Elektra the warrior survives a near-death experience, becomes an assassin-for-hire, and tries to protect her two latest targets, a single father and his young daughter, from a group of supernatural assassins.
Will Yun Lee
When the motorcyclist Johnny Blaze finds that his father Barton Blaze has a terminal cancer, he accepts a pact with the Mephistopheles, giving his soul for the health of his beloved father. But the devil deceives him, and Barton dies in a motorcycle accident during an exhibition. Johnny leaves the carnival, his town, his friends and his girlfriend Roxanne. Years later Johnny Blaze becomes a famous motorcyclist, who risks his life in his shows, and he meets Roxanne again, now a TV reporter. However, Mephistopheles proposes Johnny to release his contract if he become the "Ghost Rider" and defeat his evil son Blackheart, who wants to possess one thousand evil souls and transform hell on earth. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
To create the Ghost Rider's voice, sound designer Dane A. Davis recorded all of Nicolas Cage's lines as the Ghost Rider, and then filtered them through three different kinds of animal growls (played backwards, covering three separate frequencies), then played them through a mechanical volumizer, before finally giving them a fiery crackle. Director Mark Steven Johnson compared it to "a deep, demonic, mechanical lion's roar" and said "one thing is for sure, his voice will shake the theatre!" See more »
When Blaze and Slade are riding through the desert, they pass a lizard, which then burns up. The lizard's leg twitches after it is a skeleton, which is impossible as there were no muscles left. See more »
It's said that the West was built on legends. Tall tales that help us make sense of things too great or too terrifying to believe. This is the legend of the Ghost Rider.
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The Marvel logo features comic-book images of the Ghost Rider in its pages; after it fully forms it blazes briefly, then turns metallic and grows spikes, replicating the Ghost Rider's transformation. See more »
There won't be any Academy Awards for "Ghost Rider," and deservedly so. Great cinema it ain't. It is fun stuff, though, and very much in the spirit of the Marvel comic book of the same name. Nicolas Cage works well in the role; his dead-pan humor is well suited to the role of motorcycle stuntman Johnny Blaze, and the scene in which he attempts to explain himself to his long-lost girlfriend is classic stuff, full of awkward pauses and an eyebrow put to good use.
Granted, things get a little melodramatic from time to time, but that's as it should be. This is, after all, a movie based on a comic book hero, and what superhero worth his heat-vision doesn't indulge in a dose of the melodramatic every so often? It comes with the territory. Still, there's a sense of humor at work here, something that didn't play out well in the "X-Men" franchise and led to that abysmal third installation. There are a good number of laughs in "Ghost Rider." This isn't a movie that takes itself too seriously, which is a nice benefit considering how heavy the subject matter could become. It's rough around the edges, no doubt, and isn't quite up to the same level as the Spiderman movies to date.
I saw an early (11:45 AM) show and the theater was still nearly full. The audience laughed at points that were intended as humorous and even jumped at a couple of scenes. All in all, everyone looked like they were having a good time, from the six year olds with their parents to the older folks like me who were fans of this comic as kids. If you're looking for something fun, "Ghost Rider" isn't a bad bet at all.
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