Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the cofounder who was later squeezed out of the business.
A murder inside the Louvre and clues in Da Vinci paintings lead to the discovery of a religious mystery protected by a secret society for two thousand years -- which could shake the foundations of Christianity.
Recently divorced Meg Altman and her daughter Sarah have bought a new home in New York. On their tour around the mansion, they come across the panic room. A room so secure, that no one can get in. When three burglars break in, Meg makes a move to the panic room. But all her troubles don't stop there. The criminals know where she is, and what they require the most in the house is in that very room. Written by
Darius Khondji quit the production after several weeks as cinematographer to be replaced by Conrad W. Hall. Director David Fincher later admitted that he micro-managed Khondji and didn't allow him to fully take part in the decision-making process. See more »
Meg Altman breaks the mirror with the sledgehammer then walks over the razor sharp shattered glass with her bare feet. But right as she's about to walk out the door you see she's wearing some kind of 'hidden' protection on the bottom of her feet. See more »
[Sarah is riding her scooter alongside her mother]
Sarah, do you have to ride that here?
Mom, we're in the street.
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special thanks to the residents of West 94th Steet, Manhattan See more »
David Fincher directs this cleverly conceived thriller about a mother and daughter trapped inside a panic room by three criminals. The film is well-paced and the camera work is slick. The film does well in exploring the confines of the house. Jodie Foster is effective and maintains a high intensity throughout. Kristen Stewart is decent as her daughter. Forest Whitaker plays a slightly sympathetic criminal and does well. Unfortunately, after an engrossing game of cat and mouse, the conclusion is weak. Staple clichés crop up and the film goes for a crowd-pleasing finale that doesn't quite feel right. Still watchable.
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