| Photos (See all 15 | slideshow) | Videos (see all 4) |
Directed by | |||
| Nicole Holofcener | |||
Writing credits(WGA) | ||
| Nicole Holofcener | (written by) | |
Produced by | |||
| Anthony Bregman | .... | producer | |
| Eric d'Arbeloff | .... | producer | |
| Michael Escott | .... | co-executive producer (as Mike Escott) | |
| Debra Grieco | .... | co-producer | |
| Ted Hope | .... | producer | |
| Michael Kafka | .... | executive producer | |
| Jason Kliot | .... | executive producer | |
| Charles J. Rusbasan | .... | co-executive producer (as Charles Rusbasan) | |
| Joana Vicente | .... | executive producer | |
| Judith Zarin | .... | co-executive producer | |
Original Music by | |||
| Craig Richey | |||
Cinematography by | |||
| Harlan Bosmajian | (director of photography) | ||
Film Editing by | |||
| Robert Frazen | |||
Casting by | |||
| Jeanne McCarthy | |||
Production Design by | |||
| Devorah Herbert | |||
Art Direction by | |||
| Missy Parker | |||
Costume Design by | |||
| Vanessa Vogel | |||
Makeup Department | |||
| John Blaine | .... | key hair stylist | |
| Kathleen Freeman | .... | key makeup artist (as Kathleen Freeman-Smith) | |
| Andrea Helm | .... | assistant hair stylist | |
| Pecha Koyadinovich | .... | key hair stylist | |
| Matt Mastrella | .... | additional special effects makeup artist | |
| Lana Milosavljevic | .... | assistant hair stylist | |
| Alexis Walker | .... | assistant makeup artist | |
| Tanya Cookingham | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Van Hayden | .... | first assistant director | |
| Nicholas Lee | .... | second assistant director | |
| Kyle LeMire | .... | second second assistant director | |
Art Department | |||
| Derek Asuan-O'Brien | .... | set dresser | |
| Johnny D. Culley | .... | property master (as Johnny Culley) | |
| Sharon Curtis-Baltazar | .... | set dresser | |
| Rafael Inocencio | .... | prop intern | |
| David Loitz | .... | lead person | |
| Brad Morrison | .... | swing | |
| Beth Steffen | .... | set dresser | |
| Hanh Vo | .... | set dresser | |
| Pedro Ramirez | .... | assistant property master (uncredited) | |
Sound Department | |||
| Mark Allen | .... | sound effects supervisor | |
| Gary Coppola | .... | sound re-recording mixer (as Gary J. Coppola) | |
| Doug Davey | .... | sound re-recording mixer | |
| Craig S. Jaeger | .... | foley editor (as Craig Jeager) | |
| David Kudell | .... | sound assistant (as David Kadell) | |
| Brian Linder | .... | sound mixer | |
| Kimaree Long | .... | dialogue editor | |
| Kelly Oxford | .... | supervising sound editor (as Kelly L. Oxford) | |
| David Stanke | .... | sound assistant | |
| Gerard Vernice | .... | boom operator | |
| Trevor Ward | .... | stereo sound consultant: Dolby | |
| Chris Elam | .... | sound re-recording mixer (uncredited) | |
| Kimaree Long | .... | adr editor (uncredited) | |
| Claes Nystrom | .... | sound re-recording mixer (uncredited) | |
Visual Effects by | |||
| O.T. Hight | .... | fire/Inferno artist: HDTV | |
| O.T. Hight | .... | visual effects artist (uncredited) | |
Casting Department | |||
| Tony Rasmussen | .... | extras casting: Rainbow Casting | |
| Nadia Lubbe Simon | .... | casting assistant (as Nadia Lubbe) | |
| John Srednicki | .... | casting assistant | |
| Jeff Olan | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Ember Bekovsky | .... | costume supervisor | |
Editorial Department | |||
| Sam Dlugach | .... | tape-to-tape colorist: HDTV | |
| Daniel Gabbe | .... | assistant editor | |
| Scott Stewart | .... | post-production consultant: 24p HDTV (as Scott Charles Stewart) | |
| Michael Hatzer | .... | color timer (uncredited) | |
Music Department | |||
| Joel Cabotage | .... | assistant recording engineer | |
| Cenovia Cummins | .... | musician: fiddle | |
| Ned Farr | .... | musician: guitar | |
| Jon Ossman | .... | musician: bass | |
| Craig Richey | .... | music editor | |
| Craig Richey | .... | musician: guitars, piano, vocals, whistle, harmonica, autoharp | |
| Craig Richey | .... | original score producer | |
| Craig Richey | .... | score recordist | |
| Amy Rosen | .... | music supervisor | |
Transportation Department | |||
| Mike Castaneda | .... | driver | |
| Guy Johnson | .... | head driver | |
| Dennis Kincaid | .... | driver | |
| Steve Pate | .... | transportation coordinator (as Stevo Pate) | |
| Maryalyce Sager | .... | driver (as Mary Alice Sagar) | |
| Bobby Weaver | .... | driver (as Bob Weaver) | |
Other crew | |||
| Julie Adams | .... | dialect coach: Ms. Emily Mortimer | |
| Julie Anne Adams | .... | production accountant | |
| Doug Allen | .... | cartoonist: Hickory Dawg Cartoon, Twinkle | |
| Stefanie Azpiazu | .... | assistant: Mr. Bregman | |
| Paige Black | .... | set production assistant | |
| Michael Bodie | .... | office production assistant | |
| Susan H. Bodine | .... | production attorney: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (as Sue Bodine) | |
| Jerome Butler | .... | dialect coach | |
| Michael Caccamise | .... | assistant production coordinator | |
| Helen Caldwell | .... | script supervisor | |
| Bess Carlisle Coleman | .... | assistant location manager (as Carlisle Coleman) | |
| Cory Chew | .... | completion bond: Film Finances | |
| Alison S. Cohen | .... | production attorney: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (as Alison Cohen) | |
| Maureen Duffy | .... | completion bond: Film Finances | |
| Pete Fausone | .... | graphic artist: HDTV | |
| Pete Fausone | .... | title designer: HDTV | |
| Stephanie Friedman | .... | assistant: Mr. Kliot and Ms. Vicente | |
| Kate Gale | .... | craft service | |
| Janice Gantenbein | .... | animal wrangler (as Janice Gantenbien) | |
| Manuel Gonzales | .... | chef assistant: Eclipse Catering | |
| Janine Halloway | .... | production banking: HSBC Bank, USA | |
| Ed Hamilton | .... | fire editor: HDTV | |
| Tiffany Haynes | .... | assistant to line producer | |
| Mac Henderson | .... | payroll services: All-Payments Services | |
| John Kuramoto | .... | cartoonist: Hickory Dawg Cartoon, Twinkle | |
| Dawn Lanie | .... | payroll services: All-Payments Services | |
| Eric Lanzo | .... | set production assistant | |
| Gary Leib | .... | cartoonist: Hickory Dawg Cartoon, Twinkle | |
| Kojo Lewis | .... | location manager | |
| Diana Lui | .... | production coordinator | |
| Laurent Marchand | .... | chef: Eclipse Catering | |
| Matt Mastrella | .... | set production assistant | |
| Ross Miller | .... | insurance: D.R. Reiff & Associates | |
| Michael Moncreiff | .... | film-out production supervisor | |
| Bennett Pozil | .... | financing: Patexis Banques Populaires | |
| Dav Rauch | .... | title artist: The Orphanage | |
| Dan Riley | .... | studio teacher | |
| Marc Sadeghi | .... | producer: title design | |
| Paula Schmit | .... | completion bond: Film Finances | |
| Brian Shafer | .... | assistant location manager | |
| Jim Switzer | .... | payroll services: All-Payments Services (as Jon Switzer) | |
| Greg Trattner | .... | completion bond: Film Finances (as Gregory Trattner) | |
| Sabino Villanueva | .... | chef assistant: Eclipse Catering | |
| Amy Wieland | .... | key set production assistant | |
| Carol Woodward | .... | medical advisor | |
| Kurt Woolner | .... | completion bond: Film Finances | |
| Cliff Hsui | .... | HDTV technician (uncredited) | |
| Graham Kurzner | .... | location assistant (uncredited) | |
| Gina Meyers | .... | production assistant (uncredited) | |
Thanks | |||
| Benjamin Allanoff | .... | special thanks (as Ben Allanoff) | |
| Howard Cohen | .... | special thanks | |
| Ellory Elkayem | .... | special thanks | |
| Tamara Elkayem | .... | special thanks | |
| Carolee Goldstein | .... | special thanks | |
| Ronda Gomez-Quinones | .... | special thanks (as Rhonda Gomez-Quinones) | |
| Carol Joffe | .... | special thanks | |
| Charles H. Joffe | .... | special thanks (as Charles Joffe) | |
| J.P. Jones | .... | special thanks | |
| Peter Krikes | .... | special thanks | |
| Sig Libowitz | .... | special thanks | |
| Carrie Loudin | .... | special thanks | |
| Edward Mazurek | .... | special thanks | |
| Tracy McKnight | .... | special thanks | |
| Steve Meerson | .... | special thanks | |
| Tim Mukanos | .... | special thanks | |
| David Mullen | .... | special thanks | |
| D.P. Parker | .... | special thanks | |
| Catherine Parrington | .... | special thanks | |
| Jeanine Rohn | .... | special thanks | |
| Ian Root | .... | special thanks | |
| Jack Saraceno | .... | special thanks | |
| Joyce Schweickert | .... | special thanks | |
| Andrea Sperling | .... | special thanks | |
| Suzanne Strohmaier | .... | special thanks | |
| Shelley Surpin | .... | special thanks | |
| Peter Torres | .... | special thanks | |
| Annette Vait | .... | special thanks | |
| Dave Young | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Wow, Emily Mortimer has guts! | ema351 |
| Merkin!?!? | swankby |
| What's your opinion | marisaf1980 |
| is it a chick flick? | briseydi |
| The dogs | re3167 |
| Casting - 2 brits ? | beardouk |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
When I first saw Walking and Talking, Nicole Holofcener's previous film, I didn't realize at first what a brilliant piece of work it was. My experience with Lovely and Amazing was exactly the same. It is only later that it becomes clear how expertly the relationships between the characters are illuminated and with what originality she has constructed a story. Lovely and Amazing is an examination of a family of women and their complex relationships with themselves and the men in their lives. The women in Lovely and Amazing are real people. They are frequently horrible to each other and sabotage themselves just like real women. They are also capable, like real women, of moments of intimacy and insight with each other.
I believe Nicole Holofcener is the most talented indie filmmaker out there at the moment. Walking and Talking is one of my all time favorite films, and Lovely and Amazing just confirmed her status in my eyes as an insightful storyteller. Audiences deserve more films that achieve this level of excellence, and I hope Nicole Holofcener has the chance to deliver them.