On the day that a serial killer that he helped put away is supposed to be executed, a noted forensic psychologist and college professor receives a call informing him that he has 88 minutes left to live.
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
In 16th century Venice, when a merchant must default on a large loan from an abused Jewish moneylender for a friend with romantic ambitions, the bitterly vengeful creditor demands a gruesome payment instead.
The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress "Simone" to sub for the star--the first totally believable synthetic actress. The "actress" becomes an overnight sensation, with a major singing career as well, and everyone thinks she's a real person. However, as Simone's fame skyrockets, he cannot bear to admit his fraud to himself or the world. Written by
Sujit R. Varma
In the beginning of the movie, Viktor Taransky (Al Pacino) is removing all the red candies from a bowl of assorted colored candies. He subsequently has a heated conversation with Winona Ryder's character. As a demanding actress her contract specifies that she has the largest trailer on the set, she must always be provided with these candies sans the red ones. This is a reference to a 1982 contract rider for the rock group Van Halen, who required that they be provided with specific foods and drinks. This included a bowl of M&Ms with all the brown ones removed. The removal of the candies wasn't itself important, but was instead a test by the band to see if the contract had been thoroughly read and executed exactly as instructed. This was to ensure the safety of the band, crew and fans at the concert. See more »
When Elaine is driving and talking to Simone, there is a Land Rover behind her. In the lane next to her is a Porsche and the same Land Rover, and in the third lane, yet the same Porsche and another copy of the same Land Rover. See more »
I was fortunate enough to see a screening of this film before its wide release date. I must say that the trailers do not do this film justice; it is a very intelligent satire that provides commentary on many things including Hollywood as an industry, the audience as a questionable (flawed) jury, the personal conflicts of greed and guilt, and what it means to "be in control" - all within the context of a very effective comedy. The film has several genuinely funny moments and I left the screening not only with a sense of satisfaction, but with the feeling that this film will only become more relevant with time. Simone is a very well executed film and raises thought-provoking questions (though nothing new) about the industry and the proverbial "human condition" while being funny. I, too, was pleasantly surprised.
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