In the late 1960s/early 1970s, a San Francisco cartoonist becomes an amateur detective obsessed with tracking down the Zodiac Killer, an unidentified individual who terrorizes Northern California with a killing spree.
Robert Downey Jr.,
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room. Written by
Having just made a film with 150 locations in the shape of Fight Club (1999), David Fincher was keen to tackle something a lot simpler for his next film. See more »
The amount of coke in Sarah's glass changes between shots. See more »
How do we get into that room?
Hey! What is funny about this? Is this shit funny to you?
Well, I spent the last 12 years of my life building these rooms specifically to keep out people like us.
It's all so ironic and amusing, okay? Now, how do we get in?
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Opening credits are amazingly realistic in that they cast shadows and are reflected on the surrounding glass buildings. See more »
Way ahead of it's time. If you can come up with a story based in a single room and make it as engaging and exciting as this one... you deserve to be frozen and preserved for future teaching of inspiring film makers. This is a fantastic film and I'm glad Jodie Foster was available for the lead when Nicole Kidman got knocked up and bailed. I loved the off-character casting of Jared Leto and the unbelievable casting of Dwight Yoakam... DWIGHT YOAKAM. Everything worked. Another great, and yet again... underrated film by David Fincher. How long is it going to take for an established directed like Fincher to take a chance and roll the dice on trying to make a script like this work again? ...No one has the guts.
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