Set in a breath-taking primitive landscape in the mountainous provinces of Vietnam, the film tells the story of a Hmong tribe girl named Pao. She was raised by her stepmother, for her real ... See full summary »
A young wife decides to complete her education and take her exams. She meets a professor who teaches her to value her own insights while still being able to beat the exams. The change in ... See full summary »
Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. ... See full summary »
When Suzanne Stein has a genetic analysis done on her unborn child, she discovers that although she has a healthy baby, the child will most likely be born gay, like her brother, David. She ... See full summary »
After the death of his strictly religious parents, forlorn young Darkly gets lost in the woods. A truck driver, Jude, rescues the exhausted man, who has only a bible for comfort. He brings ... See full summary »
British Thomas Fowler enjoys his life in Saigon working as a reporter for the London Times, covering the conflict in Vietnam between the colonial French powers and the communists, who seem to be winning the war. In the later stages of his career, he takes his job lightly now, filing stories only on occasion, and no longer doing field work. But most important, this posting allows him to escape from what he considers a dreary life in London--including an unsatisfying marriage to a Catholic woman, who will never grant him a divorce--which in turn allows him to have an affair with a young Vietnamese ex-taxi dancer named Phuong, whom he loves and would marry if he were able. Phuong's sister doesn't much like Fowler if only because Fowler cannot provide a stable future for her. His idyllic life is threatened when head office suggests he go back to London. In this way, he decides to write a major story to prove to his superiors that he should stay in Saigon. In 1952, Fowler is called into ... Written by
The obscure poem quoted by Fowler and Pyle is 'Dipsychus" by Arthur Hugh Clough. See more »
Before the end titles, we are treated to headlines in The Times from the 1950s, over Fowler's byline. The variant "advisor" is seen instead of the more traditional "adviser", which was (and still is) prescribed by The Times' style guide - although "advisor" had occasionally appeared since at least 1833. See more »
I can't say what made me fall in love with Vietnam - that a woman's voice can drug you; that everything is so intense. The colors, the taste, even the rain. Nothing like the filthy rain in London. They say whatever you're looking for, you will find here. They say you come to Vietnam and you understand a lot in a few minutes, but the rest has got to be lived. The smell: that's the first thing that hits you, promising everything in exchange for your soul. And the heat. ...
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Je Suis Swing
Composed by André Homez / John Hess
(c) 1939 Editions Musicales Ray Ventura (assigned to Warner /
Chappell Music France S.A.)
Used by permission of Warner/Chappell Music Australia Pty Ltd.
All rights reserved
Performed by Johnny Hess See more »
Well Made But Too Complex To Be Entirely Cinematic
The story starts with the body of American Adrien Pyle , a medical specialist , being found in a river in Saigon . He has been stabbed to death and London Times journalist Thomas Fowler recounts to the authorities how he knew the man
TQE is a very strange film to comment on simply because I get the feeling that it is based on a very complex political novel by Graham Greene and it's interesting to note how many people on this page have commentated on how well or how badly it has been adapted to screen . It's also interesting to note that it was filmed in the spring of 2001 when George Bush's " war on terrorism " had not happened which clouds the issue more . People on the message boards have written many political threads to tie in with this but it's very interesting that Greene's original novel was written several years before Lyndon B Johnson sent combat troops to South East Asia , so Greene is criticisng American foreign policy in general and an intelligent , cogent way , not so much jumping on the fashionable bandwagon with Michael Moore , John Pilger and George Monbiot so I guess for that he deserves some credit
As a film what makes it so successful is with the casting . Michael Caine as we all know is a living legend and the fact that he has appeared in so many awful movies simply for the money while still retaining prestigious star quality speaks volumes for his talent and as you might expect in this type of role he's superb . What is even more amazing than Caine's performance is that of Brendan Fraser's as Adrien Pyle . I've just remembered how good he was in GODS AND MONSTERS and he's equally as good here as a man who's not what he seems to be . One can't help thinking how well he'd be regarded as an actor if he'd decided to skip THE MUMMY films which unfortunately seems to have prematurely killed his career . Certainly I wasn't reminded of Rick O'Connel while watching this
Where the film falters is - Again - where it shows its literary roots . There's no way you can confuse a Graham Greene novel with a Harold Robbins one , but there's maybe too much of a romantic subplot which gets in the way of the real story and you find your self questioning as to what the main story . Is it the political one or the love triangle ?
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