In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world. Written by
Sujit R. Varma
As part of the pre-released publicity for this film, it was claimed that Simone would be played by a completely photo-realistic computer-generated actress. See more »
The hard drive which holds "S1m0ne" data is shown to be without a cover over the disk platters. Viktor (Al Pacino) is shown to put his hands on the surface of the top platter when he inserts the hard disk into his PC. Any reasonably well informed PC user or repairman knows that a hard disk's platters are extremely sensitive to both dust and finger oils: exposing the platters to open air and finger oils would quickly render the hard disk useless. While we can't expect Viktor to know this, we can expect his scientist/supplier Hank Aleno to have known this. Hank Aleno should not have provided such an obviously unreliable piece of PC hardware. See more »
Director and writer Andrew Nicol has only a few scripts and movies in his record, but all are memorable. He wrote and directed 'Gattaca', wrote 'The Truman Show' script, and here he is again both writing and directing with 'S1m0ne'. It is seldom that one director chooses his films in such a focused manner, and in his case it certainly pays back.
'S1m0ne' is another story about Hollywood, but a really original one. Since the film was released the first completely virtual film became reality, and some of the best movies of 2002 combine real actors and fantastic computer generated characters. Is this a threat to the big star system? This is the main theme of the movie. The second, and maybe even more important is the cult for icons, the morbid fascination of the public with the life of celebrities. The two themes play well together, combined with the excellent portrait that Al Pacino creates for his Faustian director.
I liked the movie. It has enough interesting material to keep the interest. The weaker points are the length - yet another film which would have benefit if it was 10-15 minutes shorter - and the final which is too conventional relative to the originality of the rest of the script.
8/10 on my personal scale - go and see or rent it, you will not be disappointed.
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