Monsieur Hulot has to contact an American official in Paris, but he gets lost in the maze of modern architecture which is filled with the latest technical gadgets. Caught in the tourist ... See full summary »
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
A newsteam trails a man as he travels to an undisclosed location to find his missing sister. Upon entering "Eden Parish" and meeting the community's leader, it becomes apparent to the newcomers that this paradise may not be as it seems.
Suave supercilious Carling (Karel Stepanek) receives several callers to his isolated house, all of whom hold a grudge against him. Next morning a corpse is found, and later identified as his by one of the visitors.
An atmospheric thriller with Gothic overtones, including a villain living in an old dark house complete with underground passages, whose architect he attempted to bury alive, THE THIRD VISITOR is one of two films made in succession by veteran director Maurice Elvey for producer Ernest Gartside, the other being the slightly better known THE LATE EDWINA BLACK. It opens vividly with the electrifying music over the title credits (an unacknowledged straight lift of the first movement coda of Bruckner's 9th symphony) culminating in a striking shot of a woman, manacled against a wall with an unseen person on the verge of firing at her, as the legend WHO WAS THE THIRD VISITOR? is emblazoned across the screen. Though there is a great deal of dialogue the actors and the occasional directorial flourish such as this ensure that tedium is kept firmly at bay. Typically spirited performances ensue from Sonia Dresdel (in a rare sympathetic and at times light-hearted role) and Eleanor Summerfield as two wives who clearly don't play second fiddle to their respective husbands (Colin Gordon and Hubert Gregg), their only real match being Guy Middleton's Inspector. Film's main flaw is the risible casting of John Slater as a New York gangster.
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