Honduran teenager Sayra reunites with her father, an opportunity for her to potentially realize her dream of a life in the U.S. Moving to Mexico is the first step in a fateful journey of ... See full summary »
Marco Antonio Aguirre,
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
1931. Mike Sullivan and Connor Rooney are two henchmen of elderly Chicago-based Irish-American mobster John Rooney, Connor's father. In many respects, John treats Mike more as his son, who he raised as his own after Mike was orphaned, than the volatile Connor, who nonetheless sees himself as the heir apparent to the family business. One evening, Mike's eldest son, twelve year old Michael Sullivan Jr., who has no idea what his father does for a living, witnesses Connor and his father gun down an associate and his men, the situation gone wrong initiated from an action by Connor. Caught witnessing the incident, Michael is sworn to secrecy about what he saw. Regardless, Connor, not wanting any loose ends, makes an attempt to kill Mike, his wife and their two sons. Mike and the surviving members of his family know that they need to go on the run as Connor, who has gone into hiding, will be protected through mob loyalty, especially by John, who cannot turn on his own flesh and blood. Still,... Written by
The photographs shown in Harlen Maguire's (Jude Law) apartment also appear in a book by Luc Sante titled "Evidence." According to Sante, the photos are part of a collection held by the Municipal Archives of the City of New York and were taken by members of the NYPD during the years 1914-1918. See more »
In the opening credits, a high-voltage power line tower is in the background. They didn't exist in 1931. See more »
Michael Sullivan, Jr.:
There are many stories about Michael Sullivan. Some say he was a decent man. Some say there was no good in him at all. But I once spent 6 weeks on the road with him, in the winter of 1931. This is our story.
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Thanks to all at the Donmar Warehouse Theatre, London See more »
Despite what you may have heard, it's an awesome movie
Many have either hated, loved, or been let down by this film. Hype does terrible things to the best and worst of things. Most of the reasons i have heard for not liking this film are ridiculous. Let me just tell you, if you have not seen it yet, go see it. Even if for some reason you don't think its amazing, it will be among the best films you have seen of the year anyways. Road to Perdition is a beautiful movie, both visually and in performance. Every actor here is deserving of acclaim and Academy attention, mainly Jude Law. Any emotional detachment is intentional; It is a tragic story, one of betrayal, love, bonds, and revenge. There is no doubt this film will become a classic. Don't dare compare it with Godfather: this is a GANGSTER film, not a MAFIA movie! Godfather will never be surpassed, so don't compare to it. Road to Perdition as of now is the leading Best Picture Oscar contender. Unlike past years, it deserves it.
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