A werewolf loose in Los Angeles changes the lives of three young adults, who, after being mauled by the beast, learn they must kill their attacker if they hope to change their fate to avoid becoming werewolves too.
Maximillian is the only survivor from a race of vampires on a Caribbean Island, and as a vampire, he must find a mate to keep the line from ending. He knows that a child had been born to a ... See full summary »
A teenage girl living in California suburbia devises a metaphysical experiment designed to save the world from what she sees as an impending doom...but the results of such an experiment prove to be both beneficial and destructive.
A dark comedy which chronicles the final day in the life of self-proclaimed artist and genius, K. Roth Binew. Binew is a dreamer who elevates his drab and somewhat pitiful existence into a ... See full summary »
Ellie has been taking care of her younger brother Jimmy since their parents death. One night after picking him up from a party they are involved in a car accident on Mullholland Drive. While trying to rescue a woman from the other car a creature attacks and kills her, also injuring both Ellie and Jimmy. After some research Jimmy realizes the creature could only have been a werewolf. Written by
In 2014, Costar Judy Greer spoke of the film in an interview: "I don't know why that movie got so fucked up. I don't understand it. I thought the script was fine. Honest to god, I didn't get the big deal. I don't know who kept making them fuck with it". "Then we shot the movie for, like, seven years. I think they said we had four movies worth of footage. It was so fun, but so weird. I don't get it. I couldn't figure it out." See more »
(at around 24 mins) When Ellie and Joanie are arguing in the hallway at Ellie's office, first Joanie's hair is over her shoulder and her purse is on her arm. Then, no purse, and her hair is behind her shoulder. Next, hair is forward and purse is back on her arm. See more »
[calming Becky down, who's tucked upside down in her car]
Just stay still.
You try and having your car rolled down a mountain and staying fucking still!
See more »
I went into "Cursed" with high expectations, I'll admit. But how could I resist the re-teaming of the "Scream" team, director Wes Craven and screenwriter Kevin Williamson? I should have known after re-shoots and delay upon delay of the film's release (It should have come out last November), that this would not be another masterpiece in the works. Though I tried to keep my hopes up, the results of this recombination are mixed at best.
Christina Ricci ("Monster") and Jessie Eisenberg ("Roger Dodger") star as siblings who are attacked by a mysterious animal in the Hollywood hills while trying to pull a woman from a wrecked car. Both are wounded by this animal and as the days go by, they begin to change. Eisenberg is most convincing as the younger brother who researches the animal that attacked them. He believes they were infected by a werewolf. The rest of the film chronicles their changes and quest to find the beast who infected them.
Aside from Ricci and Eisenberg the cast mainly consists of a smorgasbord of television actors, mostly from the WB. And I'm not sure that I'd call what they were doing acting. It seemed they mostly showed up and had a good time. Which can work, as long as the audience is enjoying it, too. However, I found myself groaning at much of the dialogue and wincing during emotional moments.
The film is slow to take off but does pick up the pace in the middle before falling off again towards the end. The computer graphics already look dated, and the werewolf makeup is most definitely sub par. A word to filmmakers everywhere, if you can't make a werewolf transformation look convincing, then don't show it at all. There's a lot to be said for implication.
Though there are several scenes where something pops up in the frame to make you jump in your seat, nothing haunts you as you leave the theater. There's no fear of bad dreams here.
Overall, the geniuses behind one of the classic fright films of the 90s (and possibly of all time) did not bring their best work into this decade. I hate to say it, but Wes Craven seems to be suffering from his own curse - the loss of fright.
For a smarter, more imaginative take on the werewolf theme, check out "Ginger Snaps" or "Dog Soldiers."
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