Accepting a prize, architect Georg Winter explains that an architect has the good fortune of measuring every completed building against the rightness of his original idea. Soon Georg ... See full summary »
Julius Morlang is a successful art photographer who has moved on after the tragic suicide of his first wife, Ellen. He has found a new muse and lover in Ann, a younger version of Ellen. With the expected success of his new exhibition a near certainty, life for Morlang seems almost perfect - for now. But the past still haunts him. The voice of his dead wife appears on his answering machine - someone sends him her funeral announcement. Paranoia grows, and he is not sure whom he can trust. What is real and is imagined - and can you trust the one you love? Written by
Aubrey Wiseman <Aubreys@hotmail.com>
This film is set on the high end of the European art world. It's a story of an artist's obsession for his wife and jealousy of a rising young artist. These two forces are what motivate Morlang to do everything he does in this film. I also question the motives of the young rising artist. This film just confirms that even though man is the most intelligent animal on the planet, he's still an animal. I can't say much more without giving it away. The cinematography was perfect; great angles, telling the story without words. I'm glad Film Movement brought this movie to the U.S.. It would've been a shame if this film went by unnoticed.
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