To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity of a ruthless terrorist. But the plan backfires when the same criminal impersonates the cop with the same method.
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room. Written by
The shot of Sarah's medical bag sliding along the floor outside the panic room took 103 takes. See more »
Meg Altman breaks the mirror with the sledgehammer then walks over the razor sharp shattered glass with her bare feet. But right as she's about to walk out the door you see she's wearing some kind of 'hidden' protection on the bottom of her feet. See more »
How do we get into that room?
Hey! What is funny about this? Is this shit funny to you?
Well, I spent the last 12 years of my life building these rooms specifically to keep out people like us.
It's all so ironic and amusing, okay? Now, how do we get in?
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As long as you can read "An Indelible Picture" you can already see the credit "Jodie Foster" in the background. See more »
A one-trick plot, but amazing camera, intense acting, and tightly made.
Panic Room (2002)
There are three reasons to see Panic Room. 1) The titles: understated, gorgeous, uncanny letters floating in the Manhattan cityscape. 2) The photography: camera moving like an animal, slipping between tiny spaces, swinging across rooms and through floors, inhabiting the screen like another character. 3) Forest Whitaker, again (he's so good so often it's hard to not expect a great performance).
The rest of the film is very good, directed with style and intelligence as usual by David Fincher (who did Seven and Fight Club). The plot is good, but maybe a little conventional overall, and if the details aren't completely predictable, the general flow of events is. The whole cast is quite good--Foster in a familiar embattled, determined role, and Jared Leto is an appropriately crazed, if slightly caricatured, bad guy who just wants money. Don't we all.
I saw this when it came out and was dazzled and yet disappointed by the plot. The second time, knowing the events, I was able to just watch how they unfolded, and it was much better. Expect suspense, intensity, and beautiful camera-work.
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