Desperate to earn money, Harry hooks back up with Joe Easy. The best scene is when they make the final run to cash out a load of furs and they get lost on the way through the forest. The ... See full summary »
When John Harris's daughter is badly injured in an boating accident, the hospital tells him that she will need an urgent blood transfusion. Due to his religious beliefs Harris refuses ... See full summary »
Jerry McKibbon is a tough, no nonsense reporter, mentoring special prosecutor John Conroy in routing out corrupt officials in the city, which may even include Conroy's own police detective father as a suspect.
A serial killer in London is murdering young women he meets through the personal columns of newspapers. He announces each of his murders to the police by sending them a cryptic poem. After ... See full summary »
Suave supercilious Carling (Karel Stepanek) receives several callers to his isolated house, all of whom hold a grudge against him. Next morning a corpse is found, and later identified as his by one of the visitors.
An atmospheric thriller with Gothic overtones, including a villain living in an old dark house complete with underground passages, whose architect he attempted to bury alive, THE THIRD VISITOR is one of two films made in succession by veteran director Maurice Elvey for producer Ernest Gartside, the other being the slightly better known THE LATE EDWINA BLACK. It opens vividly with the electrifying music over the title credits (an unacknowledged straight lift of the first movement coda of Bruckner's 9th symphony) culminating in a striking shot of a woman, manacled against a wall with an unseen person on the verge of firing at her, as the legend WHO WAS THE THIRD VISITOR? is emblazoned across the screen. Though there is a great deal of dialogue the actors and the occasional directorial flourish such as this ensure that tedium is kept firmly at bay. Typically spirited performances ensue from Sonia Dresdel (in a rare sympathetic and at times light-hearted role) and Eleanor Summerfield as two wives who clearly don't play second fiddle to their respective husbands (Colin Gordon and Hubert Gregg), their only real match being Guy Middleton's Inspector. Film's main flaw is the risible casting of John Slater as a New York gangster.
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