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S1m0ne (2002)

 -  Comedy | Drama | Fantasy  -  23 August 2002 (USA)
6.1
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Ratings: 6.1/10 from 47,853 users   Metascore: 49/100
Reviews: 223 user | 115 critic | 38 from Metacritic.com

A producer's film is endangered when his star walks off, so he decides to digitally create an actress to substitute for the star, becoming an overnight sensation that everyone thinks is a real person.

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Title: S1m0ne (2002)

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Cast

Cast overview, first billed only:
...
...
Production Assistant
...
Darnell Williams ...
Studio Executive #1
...
Studio Executive #2
...
Studio Executive #3
...
...
...
...
Kent
...
Man in Suit
...
Simone (as Simone)
...
Premiere Audience Member
Carole Androsky ...
Premiere Audience Member (as Carol Androsky)
...
Premiere Audience Member
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Storyline

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world. Written by Sujit R. Varma

Plot Summary | Plot Synopsis

Taglines:

On August 23, Meet a Real Fake See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 August 2002 (USA)  »

Also Known As:

Simone  »

Box Office

Opening Weekend:

$222,276 (Japan) (12 September 2003)

Gross:

$1,155,054 (Japan) (26 September 2003)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the beginning of the movie, Viktor Taransky (Al Pacino) is removing all the red candies from a bowl of assorted colored candies. He subsequently has a heated conversation with Winona Ryder's character. As a demanding actress her contract specifies that she has the largest trailer on the set, she must always be provided with these candies sans the red ones. This is a reference to a 1982 contract rider for the rock group Van Halen, who required that they be provided with specific foods and drinks. This included a bowl of M&Ms with all the brown ones removed. The removal of the candies wasn't itself important, but was instead a test by the band to see if the contract had been thoroughly read and executed exactly as instructed. This was to ensure the safety of the band, crew and fans at the concert. See more »

Goofs

While Viktor is speaking to Simone after "Sunrise, sunset" premiere, he puts on the table a glass which alternates between being full and empty between shots. See more »

Quotes

[first lines]
Production Assistant: Uh, Mr. Taransky, she's...
Viktor: She's walking? Don't tell me she's walking. She can't walk!
[heads off running]
Viktor: Nicola!
See more »

Crazy Credits

In the film's title and in the credits, the letters I and O in people's names are replaced with the numerals 1 and 0. See more »

Connections

References Network (1976) See more »

Soundtracks

Requiem - in Paradisum
Written by Gabriel Fauré
Performed by La Chapelle Royale, Ensemble Musique Oblique with Philippe Herreweghe
Courtesy of Harmonia Mundi USA
See more »

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User Reviews

 
Darn funny
27 May 2004 | by (United States) – See all my reviews

Very good satire on the cult of celebrity, in which the whole world falls all over itself in praise of a non-existent actress. The movie also deals, to a much lesser extent, with the conflict between wanting to create a perfect artistic vision and wanting to create art that is in the world. It's not the most pointed or savage of satires, but it is quite a funny one. Some people here have criticized it for being predictable, which really misses the point of satire. Satire is based to a great extent on the frightening predictability of people, and it must follow a logical train of escalating events or what's the point. The biggest failing in the movie is near the end where it jumps track from a logical train of events to a dumb plot device, which while not a fatal error is lazy and takes away from the overall effect of the film.

But mainly it's just funny. Consistently so from beginning to end. And also notable as about the only good performance I've seen from Winona Ryder since Mermaids.


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