Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room. Written by
The opening credits were created by a collaboration between title design company The Picture Mill and special effects company ComputerCafe. It took them one year to complete. See more »
After Meg Throws the medical bag into the panic room and Burnham sees it open for the first time the red plastic case that contains the syringe for Sarah is not there, but later it is. See more »
Any other schoolyard bullshit you wanna settle, or can we get the fuck back to work?
Don't you take no tone with me, jerkwad, 'cause I'll shove it up your ass and snap it off.
You know what? You're a bus driver, *Raoul*! You live in Flatbush! So don't start spouting some Elmore Leonard bullshit you just heard because I saw that movie too.
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Opening credits are amazingly realistic in that they cast shadows and are reflected on the surrounding glass buildings. See more »
David Fincher directs this cleverly conceived thriller about a mother and daughter trapped inside a panic room by three criminals. The film is well-paced and the camera work is slick. The film does well in exploring the confines of the house. Jodie Foster is effective and maintains a high intensity throughout. Kristen Stewart is decent as her daughter. Forest Whitaker plays a slightly sympathetic criminal and does well. Unfortunately, after an engrossing game of cat and mouse, the conclusion is weak. Staple clichés crop up and the film goes for a crowd-pleasing finale that doesn't quite feel right. Still watchable.
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