At the end of 1918 while civil war is raging on in Russia, antagonism is slowly spreading to the East, between the Oural mountains and Shanghai. Stuck between a desire to save what's left ... See full summary »
Roddy has a camera implanted in his brain. He is then hired by a television producer to film a documentary of terminally ill Katherine, without her knowledge. His footage will then be run ... See full summary »
Harry Dean Stanton
A château, flowering gardens, a threatening forest, here is what, for mysterious reasons, a Painter has left incomplete. Three kinds of characters live in this painting: the Toupins, who ... See full summary »
Hugo Pratt's famous comics adventurer, Corto Maltese while sojourning in Adana, Turkey, discovers a map to the treasure of Cyrus, an ancient king of Persia. To assist him in his quest, he ... See full summary »
At the end of 1918 while civil war is raging on in Russia, antagonism is slowly spreading to the East, between the Oural mountains and Shanghai. Stuck between a desire to save what's left of the great Imperial Russia, and starting from a clean slate, old generals, secret organizations, and mercenaries attracted by gold, struggle to take advantage of the events. As Corto Maltese returns to Shanghai, he barely gets time to cross paths with his old friend/nemesis Raspoutine, and escape a murder attempt before being contacted by members of a Chinese secret organization called "The Red Lanterns". In the heart of violent Mandchourian horizons, Corto and Raspoutine launch themselves into a fabulous treasure hunt, following the tracks of the mysterious armor-plated train of Koltchak. A steel monster spiked with canons and machine guns, this trains protects the counter-revolutionaries gold, traveling through Mongolia, and! Mandchouria. While following the bloody trail of this doomed train, ... Written by
I think the director and animators did a tremendous job. I am a big fan of Pratt's art, and to be honest didn't expect much from the movie. The comic has a recognizable atmosphere, that I sincerely doubted can be successfully moved to the screen.
But luckily - I was wrong. I was delighted with the final result. The atmosphere was there, just the way it should be - I actually felt like reading the comic.
But beware - if you are not familiar with Pratt's work, or if you don't really love it - I doubt you can appreciate this piece. Also, this is a European movie, not American. It is very, very non-typical, and I fear that most of American public may find it confusing, probably even boring.
The scenes are long and slow, the director doesn't rush anywhere, takes the time to show each facial expression, to give a weight to every said word. Just as the comic does.
Also, in order to enjoy Pratt's art, you have to know a lot - you have to be interested in history, geography, legends, culture of various nations, mysticism, different religions and beliefs... And the same is true for this film. So - no, this is definitely not a movie for a typical American consumer.
In short - if you know and like Pratt's work, you will probably enjoy the movie. Otherwise - you probably won't like it at all.
5 of 5 people found this review helpful.
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