Torrente has now moved to Marbella, where, after being wiped out of the money he had gained, has returned to private investigation. But in one of his cases he gets involved in the middle of a villain's missile plot to destroy the city and his own uncle's blackmail operation... and he knows nothing.
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Álex de la Iglesia
Armando De Razza,
Torrente has now moved to Marbella, where, after being wiped out of the money he had gained, has returned to private investigation. But in one of his cases he gets involved in the middle of a villain's missile plot to destroy the city and his own uncle's blackmail operation... and he knows nothing. Written by
While widely known as "Torrente 2: Misión en Marbella", which is the title used in posters, DVD covers, and all promotional material, the actual on-screen title reads "Misión in Marbella" only, using before it the James Bond-like formula "Santiago Segura es Torrente en..." ("Santiago Segura is Torrente in...). The only entry in the series to actually have Torrente in the title is the first one, Torrente, el brazo tonto de la ley (1998). See more »
During the scene about the bananas, the bowl containing them repeated disappears and reappears between shots - there's even a metal cover placed on it in one shot. See more »
Main actor and director Santiago Segura sings parts of the ending songs but, in the credits, he is listed as "José Luis Torrente" (the fictional character he plays in the movie - and in the song). At the very ending of the credits, Segura says (not sings) "¿Y éste quién es? Ya no queda nadie" ("And who the heck is that one? There's nobody left"), meaning that all the audience has left the cinema but one person. See more »
If you are interested in testing your Castillian Spanish, this is the place. Go ahead, put the subtitles on, and get ready for a lesson in Spanish cursing.
Although the film critics did not like this movie any more than its predecessor, Torrente, El brazo tonto de la ley, the audiences have cast their vote at the box office. This movie is disgusting, perverted, repulsive, and most importantly, very funny.
Forget about the haunting Spanish dramas Abre los ojos and Todo sobre mi madre. Spain needs more productions like Torrente to get the Spanish people interested again in Spanish cinema.
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