Road to Perdition (2002)

Bonds of loyalty are put to the test when a hitman's son witnesses what his father does for a living.

Director:

Sam Mendes

Writers:

Max Allan Collins (graphic novel), Richard Piers Rayner (graphic novel),

Stars:

Tom Hanks, Tyler Hoechlin, Rob Maxey

Won 1 Oscar. Another 23 wins & 54 nominations.

Cast

Cast overview, first billed only:
Tom Hanks	...	Michael Sullivan
Tyler Hoechlin	...	Michael Sullivan Jr.
Rob Maxey	...	Drugstore Owner
Paul Newman	...	John Rooney
Liam Aiken	...	Peter Sullivan
Jude Law	...	Harlen Maguire
Jennifer Jason Leigh	...	Annie Sullivan
Daniel Craig	...	Connor Rooney
Ciarán Hinds	...	Finn McGovern
Craig Spidle	...	Rooney's Henchman
Ian Barford	...	Rooney's Henchman
Stephen P. Dunn	...	Finn McGovern's Henchman (as Stephen Dunn)
Paul Turner	...	Finn McGovern's Henchman
Kathleen Keane	...	Irish Musician
Brendan McKinney	...	Irish Musician

Storyline

Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure. However after his son is witness to a killing he has done Mike Sullivan finds him self on the run trying to save the life of his son and at the same time looking for revenge on those who wronged him. Jude Law co stars as a hit man hired to kill Sullivan.

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Plot Keywords:

revenge | hitman | on the run | rifle | apology | 

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Taglines:

Pray for Michael Sullivan

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Genres:

Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for violence and language

Details

Official Sites:

DreamWorks [us] Fox [uk]

Country:

USA

Language:

English

Release Date:

12 July 2002 (USA)

Also Known As:

Camino a la perdición

Filming Locations:

Aurora, Illinois, USA

Box Office

Budget:

$80,000,000 (estimated)

Opening Weekend:

$797,627 (Italy) (20 December 2002)

Gross:

$40,935,560 (Europe) (10 January 2003)

Company Credits

Production Co:

DreamWorks SKG, Twentieth Century Fox Film Corporation, Zanuck Company, The

Technical Specs

Runtime:

117 min

Sound Mix:

DTS Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The town of Perdition is only mentioned once.

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Goofs

When Michael and his son first arrive in Chicago, there is a brief shot of bright silver metal cars on the El. They were introduced in the 1980s. In 1931, the cars would have been made of wood and painted dark brown.

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Quotes

[first lines]
Michael Sullivan, Jr.: There are many stories about Michael Sullivan. Some say he was a decent man. Some say there was no good in him at all. But I once spent 6 weeks on the road with him, in the winter of 1931. This is our story.

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Crazy Credits

Thanks to all at the Donmar Warehouse Theatre, London

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Connections

Featured in The Making of 'Road to Perdition' (2002)

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Soundtracks

"Queer Notions"
(1933)
Written by Coleman Hawkins
Performed by Fletcher Henderson & His Orchestra
Courtesy of Living Era

User Reviews

A subtle masterwork of a great forthcoming director!

This couldn't have been better. The strong restraints on Mike Sullivan's expressions couldn't have been portrayed in any other way. Tom Hanks delivers the best performance of his career. Young Tyler Hoechlin drives an emotional wheel; playing the basis character for the story. And veteran Paul Newman gives one of his best character performances in a long time.

This film is based on a bold graphic novel by Max Allan Collins and Richard Piers Rayner. This is a father/son story which basically employs the two candidates solely unfit for the roles. Mike Sullivan had no father as a child, so John Rooney took him in. Although a generous man, Mr. Rooney involved himself in organized crime. Therefore, the debt of Sullivan was only to be paid off in involving himself in the business. Now, Sullivan has a wife and two children and is trying to keep his children safe, but at the same time pay back his boss. The events to follow, will test Sullivan's loyalty and embrace his family's fate.

With a great adaptation by David Self, the dialogue comes out seldomly, but yet very virtuous. The story unfolds in a beautiful 1930's setting (Brilliant Art Direction by Richard L. Johnson & Nancy Haigh) covered with a dark rainy (snow on the ground) exterior. Driving the story, is Thomas Newman's wonderful Irish score, settling in only when necessary.

But the most important technical element in the film is Conrad L. Hall's beautiful photography. This is some of the best cinematography I've seen; and I watch a lot of films. The scene when Mike and Michael are in the car, entering Chicago is quite impressive. The shot starts at the front of the car, revealing Mike(Hanks) through the windshield. It subsequently dollys around to the side of the car, to see Michael(Hoechlin) awakening and peering out his side window. As it continues, it trucks sideways and dollys back, completely around the car and reveals a gorgeous scenic 1930's Chicago.

With a great cast and crew, the principle man creates a brazenly amazing film. I'm talking about Sam Mendes, who made his feature film debut in 1999 with American Beauty. (won him various awards) Before American Beauty, Mendes worked as a play director for the British Theater, but decided that he wanted to move on saying that there was nothing new for him in theater. With only two films, Sam Mendes has marked himself in my book as one of the great directors (In a list of about twenty-five).

The film illuminates a brazen genre that has its hits and misses and expresses the true theme brilliantly. The photography, acting and story is phenominal. I'm still waiting for Scorcesee's Gangs of New York, but for now, I'm fully confident in saying that this is the "Best Film of the Year". Considering it's competition (Signs, Insomnia, Minority Report) thats a strong statement.