In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
SIMONE has made a decision: after years of relationships with women, she decides to be with a man for the first time. The film broaches sexual freedom issues through the experiences of its ... See full summary »
Ana Luiza Bergman,
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world. Written by
Sujit R. Varma
Director and writer Andrew Nicol has only a few scripts and movies in his record, but all are memorable. He wrote and directed 'Gattaca', wrote 'The Truman Show' script, and here he is again both writing and directing with 'S1m0ne'. It is seldom that one director chooses his films in such a focused manner, and in his case it certainly pays back.
'S1m0ne' is another story about Hollywood, but a really original one. Since the film was released the first completely virtual film became reality, and some of the best movies of 2002 combine real actors and fantastic computer generated characters. Is this a threat to the big star system? This is the main theme of the movie. The second, and maybe even more important is the cult for icons, the morbid fascination of the public with the life of celebrities. The two themes play well together, combined with the excellent portrait that Al Pacino creates for his Faustian director.
I liked the movie. It has enough interesting material to keep the interest. The weaker points are the length - yet another film which would have benefit if it was 10-15 minutes shorter - and the final which is too conventional relative to the originality of the rest of the script.
8/10 on my personal scale - go and see or rent it, you will not be disappointed.
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