7.7/10
214,379
1,025 user 230 critic

Road to Perdition (2002)

Bonds of loyalty are put to the test when a hitman's son witnesses what his father does for a living.

Director:

Writers:

(graphic novel), (graphic novel) | 1 more credit »
Popularity
1,632 ( 262)

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Won 1 Oscar. Another 22 wins & 79 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Rob Maxey ...
...
...
...
...
...
...
Craig Spidle ...
Rooney's Henchman
Ian Barford ...
Rooney's Henchman
Stephen P. Dunn ...
Finn McGovern's Henchman (as Stephen Dunn)
Paul Turner ...
Finn McGovern's Henchman
Kathleen Keane ...
Irish Musician
Brendan McKinney ...
Irish Musician
Jackie Moran ...
Irish Musician
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Storyline

1931. Mike Sullivan and Connor Rooney are two henchmen of elderly Chicago-based Irish-American mobster John Rooney, Connor's father. In many respects, John treats Mike more as his son, who he raised as his own after Mike was orphaned, than the volatile Connor, who nonetheless sees himself as the heir apparent to the family business. One evening, Mike's eldest son, twelve year old Michael Sullivan Jr., who has no idea what his father does for a living, witnesses Connor and his father gun down an associate and his men, the situation gone wrong initiated from an action by Connor. Caught witnessing the incident, Michael is sworn to secrecy about what he saw. Regardless, Connor, not wanting any loose ends, makes an attempt to kill Mike, his wife and their two sons. Mike and the surviving members of his family know that they need to go on the run as Connor, who has gone into hiding, will be protected through mob loyalty, especially by John, who cannot turn on his own flesh and blood. Still,... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The innocence of a son is surpassed only by the father's will to save it. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 July 2002 (USA)  »

Also Known As:

Camino a la perdición  »

Filming Locations:

 »

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

$22,079,481 (USA) (14 July 2002)

Gross:

$104,454,762 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

One day, when Cinematographer Conrad L. Hall was setting up a shot of Paul Newman, Hall looked through his viewfinder and began to cry. When asked what was wrong, he just said, "He was so beautiful. He was so beautiful." See more »

Goofs

(at around 2 mins) In the opening credits, a high-voltage power line tower is in the background. They didn't exist in 1931. See more »

Quotes

[first lines]
Michael Sullivan, Jr.: There are many stories about Michael Sullivan. Some say he was a decent man. Some say there was no good in him at all. But I once spent 6 weeks on the road with him, in the winter of 1931. This is our story.
See more »

Crazy Credits

Thanks to all at the Donmar Warehouse Theatre, London See more »

Connections

References The Untouchables (1987) See more »

Soundtracks

Whose Honey Are You?
(1935)
Music by J. Fred Coots (as Fred J. Coots)
Lyrics by Haven Gillespie
Performed by Ruth Etting
Courtesy of Take Two Records
See more »

Frequently Asked Questions

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User Reviews

 
Simply Beautiful
2 March 2005 | by (Australia) – See all my reviews

I loved so much about this movie...the time taken to develop the characters, the attention to detail, the superb performances, the stunning lighting and cinematography, the wonderful soundtrack...

It has a combined intensity and lightness of touch that won't work for anyone who wants the typical fast-paced action flick. If we lived in Elizabethan days, I'd say this movie's a bit like a Shakespearean tragedy. But since we don't, let's say it's more like a Drama-Suspense movie.

The plot is simple, but the story is complex. The movie is intelligent in the way relationships and issues are explored. Much of the story is shown rather than told, which I find makes it more subtle and moving - and which also works well for a story based on a comic book (or graphic novel). At times I felt I was actually there in the 1930s, part of this story - there was such a realistic yet dream-like quality in the style of its telling.

I don't often prefer movies to the books they were based upon, but in this case I do. (Though I did enjoy the book too.) I've bought the DVD, which is great because it has some wonderful deleted scenes and insightful commentary.

(I also took my little cousin, who's a little younger than the boy in the movie, to see it after I saw it for the first time, because he has issues at home and I wanted to use this as a way of starting a discussion on father-son issues with him. He loved it - and the discussion.)


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