Two twelve-year-old boys, Romeo and Gavin, undergo an extraordinary test of character and friendship when Morell, a naive but eccentric and dangerous stranger, comes between them. Morell ... See full summary »
Darren O. Campbell
In this documentary, set in Bosnia during the war, Pawlikowski steers clear of the usual cliches of war reporting. He takes on a more anthropological perspective relying not on commentary ... See full summary »
A candid, fly-on-the-wall BBC television documentary portrait of Russian Nationalist politician, Vladimir Zhirinovsky. The film shows the leader on a cruise surrounded by two hundred ... See full summary »
The film is about revisiting the locations of the world-famous Russian novel 'Moscow-Petushki' by Venedikt Yerofeyev. At the consecutive railway stations, passengers recall the writer who ... See full summary »
Follows a gang of small time crooks in an English town. Malc is in danger of losing his girlfriend Kate if he doesn't spend more time at home and the gang leader Jumbo looks like he is ... See full summary »
Tanya arrives in London with her son Artyom, expecting to be met by her boyfriend. When he doesn't show and immigration wants to send her back to Russia, she asks for political asylum to buy some time. She has no idea that this will consign them for at least a year to a detention center, a fenced "city" near an abandoned seaside amusement park. Once there, realizing her boyfriend will never help her, she just wants to go home, but withdrawing the petition for asylum takes months. She's approached by pornographers inviting her to strip on line for cash; she's befriended by Alfie, a clerk at a convenience store at the center. She's a dreamer; what can she do? Written by
[Immigration officers are putting Tanya and Artyom into police cars to transport them to Stonehaven]
Kuda on nas vedet, mam? On chto, khochet chtoby ya polez tuda v yego mashinu? Ya ne polezu nikuda v yego mashinu. (Where are they taking us, mom? He wants me to get in his car? I'm not getting in his car.)
Zalez', pozhaluysta. (Get in, please.)
Ne polezu. (I'm not getting in.)
Chego on khochet ot nas? Chego on khochet ot nas? (What does he want with us? What does he want with us?)
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A glowing review of this film on the radio enticed me. The review, I recalled in retrospect, was about the film's technical points. I experienced the film as a sad and predictable home movie about a Russian woman and child, who simply do not know what they are doing with their lives. The one counterpoint character in the life-in-the-gulag story line, played very well by Paddy Considine, kept the film alive, in my opinion. I was impressed with the film's ending. There was a message about responsibility and self victimization that was very refreshing. I did not feel that the film offered entertainment, even in my broadest definition, but it did offer a look at poverty, brutish bureaucracy and the consequences of ignorance in the whole realm of illegal immigration. Perhaps it could be shown regularly at airports in developing countries.
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