different shooting angle) through both films. My only problem with it (and Cure) is that sometimes the aesthetics feels contrived, and the understatement/'minimalism' is, ironically, overwrought & cliché. There's no greatness here (in terms of psychological horror/terror, there are much more genius auteurs in both the East and West, eg the 'other' Kurosawa's Rashomon and Polanski's earlier films, to name a few respectively), but it has thought, and is still better than 90% of the sh*t out there.


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