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Panic Room (2002)

R  |   |  Drama, Thriller  |  29 March 2002 (USA)
6.8
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Ratings: 6.8/10 from 183,783 users   Metascore: 65/100
Reviews: 837 user | 231 critic | 36 from Metacritic.com

A divorced woman and her diabetic daughter take refuge in their newly-purchased house's safe room, when three men break-in, searching for a missing fortune.

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Storyline

Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

It was supposed to be the safest room in the house

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

29 March 2002 (USA)  »

Also Known As:

Safe Room  »

Box Office

Budget:

$48,000,000 (estimated)

Opening Weekend:

£2,022,582 (UK) (3 May 2002)

Gross:

£8,202,281 (UK) (14 June 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The phone number that Meg dials to order pizza from Patsy's Pizza is mentioned to be 579-3000. The area code for Manhattan is 212; the number 212-579-3000 is, in reality, for Patsy's Pizzeria. See more »

Goofs

When Meg is taping up the vents, she leaves the bottom of the vent unsealed. But when it shows her taping up the next vent the first vent is taped shut all the way. See more »

Quotes

Raoul: This kid has seen my face.
Burnham: Yeah, well, that's not my problem.
Raoul: Yeah it is. You're here with me. You're on the hook too.
Raoul: [Raoul looks at Sarah] Do one. Same price for the rest.
Burnham: Stay the fuck away from me.
See more »

Crazy Credits

special thanks to the residents of West 94th Steet, Manhattan See more »

Connections

References MacGyver (1985) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Fincher's often derided thriller demands repeat viewings.
12 June 2011 | by (United Kingdom) – See all my reviews

Meg Altman and her daughter Sarah, move into a vast Brownstone home, this place is unique because it has a panic room, a room of safety from where no intruders can gain access. Sure enough on their first night in their new home, they are forced to flee to the room as three intruders break in to the house, but trouble is is that what the intruders want is in the panic room itself.

From the off we know that Panic Room is going to be oozing David Fincher stylishness, the opening credits sprawled across the Manhattan skyscrape like advertising billboards, perfectly set the tone for the movie to follow. I personally think that following on from the harshness and ingenuity of Fight Club, many were surprised at the simplicity of Panic Room's structure, this is after all a straight forward cat and mousery thriller set in one foreboding building. Yet Fincher gains much claustrophobia from such a large building setting, managing to rack up the tension in every reel. Yet the film, in spite of the oppressive nature of the story, never sits still either. The action kicks in from the off and thru a series of devilish stunts, it continues thru to the pulse raising finale.

The David Koepp screenplay does not seem dark enough on the first viewing, because some of the interplay between the three intruders is actually jocular, but it never loses sight of its thriller heart. Subsequent revisits to the film reveal it to be a tightly constructed character piece, in what is practically a five character story. The real winner in that department is Jodie Foster's Meg Altman, it would have been easy for the character to be ground out as some super heroine, with death defying feats of courage masking her out as wonder woman, but Fincher has her pure and simply as a resourceful human being, fiercely maternal and strong and intelligent she may be, but at her core she remains fallible, and with that she becomes believable. The other big plus point in the film is Fincher's use of the house, where his camera glides about like a phantom, a ghostly observer to the unfolding proceedings. In and out of locks and coffee pots, up and down stairs, and tracking the movements of the intruders, Fincher isn't showing off, he's putting us the viewer into the mix as well.

Cast are very good, Jodie Foster, Forest Whitaker, Jared Leto and a surprisingly potent Dwight Yoakam all come together very well under Fincher's watchful eye, whilst young Kristen Stewart as Sarah puts much emotive heart into a role that could so easily have been too syrupy approaching the final act. Yes it's fair to say that one has to suspend disbelief, this is after all a home invasion thriller following a true course, but in Fincher's hands it rises above cliché to thrive on atmospherics and character dynamics. Well put together and big on ticking time bomb tension, Panic Room gets better on repeat viewings. 8/10


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