New York, April 6, 2023– On Site Opera, New York’s pioneering opera company rooted in site-specific storytelling and the immersive experience, in partnership with the South Street Seaport Museum, brings drama and tragedy to Pier 16 on and around the historic lightship Ambrose with Puccini and Adami’s Il tabarro (The Cloak), May 14-17. This immersive outdoor musical experience follows last April’s production of Gianni Schicchi as part of the company’s multi-year cycle of Puccini’s Il Trittico.
On Site Opera music director Geoffrey McDonald conducts, and visual artist and opera director Laine Rettmer guest directs this brooding one act opera of a jealous love triangle that turns deadly on the banks of the Seine River. Staged on the lightship and on the pier where the audience is seated, the historic seaport offers the sights and sounds of 1900’s Paris where barge owner Michele, portrayed by baritone Eric McKeever, suspects his wife Giorgetta,...
On Site Opera music director Geoffrey McDonald conducts, and visual artist and opera director Laine Rettmer guest directs this brooding one act opera of a jealous love triangle that turns deadly on the banks of the Seine River. Staged on the lightship and on the pier where the audience is seated, the historic seaport offers the sights and sounds of 1900’s Paris where barge owner Michele, portrayed by baritone Eric McKeever, suspects his wife Giorgetta,...
- 4/9/2023
- by Music Martin Cid Magazine
- Martin Cid Music
Editor's Note: We're featuring individually chosen Fyc's for various longshots in the Oscar race. We'll never repeat a film or a category so we hope you enjoy the variety of picks. And if you're lucky enough to be an AMPAS, HFPA, or Critics Group voter, take note! Here's Jose on The Immmigrant.
Director James Gray has stated on many occasions that he owes his inspiration for The Immigrant to music, to be more specific: opera. How it was when he was watching Puccini’s Il Trittico at the La Opera, with tears streaming down his face, that he realized he needed to tell this story. Inspired by Puccini’s sinful sister Angelica, he created the character of Ewa (Marion Cotillard) a Polish immigrant forced into prostitution by the conniving pimp Bruno (Joaquin Phoenix) who in a way is perversely in love with her. Gray wanted to tell a grand story...
Director James Gray has stated on many occasions that he owes his inspiration for The Immigrant to music, to be more specific: opera. How it was when he was watching Puccini’s Il Trittico at the La Opera, with tears streaming down his face, that he realized he needed to tell this story. Inspired by Puccini’s sinful sister Angelica, he created the character of Ewa (Marion Cotillard) a Polish immigrant forced into prostitution by the conniving pimp Bruno (Joaquin Phoenix) who in a way is perversely in love with her. Gray wanted to tell a grand story...
- 12/4/2014
- by Jose
- FilmExperience
In The Immigrant, Marion Cotillard plays Ewa, a Polish woman whose American Dream is hijacked almost as soon as she lands on Ellis Island in 1921. All alone, she’s threatened with deportation until she’s rescued by Bruno (Joaquin Phoenix) — a schemer as dastardly as Pinocchio’s Stromboli, who forces her into a hard life of servitude and prostitution.
Bruno’s cousin, a magician named Orlando (Jeremy Renner), offers Ewa a ray of hope. And in this exclusive clip from the film, Orlando demonstrates a feat as wondrous as the American Dream itself — as long as you’re willing to...
Bruno’s cousin, a magician named Orlando (Jeremy Renner), offers Ewa a ray of hope. And in this exclusive clip from the film, Orlando demonstrates a feat as wondrous as the American Dream itself — as long as you’re willing to...
- 5/7/2014
- by Jeff Labrecque
- EW - Inside Movies
James Gray's reception in North America is a little bewildering, regardless of which side you stand on. To some, including this author, Gray's qualities as a filmmaker are obvious. Decidedly at odds with the trends of contemporary cinema since he made his debut with Little Odessa in 1994 (something discussed in the following interview), Gray's so-called "classical" style is invested in things seemingly forgotten in American movies. He stands outside of the present, yet it is far too simple to say he comes out of the past. Aside from Clint Eastwood, is there another director working in Hollywood making subtle, emotional, expertly-crafted dramas while also maintaining a delicately mannered mise en scène? Because of this, Gray seems out of place. Maybe that explains the lack of Cannes awards on his shelf (despite four trips to the festival's competition), the dissenting reviews (which don't even appear to be written on the...
- 10/6/2013
- by Adam Cook
- MUBI
The Observer's critics pick the season's highlights, from Degas to Depp, and Britney to the Bard
September
1 Theatre: Decade In a former trading hall on London's St Katharine Docks, Rupert Goold's production evokes the legacy of 9/11, with the help of Simon Schama and Abi Morgan. Until 15 October.
4 Pop: Adele After her summer to die for (No1 album, ubiquitous single), Adele starts her UK tour in Plymouth. She's in London on the 19th and 20th and ends in Glasgow (25).
6 Dance: Tezuka New evening-length piece by Sidi Larbi Cherkaoui, inspired by the work of renowned Japanese manga artist Osamu Tezuka. Starring Daniel Proietto, the piece features a specially commissioned score by Nitin Sawhney. At Sadler's Wells until 10 September.
8 Pop: Bestival The Isle of Wight weekender always has a hefty line-up: this yearboasts new kids James Blake and Odd Future alongside the Cure, Brian Wilson and Björk.
9 Theatre: We are Three Sisters...
September
1 Theatre: Decade In a former trading hall on London's St Katharine Docks, Rupert Goold's production evokes the legacy of 9/11, with the help of Simon Schama and Abi Morgan. Until 15 October.
4 Pop: Adele After her summer to die for (No1 album, ubiquitous single), Adele starts her UK tour in Plymouth. She's in London on the 19th and 20th and ends in Glasgow (25).
6 Dance: Tezuka New evening-length piece by Sidi Larbi Cherkaoui, inspired by the work of renowned Japanese manga artist Osamu Tezuka. Starring Daniel Proietto, the piece features a specially commissioned score by Nitin Sawhney. At Sadler's Wells until 10 September.
8 Pop: Bestival The Isle of Wight weekender always has a hefty line-up: this yearboasts new kids James Blake and Odd Future alongside the Cure, Brian Wilson and Björk.
9 Theatre: We are Three Sisters...
- 8/27/2011
- The Guardian - Film News
Composer of a string of Broadway musicals, he was best known for Fiddler On the Roof
Days after speaking at a memorial service for his Fiddler On the Roof collaborator Joseph Stein, the composer Jerry Bock has died, aged 81. With Stein and the lyricist Sheldon Harnick, Bock wrote some of the most loved and admired Broadway songs of the last century. Fiddler On the Roof, set in Tsarist Russia and starring Zero Mostel as Tevye the milkman, opened on Broadway in 1964 and broke all box-office records, running for more than 3,200 performances.
The show made Bock world-famous for his lilting, instantly familiar Jewish melodies and catchy rhythms. There was consummate artistry in the way he could set to music even so banal an exchange as "Do you love me?" "Do I what?" "Do you love me?" "Do I love you...?" with its tender, affirmative swerve in the last phrase.
Between 1956 and...
Days after speaking at a memorial service for his Fiddler On the Roof collaborator Joseph Stein, the composer Jerry Bock has died, aged 81. With Stein and the lyricist Sheldon Harnick, Bock wrote some of the most loved and admired Broadway songs of the last century. Fiddler On the Roof, set in Tsarist Russia and starring Zero Mostel as Tevye the milkman, opened on Broadway in 1964 and broke all box-office records, running for more than 3,200 performances.
The show made Bock world-famous for his lilting, instantly familiar Jewish melodies and catchy rhythms. There was consummate artistry in the way he could set to music even so banal an exchange as "Do you love me?" "Do I what?" "Do you love me?" "Do I love you...?" with its tender, affirmative swerve in the last phrase.
Between 1956 and...
- 11/4/2010
- by Michael Coveney
- The Guardian - Film News
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