Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
A young man is plunged into a life of subterfuge, deceit and mistaken identity in pursuit of a femme fatale whose heart is never quite within his grasp. Remake of François Truffaut's 1969 film 'Mississippi Mermaid'
Dr. Joe Darrow is a recently widowed doctor. He is grieving due to the death of his pregnant wife in a Red Cross mission in Venezuela. Although being atheist, he began to believe that his dead wife wants to communicate with him, through her young patients in the Pediatrics of a Chicago hospital. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Mrs. Belmont gives Joe a package that came in the mail, it is addressed to "Dr. Emily Darrow". When we see the package again in a later shot, it is addressed to just "Emily Darrow". See more »
[over the phone]
It's bad, Joe. They're evacuating the villages. We're about to be washed out. We're hearing gunfire now.
Can you... can you get to Calamar? Can you get across the border to Columbia?
They're putting us on the bus. I don't know where they're taking us. Joe? Joe?
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There is something strange about 'Dragonfly'. It is not a thriller in its subject but it deals with it as if it's a thriller. Even more strange, in some scenes it actually succeeds in that. I mean, when your wife has died and she is trying to reach you from the other side is something else than simply seeing dead people. Your wife probably has the best intentions and although it is creepy you do not have to be scared of your dead wife. I guess. The man who thinks his dead wife is trying to reach him is Joe Darrow (Kevin Costner). Is he going mad, a premise for a dramatic film, or is he really connecting to the other side?
At times where his wife is communicating with Joe, at least to Joe's knowledge, the film breaths a creepy atmosphere with a cinematography and score that make things suspenseful. But the film does not have its focus on whether Joe is going mad or not, but on how scary it is when a dead person talks to you. That there is actually suspense shows that there is some nice film-making to be found here. The premise is interesting, although not that new, but especially the final act in the film goes wrong at crucial points. There is a moment where I thought the film was over, I will not reveal where, but at that time certain things were left in the middle. It felt like the right ending. But then the film continues, providing it with an ending that must have popped into many heads from the audience, probably dismissed by a lot for being too ridiculous.
Still, the premise and the first hour are good enough to keep us entertained and although it should not work as a thriller, it does. Watching it like that without thinking too much could help you like this film in one way or another.
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