A producer's film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a real person.
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Because of an unusual aging disorder that has aged him four times faster than a normal human being, a boy enters the fifth grade for the first time with the appearance of a 40 year old man.
A workaholic architect finds a universal remote that allows him to fast-forward and rewind to different parts of his life. Complications arise when the remote starts to overrule his choices.
Director:
Frank Coraci
Stars:
Adam Sandler,
Kate Beckinsale,
Christopher Walken
An IRS auditor suddenly finds himself the subject of narration only he can hear: narration that begins to affect his entire life, from his work, to his love-interest, to his death.
A fast-lane investment broker, offered the opportunity to see how the other half lives, wakes up to find that his sports car and girlfriend have become a mini-van and wife.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world. Written by
Sujit R. Varma
When Simone's costars for "Eternity Forever" with whom she conducts a meeting via telephone introduce themselves, most of them have computer software/hardware manufacturers' names: Corel, Claris (Simone worked with her cousin Dell), Hewlett, Lotus, and the two that aren't companies: Mac and Hal, the HAL 9000 from 2001: A Space Odyssey. See more »
Goofs
Viktor writes "I love you Vic" on the hotel mirror. This should be "Vik". See more »
Quotes
[first lines]
Production Assistant:
Uh, Mr. Taransky, she's...
Viktor:
She's walking? Don't tell me she's walking. She can't walk!
[heads off running]
Viktor:
Nicola!
See more »
Crazy Credits
In the film's title and in the credits, the letters I and O in people's names are replaced with the numerals 1 and 0. See more »
Director and writer Andrew Nicol has only a few scripts and movies in his record, but all are memorable. He wrote and directed 'Gattaca', wrote 'The Truman Show' script, and here he is again both writing and directing with 'S1m0ne'. It is seldom that one director chooses his films in such a focused manner, and in his case it certainly pays back.
'S1m0ne' is another story about Hollywood, but a really original one. Since the film was released the first completely virtual film became reality, and some of the best movies of 2002 combine real actors and fantastic computer generated characters. Is this a threat to the big star system? This is the main theme of the movie. The second, and maybe even more important is the cult for icons, the morbid fascination of the public with the life of celebrities. The two themes play well together, combined with the excellent portrait that Al Pacino creates for his Faustian director.
I liked the movie. It has enough interesting material to keep the interest. The weaker points are the length - yet another film which would have benefit if it was 10-15 minutes shorter - and the final which is too conventional relative to the originality of the rest of the script.
8/10 on my personal scale - go and see or rent it, you will not be disappointed.
34 of 48 people found this review helpful.
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Director and writer Andrew Nicol has only a few scripts and movies in his record, but all are memorable. He wrote and directed 'Gattaca', wrote 'The Truman Show' script, and here he is again both writing and directing with 'S1m0ne'. It is seldom that one director chooses his films in such a focused manner, and in his case it certainly pays back.
'S1m0ne' is another story about Hollywood, but a really original one. Since the film was released the first completely virtual film became reality, and some of the best movies of 2002 combine real actors and fantastic computer generated characters. Is this a threat to the big star system? This is the main theme of the movie. The second, and maybe even more important is the cult for icons, the morbid fascination of the public with the life of celebrities. The two themes play well together, combined with the excellent portrait that Al Pacino creates for his Faustian director.
I liked the movie. It has enough interesting material to keep the interest. The weaker points are the length - yet another film which would have benefit if it was 10-15 minutes shorter - and the final which is too conventional relative to the originality of the rest of the script.
8/10 on my personal scale - go and see or rent it, you will not be disappointed.