7.6/10
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Death Mills (1945)

| Documentary, Short
Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found when they liberated the Nazi ... See full summary »

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Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found when they liberated the Nazi extermination camps: the survivors, the conditions, and the evidence of mass murder. The film includes accounts of the economic aspects of the camps' operation, the interrogation of captured camp personnel, and the enforced visits of the inhabitants of neighboring towns, who, along with the rest of their compatriots, are blamed for complicity in the Nazi crimes - one of the few such condemnations in the Allied war records. Written by National Center for Jewish Film

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Documentary | Short

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Фабриките на смъртта  »

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1.37 : 1
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Trivia

Excerpt clip shown in the 2014 documentary 'Night Will Fall'. See more »

Crazy Credits

Placed both at the beginning and at the end of the film: This film will not be shown to the general public without permission of the War Department See more »

Connections

Featured in Cinema's Exiles: From Hitler to Hollywood (2009) See more »

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User Reviews

 
"Mass Murders were standardized for Efficiency"
11 December 2010 | by (New York City) – See all my reviews

That is one of terrible lines of voice-over in this terrifying documentary compiled by Billy Wilder from motion pictures taken of the liberation of the German concentration camps in 1945.

I am an American Jew, born in 1954, and I live my life under the shadow of the Holocaust and the evidence of the evil of human beings. I have always known people with blue numbers tattooed on their arms. My grandfather's second wife was in Warsaw in September 1, 1939, and managed to escape via Arkhangel to the United States by the end of the month. Her son was not so lucky, and managed to survive the Death Camps. He lived the rest of his life in a constant state of terror. One day in the 1970s my cousin brought in a friend who was looking for work and after his friend had left, I asked what would wrong with him. "Both his parents came out of Dachau" answered my cousin.

The images in this movie are images I knew in my nightmare as a child: piles of corpses of skin and bones; walking corpses staring blankly; signs on the gates reading "Arbeit Mach Frei" -- 'Work will free you'; piles of teeth, bales of human hair, barrels of ashes from corpses ready to be sent to German farmers and, of course, the lying Germans who said they didn't know, they had no idea.

They knew. I know.


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