Things have been tough lately for Amelia. Her best friend moved out of the apartment, her cat got cancer, and now her best friend, Laura, is getting married. She copes with things, from the... See full summary »
A young man who was born without an immune system and has lived his life within a plastic bubble in his bedroom finds out that the woman he has loved since childhood is about to be married ... See full summary »
Life is good for Jack, Carter and Harlan, three inept ne'r-do-wells who help run master dope-grower Malcoms flourishing marijuana plantation somewhere in northern California. But then ... See full summary »
Billy Bob Thornton,
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students, who wants to search through his papers, and her estranged sister, who shows up to help settle his affairs.
Josh and Sam are two brothers facing change, their mother is about to marry a French accountant and the kids are sent to go live with their father in Florida. Meanwhile Josh tells Sam that ... See full summary »
Martha Horgan, a naive woman with an intellectual impairment who lives with her aunt Frances in a small town, is known for always telling the truth. She works at a dry cleaner, where her ... See full summary »
A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
Mary Kay Place
The Marks family is a tightly-knit quartet of women. Jane is the affluent matriarch whose 3 daughters seem to have nothing in common except for a peculiar sort of idealism. Setting the tone of vanity and insecurity, Jane is undergoing cosmetic surgery to alter her figure, but serious complications put her health in real danger. Former homecoming queen Michelle, the eldest daughter, has one daughter of her own and an alienated, unsupportive husband. Elizabeth, the middle sister, has an acting career that is beginning to take off, but is timid and insecure, and habitually relieves her trepidation by taking in stray dogs. Only the youngest sister, Annie, an adopted African American 8-year-old, stands a chance of avoiding the family legacy of anxious self-absorption. If only her intelligence and curiosity will see her through what promises to be a confusing adolescence. Each of the women seeks redemption in her own haphazard way. Written by
Actress Emily Mortimer continues to be confronted about the scene in which she stands nude and opens herself up to a full body critique. In a 2012 interview with Allure magazine, Mortimer explains, "Frankly, I'm bored by talking about pubic hair, or a lack thereof. Just as I don't find Brazilian waxes creepy, I don't find a lack of one offensive. It seems to me that the argument should be dead and buried by now: People simply have different tastes when it comes to bikini-area grooming." See more »
When Michelle first sees Annie in McDonald's, she does not have a drink on her tray. When she walks closer to Annie she has a drink on her tray . See more »
whenever she launched into one of her favorite themes, "American women hate their bodies." "Lovely & Amazing" takes us into the appearance-based self-image of females from eight to slightly past mid-age whose concern about their bodies is one major part of their complex, sometimes wacky and always interdependent lives.
"Lovely and Amazing" takes its place along "Kissing Jessica Stein" as a sharp, inspired view of women's lives as seen through a female director's vision brought to life by an outstanding cast.
Director Nicole Holofcener, who also wrote the script, projects a sense of balance that brings each character's life into sharp and absorbing focus. Jane, (Brenda Blethyn) the long-divorced matriarch, adopted a young black girl, Annie (Raven Goodwin). No reason given and...none needed. Jane is both wise and vulnerable, warm and vain.
Her two grown-up (entirely chronologically and partially emotionally) daughters, Michelle (Catherine Keener) and Elizabeth (Emily Mortimer) lead different lives but express much mutual love for each other and with Annie. No sibling rivalry and repressed anger from a pantheon of past slights in this flick. Michelle is a caring mother of a little girl married to a guy who obviously is tired of the union but Michelle can't figure out why. Her husband may be bored and disposed to philandering but she never figures out that his complaint that she won't work but only devotes herself to creating odd objets d'art that no one wants to buy has some merit.
Elizabeth is a stray pooch-collecting film actress teetering on the edge of dwindling starletdom. Described as neurotic, she really has a basis for her career insecurity which is exacerbated by a boyfriend whose unsupportive manner borders on clinical anhedonism. Woody Allen's frequent neurotic film persona is unbounded joy compared to this guy.
Weaving through the sisters' and mom's various dilemmas is a constant concern about body contours. The rigors of liposuction (the mom's expensive treat for herself) are realistically shown - no sugar-coated subliminal push for surgical sculpting here. The scene where a naked Elizabeth demands a post-coital appendage-by-appendage evaluation by her cautious lover wryly comes close to a truth many women admit to but only amongst themselves (I assert that Upon Information and Belief, a useful lawyer's escape).
Annie, born a crack baby, now has to deal with baby fat as her important life issue. Whether she wants to or not. She's sharp and funny and the genuine ease by which her two siblings refer to her as their sister does not displace references to the reality of growing up black in an affluent white family but it does put that dimension in perspective. This is a very lucky, loved kid and the affection between the three sisters is believable. Also welcome. And just plain nice.
All four share the trait of being able to hurl four-letter expletives at the drop of a slight. It's very funny.
The men in the movie aren't so much irrelevant as they are accessories: useful, often annoying, sometimes immature but never dangerous. Or even worth looking at too closely.
Catherine Keener and Emily Mortimer shine as complex characters not wholly aware of why their lives play out as they do. Neither can repress a refreshing optimism that surfaces time and again. Ms. Keener is an amazing actress!
Director Nicole Holefcener has a lot to say and I'm look forward to her next film.
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