5.3/10
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Girls on Top (2001)

Mädchen Mädchen! (original title)
Inken (Diana Amft) is an eighteen-year-old girl, frustrated for not having had an orgasm yet with her boyfriend. Her two best friends are Vicky (Felicitas Woll), who is in the same ... See full summary »

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(screenplay), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
Diana Amft ...
Felicitas Woll ...
Victoria
...
Lena
...
Nick
...
Flin
Martin Reinhold ...
Dirk
Ulrike Kriener ...
Ingrid
Germain Wagner ...
Gero
...
Trainer Carsten
...
Trainer Chris
Max Richter ...
Schädel
Frederic Welter ...
Tim
Alexandra Schiffer ...
Julia
Arzu Bazman ...
Chayenne
Josephine Jacob ...
Tina
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Storyline

Inken (Diana Amft) is an eighteen-year-old girl, frustrated for not having had an orgasm yet with her boyfriend. Her two best friends are Vicky (Felicitas Woll), who is in the same situation as Inken, not knowing the pleasure of an orgasm, and the still virgin Lena (Karoline Herfurth). Inken and Vicky try to find a man or woman able to give pleasure to them while Lena has her heart broken by her boyfriend. But they finally find mates and achieve their dreams. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Comedy

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Release Date:

29 March 2001 (Germany)  »

Also Known As:

Girls on Top  »

Company Credits

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The only one of his film that Dennis Gansel did not have any hand in the screenplay. See more »

Connections

References There's Something About Mary (1998) See more »

Soundtracks

Walking Back Home
Performed by Commercial Breakup
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User Reviews

 
How to make a German comedy without getting obnoxious...
30 March 2001 | by (Bamberg, Germany) – See all my reviews

As an avid hater of the German movie scene I was most surprised to see this really hilarious, light comedy about young girls in their raid for the lost orgasm. Director Dennis Gansel, totally unknown til this movie, succeeds in creating likeable characters and a decent plot which of course is all about love, rejection and the unbearable pains of puberty and adolescence, and which is taking place in an environment which could be just next door - a fact that may be the answer to why this movie is so charming in its simpleness. The gags are well-dosed, but are not getting too rude like many American comedies nowadays (Scary Movie comes to mind).

Most noticeable are the young faces Gansel introduces to the big screen: Diana Amft, Karoline Herfurth and Felicitas Woll are totally convincing in their roles and a wonderful diversion from the omnipresent but so unpleasant diva of German film Katja Riemann. Gansels film does not use anyone of the nearly incestous German film avantgarde, and that's what makes this movie so fresh and joyful to watch. A fresh breeze is what German film needs since Soenke Wortmanns stopped doing independent movies - maybe Gansel is here to revitalize German comedy?


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