A San Francisco detective (Elliott) goes wild when he discovers his partner dead and the presumed culprit standing over him. After beating the man to death, he comes to his senses and ... See full summary »
Fact-based bio of early film director-producer, Bill Tilghman (Sam Elliott). Tighman was a real life cowboy, who rode with the Earps & faced down countless bad guys. When he turned to films... See full summary »
John Kent Harrison
Film cutter Katie Griffin is hopelessly in love with writer Richard Mannhart, and starts an affair with him. When Mannhart's wife is killed in a road accident, Katie tells the police she ... See full summary »
The stormy relationship of a young teenage boy with his troubled older brother is told in an extended flashback segment bookended by what happens when the two meet again 15 years later. ... See full summary »
A Pittsburgh detective is kicked off the force for beating a rape suspect and moves to L.A. There, he becomes the central force in a bullet ridden neighborhood battle to win back its streets from brutal gang members.
In their final semester of school, a group of six college friends get together to pull the ultimate prank on a fellow classmate. The joke goes awry, resulting in a series of tragic events. ... See full summary »
Kevin Patrick Walls,
After years of suffering under her beating husband, Sarah decides to no longer take any humiliation or battery - and kills him. For that, Marshal Speakes - her father in law - sentences her... See full summary »
Looking over the credits for this movie, it is unsurprising to find that the director has impressive credentials... as a cinematographer. The film is well composed visually. Other than that, this movie fails on so many levels, not the least of which is the horrible, horrible script. "Shocking" plot twists for the sake of shocking twists kill any suspense this film has. The pacing is horrible. After about an hour of the film, you think it is about to end, after another ten minutes, you are PRAYING for it to end. Gratuituos sex and violence are all this film has going for it. Why Sam Elliot agreed to do a movie as tragically terrible as this travesty of filmmaking is anyone's guess? If I was presented with a choice of watching this film again and getting ebola... I'd watch this movie, but it would be a tough choice.
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