| Hongwei Wang | ... | Minliang | |
| Tao Zhao | ... | Ruijuan | |
| Jing Dong Liang | ... | Chang Jun | |
| Tian Yi Yang | ... | Zhong Pin | |
| Bo Wang | ... | Yao Eryong | |
| rest of cast listed alphabetically: | |||
| Sanming Han | ... | Sanming | |
Directed by | |||
| Zhang Ke Jia | |||
Writing credits(in alphabetical order) | ||
| Zhang Ke Jia | ||
Produced by | |||
| Keung Chow | .... | associate producer | |
| Joël Farges | .... | co-producer | |
| Shozo Ichiyama | .... | producer | |
| Elise Jalladeau | .... | co-producer | |
| Kit Ming Li | .... | producer | |
| Masayuki Mori | .... | executive producer | |
| Nelson Yu Lik-wai | .... | associate producer (as Yu Lik Wai) | |
Original Music by | |||
| Yoshihiro Hanno | |||
Cinematography by | |||
| Nelson Yu Lik-wai | (as Yu Lik Wai) | ||
Film Editing by | |||
| Jing Lei Kong | |||
Art Direction by | |||
| Sheng Qiu | |||
Costume Design by | |||
| Lei Qi | |||
| Xiafei Zhao | |||
Second Unit Director or Assistant Director | |||
| Crystal Gong Chun | .... | assistant director (as Gong Chun) | |
| Gu Zheng | .... | assistant director | |
Sound Department | |||
| Yang Zhang | .... | sound mixer | |
| Recent Posts (updated daily) | User |
|---|---|
| Song identity | chisakami |
| What happened to Zhong Ping? | tagimaucia |
| released in China? | ceccleston |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Hong Kong section |
This is Jia's best film ever. I watched it twice. I was deeply touched twice by its poignant delineation of a bleak and still town in the 80's in Shanxi province, China. It seems nothing is changing in that nearly forgotten town. But with the collapse of Maoism and the influence of reforming in the country, the people there, especially those youngsters, are changing. They were like struggling in a very slow-moving turmoil, desires so much to change their lives but yet so helpless and knowing nothing about how to do it. They drifted away from there initial purposes, their friendship, and their love.
The cello appears 3 times during the whole film, which is almost heartbreaking. They were running towards the train, but the train just ran away. And gradually, you forgot what you've been chasing when you were young, you don't care about those inspiring songs like 'In the field of hopes' which is a symbol of those old days. Life always keeps moving on, like the brick of those ancient walls of Fenyang ever exists.
There are so many retrospective 'cultural reminders' in this film, e.g. those old songs, costumes, literal expressions, furniture and behaviors that bring you back to that time. I would say, if a western audience appreciate this film, he will appreciate double if he were Chinese, and even more.
Bravo, Jia Zhangke. The Chinese cinema is now filled with Hollywood-style huge investment martial art shitt and he is among the rare ones who are decent filmmakers.