In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world. Written by
Sujit R. Varma
As part of the promotion for the movie, "official" Web sites were created for most of the fictional movies featured in S1m0ne (2002). See more »
The hard drive which holds "S1m0ne" data is shown to be without a cover over the disk platters. Viktor (Al Pacino) is shown to put his hands on the surface of the top platter when he inserts the hard disk into his PC. Any reasonably well informed PC user or repairman knows that a hard disk's platters are extremely sensitive to both dust and finger oils: exposing the platters to open air and finger oils would quickly render the hard disk useless. While we can't expect Viktor to know this, we can expect his scientist/supplier Hank Aleno to have known this. Hank Aleno should not have provided such an obviously unreliable piece of PC hardware. See more »
I was fortunate enough to see a screening of this film before its wide release date. I must say that the trailers do not do this film justice; it is a very intelligent satire that provides commentary on many things including Hollywood as an industry, the audience as a questionable (flawed) jury, the personal conflicts of greed and guilt, and what it means to "be in control" - all within the context of a very effective comedy. The film has several genuinely funny moments and I left the screening not only with a sense of satisfaction, but with the feeling that this film will only become more relevant with time. Simone is a very well executed film and raises thought-provoking questions (though nothing new) about the industry and the proverbial "human condition" while being funny. I, too, was pleasantly surprised.
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