A small village off the mainland is about to receive a huge winter storm. It won't be just another storm for them. A strange visitor named Andre Linoge comes to the small village and gives ... See full summary »
Becky Ann Baker,
After a deadly plague kills most of the world's population, the remaining survivors split into two groups - one lead by a benevolent elder and the other by a maleficent being - to face each other in a final battle between good and evil.
Dr. Joyce Reardon, a psychology professor, leads a team of psychics into the decrepit mansion known as Rose Red. Her efforts unleash the spirit of former owner Ellen Rimbauer and uncover the horrifying secrets of those who lived and died there. Written by
High quality horror from the master of creepy tales...
If you like haunted house stories, this Stephen King tale is for you.
ROSE RED is a high quality horror tale from the master of the genre, his ability to spin a creepy tale never seeming to diminish.
The real star of the film is the mansion itself, as terrifyingly real as possible despite the use of miniatures for many of the shots, all of its corridors and rooms magnificently photographed and obviously sparing no expense for a TV film that was part of a mini-series.
The story tends to drag once in awhile but the horror is gripping enough to sustain interest throughout the lengthy tale. NANCY TRAVIS is excellent as the off-kilter psychology professor willing to undertake an experiment with other psychics at Rose Red, a haunted mansion known for devouring its occupants. MATT ROSS, as Emery, a spineless mama's boy who pays dearly for entering the premises, is another who stands out among the largely unfamiliar names in the cast.
Especially good are David DUKES as Professor Miller, MATT KEESLAR as Steve, JULIAN SANDS as Nick and LAURA KENNY, a screaming delight as the possessive Mrs. Waterman.
But again, it's the atmospheric house itself and the many special effects that have it reaching out to get its hooks on unlucky victims, both in and outside the mansion, that keeps the story spinning in a very compelling sort of way. The photography captures every menacing moment in the sometimes opulent interiors, as well as the rotting decay when the spirits of the undead make their presence known.
Very intense at certain moments, it may well have been even more effective if the opening scenes did not seem so padded before the events switch to the house itself. Once Rose Red is entered, the fun begins.
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