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S1m0ne (2002)

PG-13 | | Comedy, Drama, Fantasy | 23 August 2002 (USA)
2:16 | Trailer

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A producer's film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a real person.



1 nomination. See more awards »



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Cast overview, first billed only:
Production Assistant
Darnell Williams ...
Studio Executive #1
Studio Executive #2
Studio Executive #3
Man in Suit
Simone (as Simone)
Premiere Audience Member
Carole Androsky ...
Premiere Audience Member (as Carol Androsky)
Premiere Audience Member


The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world. Written by Sujit R. Varma

Plot Summary | Plot Synopsis


On August 23, Meet a Real Fake See more »

Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality | See all certifications »

Parents Guide:





Release Date:

23 August 2002 (USA)  »

Also Known As:

Simone  »

Box Office

Opening Weekend:

$3,813,463 (USA) (23 August 2002)


$9,680,913 (USA) (4 October 2002)

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs


Sound Mix:

| |


Aspect Ratio:

2.35 : 1
See  »

Did You Know?


Al Pacino's character, Viktor Taransky, is based on Raymond Kurzweil and his female alter ego Ramona. See more »


Lainey's hair while at Viktor's computer after his arrest. See more »


[first lines]
Production Assistant: Uh, Mr. Taransky, she's...
Viktor: She's walking? Don't tell me she's walking. She can't walk!
[heads off running]
Viktor: Nicola!
See more »

Crazy Credits

After the credits finish, there is a scene with Victor using a camcorder in a supermarket. He pulls a cart along with a string and films it moving "by itself", he pushes it and then follows it filming, he walks up to various products and tosses them into the cart, filming everything from various angles. This is followed by the "completed" shot of Simone, casually making her shopping selections. Finally, we see the Echo Magazine reporter, watching Simone shopping on TV. He sighs, and says, "She likes chicken pot pie. Just like me." See more »


References Mary Shelley's Frankenstein (1994) See more »


Requiem - Pie Jesu
Written by Gabriel Fauré
Performed by Oxford Camerata and Schola Cantorum of Oxford
J. Summerly, conductor
Courtesy of Naxos of America
By Arrangement with Source/Q
See more »

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User Reviews

Sharp Satire, Dull Romance
26 July 2004 | by (Savannah, GA) – See all my reviews

The cult of celebrity is brilliantly examined in Andrew Niccol's `Simone.' Al Pacino plays a washed-up `art film' director who is fed up with the spoiled leading ladies with whom he has to work. After his latest leading lady (Winona Ryder in an excellent performance) walks out before the end of production, Pacino is left with an unreleasable film. He is approached by an adoring fan, a `computer geek' dying from cancer, who offers him a solution to his difficulties. Pacino rejects the offer, but the geek sends him a computer disk containing `Simulation One.' When Pacino activates the disk, up pops a stunningly beautiful female,' who is a programmable simulation. Pacino adds personality ingredients from famous actresses of the past, and, viola, `Simone' is created.

Inserting Simone's image and voice into Ryder's footage, Pacino completes his film. However, Pacino's work is overshadowed by his creation. Simone becomes a world famous celebrity, a cult goddess.

Combining the cult celebrity of Garbo, Princess Di, Farrah Fawcett and Pamela Anderson, with maybe a little Britney Spears thrown in, Andrew Niccol has created a sharp satire of hero worship. Lacking an ego, Simone is the projection of everyone's desires; men want her and women want to be like her. Even more fascinating is Pacino's revelation that he is jealous of his creation, even when he has no need to be. Niccol sustains his sharp satire of celebrity until the very end of the movie.

Where `Simone' stumbles is its flat romance between Pacino and his former wife, Christine Keener. I'm sorry, but for me Keener lacks anything resembling sex appeal. Had this role been given to Kim Basinger, Rita Wilson, Cybil Shepherd, Ellen Barkin or Lauren Hutton, the `younger beauty/aging beauty pathos could have been examined. As it stands, `Simone' lacks the kind of conflict which could have given it real spark. Nonetheless, `Simone' is a fun, funny movie and is definitely worth seeing. I give `Simone' a `7'.

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