The Quiet American (2002)

Director:

Phillip Noyce

Writers (WGA):

Graham Greene (novel)
Christopher Hampton (screenplay) ...

Release Date:

7 February 2003 (USA)

Genre:

Drama | Thriller | Romance | War

Tagline:

In war, the most powerful weapon is seduction.

Plot:

An older British reporter vies against a young American for the affections of a Vietnamese beauty.

Plot Keywords:

Saigon | Vietnam | Journalist | Murder | Love Triangle

Awards:

Nominated for Oscar. Another 12 wins & 7 nominations

Cast

Michael Caine	...	Thomas Fowler
Brendan Fraser	...	Alden Pyle
Do Thi Hai Yen	...	Phuong
Rade Serbedzija	...	Inspector Vigot (as Rade Sherbedgia)
Tzi Ma	...	Hinh
Robert Stanton	...	Joe Tunney
Holmes Osborne	...	Bill Granger
Quang Hai	...	General Thé
Ferdinand Hoang	...	Mr. Muoi
Pham Thi Mai Hoa	...	Phuong's Sister
Mathias Mlekuz	...	French Captain
Kevin Tran	...	Watch Tower Soldier
Lap Phan	...	Watch Tower Soldier
Tim Bennett	...	American Photographer
Jeff Truman	...	Dancing American

Also Known As:

Der stille Amerikaner (Germany)
The Spy (Philippines: English title)
Un Américain bien tranquille (France)

MPAA:

Rated R for images of violence and some language.

Runtime:

101 min

Country:

Germany | USA | UK | Australia | France

Language:

English | French | Vietnamese

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Malaysia:18PL | Iceland:14 | Iceland:16 (video rating) | USA:TV-MA (cable rating) | Argentina:13 | Australia:M | Brazil:14 | Canada:PG | Finland:K-15 | Germany:12 (bw) | Netherlands:12 | Norway:15 | Peru:14 | Philippines:PG-13 | Singapore:PG | Spain:13 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Da Nang, Vietnam

Company:

IMF Internationale Medien und Film GmbH & Co. 2. Produktions KG

Trivia:

Miramax had paid $5.5 million for the rights to distribute the movie in North America and some other territories, but then shelved it for a long time. Miramax even tried to sell this movie to other distributors in the United States. But Michael Caine successfully persuaded Miramax to screen this movie at 2002 Toronto International Film Festival. This movie received many good reviews at the Film Festival, so Miramax decided to release this movie in the United States theatrically.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): Alden shows Phuong a picture of Fanueuil Hall in Boston and says, "This is Fanway Hall". Sounds like Fenway Hall. Bostonians say 'Fanyel" hall, or less often, 'Fan-you-well' hall. Fenway Park is where the Red Sox play, so named because is is near the Fens, a marshy area off the Charles river. Fenway has nothing to do with Faneuil.

Quotes:

[first lines]
Thomas Fowler: [voiceover] I can't say what made me fall in love with Vietnam - that a woman's voice can drug you; that everything is so intense. The colors, the taste, even the rain. Nothing like the filthy rain in London. They say whatever you're looking for, you will find here...

Movie Connections:

Featured in "Anatomy of a Scene: The Quiet American" (????)

Soundtrack:

June Light

Michael Caine - Intense, Brooding, Sympathetic, Questioning

I don't understand why the studio satraps thought it necessary to embargo this film after 9/11, requiring persuasion on Michael Caine's part to get it to limited release now so as to qualify for Oscar nominations. The American role in Viet Nam is the subject of hundreds of books and countless articles - and not a few films. There is nothing unhealthy about the continuing debate and contrary to what some opine, I doubt American policy vis-a-vis Iraq has much lineal connection to the troubled saga of U.S. involvement in Indo-China, or its partial successor in hapless interest, the Republic of Viet Nam.

The Graham Green story has been filmed before (1958) but this is a pungent, attention-grabbing version, filmed in various parts of Viet Nam. The sultry and grasping humidity of the land almost comes off the screen. The story takes place in 1952 as the inept and poorly led French stumble towards their ultimate debacle at Dien Bien Phu (anyone interested in this story should start and finish with Bernard Fall's remarkable account of the French Army's Super-Alamo).

Caine, a Brit named Fowler, assures Brendan Fraser, a putative U.S. humanitarian officer named Pyle, that he is a "reporter," not a "correspondent." The difference to the easy-living Fowler is that the latter has a viewpoint, perhaps even a cause, while the former, as Sergeant Friday would say, only wants the facts.

This film really belongs to Caine and Fraser but one other character, the stunning Do Thi Hai Yep, Fowler's live-in girlfriend, deserves mention. She lights up the screen with both her calculating passion for, first, Fowler and then Pyle. Her character is realistically complex: I knew a number of such women when I was an Army officer and although the phrase isn't used here, she's a perfect example of the desperately ambitious, beautiful mistress whose only long-term goal is to be taken to "The Land of the Big P.X."

A series of experiences transform both Fowler and Pyle. Several of the scenes of violence are real enough but the music is intrusive. You don't hear music when people are dying around you. At least not performed by an orchestra.

This is the third recent film in which Michael Caine distinguishes himself by the depth of his acting (the others being "The Cider House Rules" and "Last Orders"). Caine's Fowler leaves us wondering as to what his motives are as he slowly changes before us. There's no clear answer and room for argument. His Fowler is both disturbing and ingratiating.

The audience in the East Village theater where I saw "The Quiet American" today clearly was made up of folks whose minds were settled as to U.S. involvement in Indo-China, never mind the later escalation in Viet Nam. Their grunts and laughs at certain points reflected their views. But the story told here is a faithful mirror of what in 1952 were complex questions in a scary world made scary by communism, not the liberal democracies. That mistakes of a grievous nature were made may be clear today but the road was ill-illuminated then. This film, and Caine's portrayal in particular, reflects the contemporary confusion and the unravelling of any hopes for a peaceful reunification of the two Viet Nams after the French defeat.

I hope this film gets a very wide distribution after it finishes its two-week Oscar-qualifying run.

8/10.