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The Bourne Identity (2002)

PG-13 | | Action, Mystery, Thriller | 14 June 2002 (USA)
2:09 | Trailer

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A man is picked up by a fishing boat, bullet-riddled and suffering from amnesia, before racing to elude assassins and regain his memory.



(screenplay), (screenplay) (as William Blake Herron) | 1 more credit »
792 ( 188)
3 wins & 5 nominations. See more awards »



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Cast overview, first billed only:
Research Tech
Research Tech
Giancarlo (as Orso Maria-Guerrini)
Denis Braccini ...
Nicky Naudé ...
Castel (as Nicky Naude)
David Selburg ...


Based very loosely on Robert Ludlum's novel, the Bourne Identity is the story of a man whose wounded body is discovered by fishermen who nurse him back to health. He can remember nothing and begins to try to rebuild his memory based on clues such as a Swiss bank account, the number of which is implanted in his hip. He soon realizes that he is being hunted and takes off with Marie on a search to find out who he is - and why he is being hunted. Written by Peet

Plot Summary | Plot Synopsis


Wer ist Jason Bourne? (Who is Jason Bourne?) See more »

Motion Picture Rating (MPAA)

Rated PG-13 for violence and some language | See all certifications »

Parents Guide:



Official Sites:


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Release Date:

14 June 2002 (USA)  »

Also Known As:

Identidad desconocida  »

Filming Locations:


Box Office


$60,000,000 (estimated)

Opening Weekend:

$27,118,640 (USA) (14 June 2002)


$121,468,960 (USA) (8 November 2002)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


When Bourne initially docks with the fishermen who find him, he gets off and walks across the street. As he crosses a small motor buggie begins toward him in the opposite direction. Right as the two are about to intersect two pedestrians cross the foreground, momentarily obstructing the view. After they move, Bourne has disappeared. If you watch closely you can see Bourne's (Matt Damon's) feet underneath the motor buggie running behind with it to stay concealed. Once it has gotten to the right side of the screen you see his body come up from ducking behind the buggie. See more »


When Jason and Marie are driving from Zurich to Paris, they can be seen on a country road next to a railroad track with high mountains in the background. While it is true that between Zurich and Basel, the railroad track is at some points next to the road, they would certainly not have taken a country road. There are highways directly leading from Zurich via Basel to Paris. Furthermore, there are no mountains that high anywhere near the route they are taking. The only mountains that could possibly be seen by them is the Jura, which is no higher than 1720 meters. The mountains shown are however clearly supposed to be the Alps. See more »


Jason Bourne: Whatever we do, we have to do it together. We have to be...
Marie: We? The only thing we had in common was that neither one of us knew who you were! We are past that now.
Jason Bourne: Marie! Listen to me! The police will find us, and the people who took that picture in the Embassy, the people who killed Wombosi, they are going to come here and they are gonna kill us.
Marie: The people you work for!
Jason Bourne: I will take you wherever you need to go. I will take you there; I will leave you there. You can do whatever you want, you ...
See more »

Crazy Credits

A thunderstorm sounds in the background of the Universal logo. See more »


References Project: Kill (1976) See more »


In the Sun
Written and Performed by Joseph Arthur
(included in alternative ending only)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Hooray for decent, more realistic spy films!
17 March 2003 | by See all my reviews

I have grown extremely tired of the typical formula spy film like Bond, or the juvenile stunt exhibition "Triple X." There have been a bare handful of spy films that feature relatively realistic spy thrillers, especially recently with a concentration on spectacular movies that have less substance than cotton candy.

Besides "The Bourne Identity," "Ronin" is the only other recent spy movie I can think of that didn't feature skydiving, bungie jumping, skiing downhill while shooting innumerable bad guys, laser pens, cars with ejection seats, or silicone breasted women with names you'd be vaguely embarrassed to say in front of your mother. Most of the crap that passes for an espionage film has no plot or reason for existing other than to meet a quota of explosions and cleavage in order to draw the summer action film crowd.

While "Bourne" does not have a particularly deep plot, it is consistent and focused. The focus is entirely upon Bourne and how he is to deal with having no memory of his past, being hunted without knowing why. Some people have complained about being confused by the movie. I for one, do not need to have everything spelled out since in many cases this smacks of unreality in the first place; the essence of espionage is drawing conclusions from very sketchy information. If you can't handle a little of that, you probably should stick to Disney films or TV's Scooby Doo where everything is explained in the end. We never find out about what is in the case in "Ronin" and I can live without some information being filled in about Bourne's past.

To those who have moaned about the incompatibility of the book and the movie, seek help. There are probably several things that work in the book that would either be boring and take too much screen time to explain, or would be viewed as cliche to modern screen audiences. As I remember, I liked the book, and I definitely like this movie. I view any movie adaptation as an interpretation of the book rather than a translation from words to pictures anyway.

As for realism, most of the action scenes are believable, no super-gadgets are to be seen, no incredibly lovely models fall madly in bed with Bourne, and the hero shows definite signs of physical vulnerability despite a very high level of training and competance. As someone who has trained in martial arts for over 10 years, unrealistic fight scenes are a pet peeve. The fights in "Bourne" are fast, nasty, and very realistic while still being entertaining for the layman. (And yes, taking a gun away from some idiot who is standing well within your striking radius without getting shot is definitely doable, though I had serious doubts until we tested it for ourselves with plastic dart guns in the dojo several years ago).

While not being perfect, "The Bourne Identity" is, simply put, several grades above the typical spy film. Being focused on an individual level rather than involving itself huge political ramifications lends it another layer of respectability rather than detracting from it as some comments have implied since it remains a human problem on a comprehensible scale. The mysteries that are left are bigger mysteries for Bourne than us, and I think should be viewed as intentional omissions rather than loose ends. The implausibilities are kept to a minimum and the realism to as high a level as possible while still being spectacular enough to meet the expectations of the genre.

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