An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody and only the LAPD's Special Weapons and Tactics team can prevent it.
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An undercover cop infiltrates an underworld subculture of Los Angeles street racers looking to bust a hijacking ring, and soon begins to question his loyalties when his new street racing friends become the prime suspects.
Director:
Rob Cohen
Stars:
Paul Walker,
Vin Diesel,
Michelle Rodriguez
Mercenary Frank Martin, who specializes moving goods of all kinds, surfaces again this time in Miami, Florida when he's implicated in the kidnapping of the young son of a powerful USA official.
Director:
Louis Leterrier
Stars:
Jason Statham,
Alessandro Gassman,
Amber Valletta
A secretive renegade counter-terrorist co-opts the world's greatest hacker (who is trying to stay clean) to steal billions in US Government dirty money.
John McClane and a Harlem store owner are targeted by German terrorist Simon Gruber in New York City, where he plans to rob the Federal Reserve Building.
Director:
John McTiernan
Stars:
Bruce Willis,
Jeremy Irons,
Samuel L. Jackson
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Director:
Tony Scott
Stars:
Denzel Washington,
John Travolta,
Luis Guzmán
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with a deadly Chinese crimelord trying to get his brother out of prison.
Based off of a one time T.V. show, two Los Angeles S.W.A.T. officers Jim Street and Brian Gamble were sent in to foil an extremely violent bank robbery. Although they thwarted the robbery, they shot a hostage in the process. Street was suspended from S.W.A.T. while Gamble was fired altogether. After 6 months, a veteran S.W.A.T. officer, Daniel Harrelson or "Hondo", is told to assemble a S.W.A.T. team for his division. He chooses other S.W.A.T. officers as well as 3 rookies. However, after they pass the S.W.A.T. training, they receive a message that a French crime boss, known as Alex Montell is trying to escape from prison. This will not be easy to prevent, especially after Montell promises $100 Million to his rescuers. Written by
John Wiggins
The actors all received SWAT tactics, weapons and live fire training for the film. Colin Farrell was also given LAPD Driver Training in the Ford Crown Victoria. See more »
Goofs
When the private jet is slowing to a stop after landing on the 6th Street bridge, in one shot, the flaps can be seen fully extended. A few seconds later, as the jet stops, the flaps are fully retracted. Generally, flaps on a jet do not retract that rapidly. See more »
Quotes
Brian Gamble:
That woman is alive because of what we did.
Capt. Thomas Fuller:
Yeah, alive and sueing the city for millions. The Chief said that this preceinct is gonna pay for this one, too and it sure as hell it isn't gonna be me.
Brian Gamble:
C'mon Fuller we get...
Capt. Thomas Fuller:
[Interrupting]
Captain Fuller.
Brian Gamble:
C'mon Captain fuller, we get 3 seconds to make a decision, and you get 3 months to go and tear it apart.
Velasquez:
SWAT means special weapons *and* tatics. Where were your tatics out there?
Street:
Saving that woman from being shot, that's where are tatcis were.
Brian Gamble:
...
[...] See more »
Crazy Credits
Director Clark Johnson, who appears in the film briefly as Deke's beat partner, is credited as 'Deke's Handsome Partner'. See more »
"Oh Shooter"
Written by Robin Thicke, Robert Daniels, James Gass and Bobby B. Keyes
Performed by Thicke
Courtesy of Interscope Records
Under license from Universal Music Enterprises See more »
Thrown into a desk job when his partner Gamble disobeys orders and shoots a hostage, Jim Street bides his time waited beside being demeaned on a daily basis. When the commissioner brings in old school SWAT leader hondo to put together a young outfit, Street is offered to chance to retrain with the select team and is soon back on duty. Meanwhile a man is pulled over by a black and white for a broken rear light, but is found to be a drug baron. SWAT are sent to escort the man to a secure prison but, as they take him into a holding centre he announces that whoever breaks him out of jail will get $100 million dollars. SWAT soon have much to content with and must ensure that Montel does not escape.
In a summer crammed with more sequels than ever, I was drawn to go and see SWAT simply because it offered some hope by not being a sequel to a past film (I didn't know at the time it was a TV conversion). Unfortunately, while not lifting it's formula from a predecessor, it essentially lifts itself from many other films and lacks anything that really makes it stand out. The central premise (the `$100 meellion dollar' bit) is interesting but only leads to a big long action scene that acts as the film's second act. Prior to this we are given the usual training stuff which, while not new, is still enjoyable.
It's weakness is that it is suffering from too much testosterone and therefore has to much of the men banging heads with each other and comparing size! The second half is enjoyable as it is just noisy action all the way, but it suffers from being too overblown. A scene where several different street gangs attack a police convoy is an example of this but happily the rest is not as bad as this and is actually quite good. My main complaint was that this second act felt like it should have been the main body of the film and that the training etc was just the introduction. However the second act seemed very short and I came away with the feeling that this was made with a sequel in mind from day one - just like MIB felt like it was made to get to MIIB!
That said it is still fun to watch, albeit unoriginal and clichéd fun. The overblown, all-destroying action probably doesn't do justice to the actual precise and tactical work that SWAT units do and it did make me wonder why someone didn't just take the `$100 meellion dollar' idea and put it in a normal cop film setting but hey-ho.
The cast is really good on paper but hardly make much of a splash in reality. Farrell continues to land on his feet with yet another starring role. His American accent hasn't gotten any better but he is still watchable with his tough guy charisma (would be nice to see him build on this rather than relying on it though). Jackson is slumming it a bit and doesn't really lift the film by his presence. He is no stranger to action movies but he doesn't manage to do much here other than add a face to the mix. Smith (LL Cool J, now starting to use his real name in credits) is OK but again doesn't do much special; I found it amusing that both Jackson and LL had actually made Deep Blue Sea more enjoyable by their performances but neither did it here. Rodriguez is not allowed to show she can act at any point, but she is easy on the eye and is good enough. Martinez's villain is OK but it was never clear where he was from despite the fact he had a French accent - have I missed something, was he a French drug lord? If anything his role marks a sad day for English actors everywhere, from now on it seems that, due to their actions over Iraq, the French will be providing the baddies in American action movies from now on!
Overall this is a reasonably enjoyable piece of noisy entertainment. If you expect anything unique or clever then you will be really disappointed. However if you are prepared for lots of running with guns, noise and macho posturing then this should be enough to satisfy you. For me it didn't stand out from the pack but it was still an OK way to spend a few hours.
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Thrown into a desk job when his partner Gamble disobeys orders and shoots a hostage, Jim Street bides his time waited beside being demeaned on a daily basis. When the commissioner brings in old school SWAT leader hondo to put together a young outfit, Street is offered to chance to retrain with the select team and is soon back on duty. Meanwhile a man is pulled over by a black and white for a broken rear light, but is found to be a drug baron. SWAT are sent to escort the man to a secure prison but, as they take him into a holding centre he announces that whoever breaks him out of jail will get $100 million dollars. SWAT soon have much to content with and must ensure that Montel does not escape.
In a summer crammed with more sequels than ever, I was drawn to go and see SWAT simply because it offered some hope by not being a sequel to a past film (I didn't know at the time it was a TV conversion). Unfortunately, while not lifting it's formula from a predecessor, it essentially lifts itself from many other films and lacks anything that really makes it stand out. The central premise (the `$100 meellion dollar' bit) is interesting but only leads to a big long action scene that acts as the film's second act. Prior to this we are given the usual training stuff which, while not new, is still enjoyable.
It's weakness is that it is suffering from too much testosterone and therefore has to much of the men banging heads with each other and comparing size! The second half is enjoyable as it is just noisy action all the way, but it suffers from being too overblown. A scene where several different street gangs attack a police convoy is an example of this but happily the rest is not as bad as this and is actually quite good. My main complaint was that this second act felt like it should have been the main body of the film and that the training etc was just the introduction. However the second act seemed very short and I came away with the feeling that this was made with a sequel in mind from day one - just like MIB felt like it was made to get to MIIB!
That said it is still fun to watch, albeit unoriginal and clichéd fun. The overblown, all-destroying action probably doesn't do justice to the actual precise and tactical work that SWAT units do and it did make me wonder why someone didn't just take the `$100 meellion dollar' idea and put it in a normal cop film setting but hey-ho.
The cast is really good on paper but hardly make much of a splash in reality. Farrell continues to land on his feet with yet another starring role. His American accent hasn't gotten any better but he is still watchable with his tough guy charisma (would be nice to see him build on this rather than relying on it though). Jackson is slumming it a bit and doesn't really lift the film by his presence. He is no stranger to action movies but he doesn't manage to do much here other than add a face to the mix. Smith (LL Cool J, now starting to use his real name in credits) is OK but again doesn't do much special; I found it amusing that both Jackson and LL had actually made Deep Blue Sea more enjoyable by their performances but neither did it here. Rodriguez is not allowed to show she can act at any point, but she is easy on the eye and is good enough. Martinez's villain is OK but it was never clear where he was from despite the fact he had a French accent - have I missed something, was he a French drug lord? If anything his role marks a sad day for English actors everywhere, from now on it seems that, due to their actions over Iraq, the French will be providing the baddies in American action movies from now on!
Overall this is a reasonably enjoyable piece of noisy entertainment. If you expect anything unique or clever then you will be really disappointed. However if you are prepared for lots of running with guns, noise and macho posturing then this should be enough to satisfy you. For me it didn't stand out from the pack but it was still an OK way to spend a few hours.