| Photos (See all 17 | slideshow) | Videos (see all 4) |
| Glenn Close | ... | Esther Gold | |
| Dermot Mulroney | ... | Jim Train | |
| Jessica Campbell | ... | Julie Gold | |
| Patricia Clarkson | ... | Annette Jennings | |
| Joshua Jackson | ... | Paul Gold | |
| Moira Kelly | ... | Susan Train | |
| Robert Klein | ... | Howard Gold | |
| Timothy Olyphant | ... | Randy | |
| Mary Kay Place | ... | Helen Christianson | |
| Kristen Stewart | ... | Sam Jennings | |
| Alex House | ... | Jake Train | |
| Charlotte Arnold | ... | Sally Christianson | |
| Andrew Airlie | ... | Bruce Jennings | |
| Stephanie Mills | ... | Karen | |
| Angela Vint | ... | Tina | |
| Aaron Ashmore | ... | Bobby Christianson | |
| C. David Johnson | ... | Wayne Christianson | |
| Haylee Wanstall | ... | Rayanne Jennings | |
| Carly Chalom | ... | Emily Train | |
| Guinevere Turner | ... | Tani (voice) | |
| Dwayne Hill | ... | Bill McArthur | |
| Kathryn Winslow | ... | Catherine | |
| Michael McMurtry | ... | Contest Winner / Frankie | |
| Katie Griffin | ... | Female Contestant #1 / Sue | |
| Kristi Angus | ... | Z-100 Employee | |
| Aaron Poole | ... | Z-100 Judge | |
| Alex Poch-Goldin | ... | Male Contestant | |
| Elisa Moolecherry | ... | Female Contestant #2 | |
| Craig Eldridge | ... | Hank | |
| Andrea Pinnock | ... | Marilyn | |
| Derek McGrath | ... | Mr. Peabody | |
| Victoria Snow | ... | Jill | |
| Dominic Cuzzocrea | ... | Appliance Salesman | |
| Dmitry Chepovetsky | ... | Bartender | |
| Bill Lake | ... | Baseball Coach | |
| Balázs Koós | ... | Sports Store Employee | |
| James Lafazanos | ... | Adam | |
| Lucas Denton | ... | Johnny | |
| Noam Jenkins | ... | Patrick Green | |
| Lori Nancy Kalamanski | ... | Linda Green | |
| Hunter Shannon | ... | Audrey |
Directed by | |||
| Rose Troche | |||
Writing credits(WGA) | ||
| A.M. Homes | (book of stories) | |
| Rose Troche | (screenplay) | |
Produced by | |||
| Jody Allen | .... | executive producer (as Jody Allen Patton) | |
| Dorothy Berwin | .... | producer | |
| Colin Brunton | .... | line producer | |
| Stephen Evans | .... | executive producer | |
| Angus Finney | .... | executive producer | |
| Sophie Janson | .... | associate producer | |
| Pamela Koffler | .... | executive producer | |
| Jon Marcus | .... | associate producer | |
| Per Melita | .... | line producer: additional photography | |
| Eric Robison | .... | co-producer | |
| Rose Troche | .... | co-producer | |
| Christine Vachon | .... | producer | |
Original Music by | |||
| Barb Morrison | |||
| Charles Nieland | |||
| Nance Nieland | |||
Cinematography by | |||
| Enrique Chediak | |||
Film Editing by | |||
| Geraldine Peroni | |||
Casting by | |||
| Barbie Block | |||
| Bonnie Finnegan | |||
| Steven Jacobs | |||
| Sally Stiner | |||
| Clare Walker | |||
Production Design by | |||
| Andrea Stanley | |||
Art Direction by | |||
| Craig Lathrop | |||
Set Decoration by | |||
| Liesl Deslauriers | |||
Costume Design by | |||
| Laura Jean Shannon | |||
Makeup Department | |||
| Donna Coad-Roberts | .... | assistant hair stylist | |
| Martial Corneville | .... | hair designer: Glenn Close | |
| Clara Dinunzio | .... | key hair stylist | |
| Sarah Fairbairn | .... | key makeup artist | |
| Jennifer Gould | .... | assistant hair stylist | |
| Janice Schantz | .... | assistant makeup artist (as Janice Shantz) | |
Production Management | |||
| Colin Brunton | .... | production manager | |
| Petra Hoebel | .... | unit production manager: additional photography | |
| Stephanie Meurer | .... | assistant production supervisor | |
| Kelly Miller | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Neille Brockie | .... | daily third assistant director | |
| Jill Girling | .... | assistant director | |
| Kareen Yalandy Glynn | .... | daily third assistant director | |
| Marybeth Hagner | .... | first assistant director | |
| Joel Hay | .... | fourth assistant director | |
| David McLeod | .... | first assistant director | |
| Beverly Morgan | .... | daily third assistant director | |
| Rose Tedesco | .... | assistant director | |
| Sean Watson | .... | third assistant director | |
Art Department | |||
| John Archbell | .... | property master | |
| Mary Arthurs | .... | set buyer | |
| Paul Berta | .... | storyboard artist | |
| John Deslauriers | .... | set dresser | |
| Brian Fowler | .... | construction coordinator | |
| Ron Hobbs | .... | storyboard artist | |
| Suzanne Hoffman | .... | lead set dresser | |
| Cary A. King | .... | set dresser and onset dresser | |
| Eric McNab | .... | set buyer | |
| Christina Meynell | .... | on-set dresser | |
| Heather Midwinter | .... | painter | |
| Joe Mohos | .... | daily set dresser | |
| Elizabeth Moran | .... | second assistant art director | |
| John Moran | .... | assistant art director | |
| Andrew Redekop | .... | art department apprentice | |
| James Ridyard | .... | head painter | |
| Tullis Rose | .... | daily set dresser | |
| Glen Smith | .... | head carpenter | |
| Robert Steele | .... | set buyer | |
| Peeter Tammemagi | .... | property assistant | |
| Joanne Thompson | .... | key scenic painter | |
| Lyne Wagner | .... | set dresser | |
| Zac Ward | .... | carpenter (as Zak Ward) | |
| Rabecca Worts | .... | property assistant | |
Sound Department | |||
| Marko A. Costanzo | .... | foley artist | |
| Fernando De Faria | .... | sound consultant: Dolby | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Chris Fielder | .... | assistant sound editor | |
| Hal Levinsohn | .... | adr editor (as Hal Levinson) | |
| Blake Leyh | .... | supervising sound editor | |
| Kimberly R. McCord-Wilson | .... | dialogue editor (as Kimberly R. McCord) | |
| Paul McGlashan | .... | boom operator | |
| Jennifer Ralston | .... | foley supervisor | |
| Fred Rosenberg | .... | dialogue editor | |
| Rob Rouse | .... | boom operator (as Bob Rouse) | |
| Alex Soto | .... | assistant sound editor | |
| Deborah Wallach | .... | adr editor | |
| Kelly Wright | .... | production sound mixer | |
Special Effects by | |||
| Michael Innanen | .... | special effects supervisor | |
| Walter Klassen | .... | animatronics | |
| John LaForet | .... | special effects coordinator | |
Visual Effects by | |||
| Joaquin de la Puente | .... | compositor | |
| Walter Hart | .... | visual effects producer | |
| Eric Person | .... | digital film supervisor | |
| Jim Rider | .... | visual effects supervisor | |
Stunts | |||
| Peter Cox | .... | stunts | |
| Cotton Mather | .... | stunts | |
| Alison Reid | .... | stunt coordinator | |
| Bryan Renfro | .... | stunts | |
| Paul Rutledge | .... | stunts | |
Casting Department | |||
| Amy Allen | .... | casting | |
| Luisa Cabbidu | .... | extras casting assistant (as Luisa Cabiddu) | |
| Zameret Kleiman | .... | extras casting (as Zamaret Kleiman) | |
Costume and Wardrobe Department | |||
| Jozi Conte | .... | wardrobe set supervisor | |
| Les Handrahan | .... | wardrobe truck supervisor | |
| April Poppe | .... | second assistant costume designer | |
| Liz Walter | .... | extras dresser | |
| Anna Dal Farra | .... | assistant costume designer (uncredited) | |
Editorial Department | |||
| Alfredo Frasson | .... | color timer | |
| Philip Harrison | .... | assistant editor | |
| Catherine Rankin | .... | negative cutter | |
| Jack Rizzo | .... | color timer | |
| Rose Troche | .... | additional editor | |
| John Dowdell | .... | hd colorist (uncredited) | |
Music Department | |||
| Missy Cohen | .... | music editor | |
| Alfredo D. Troche | .... | additional music recordist | |
Transportation Department | |||
| Rick Anglin | .... | head driver | |
| Tim Fagan | .... | transportation coordinator | |
| Dave Marwick | .... | driver captain | |
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| Personal Velocity: Three Portraits | 21 Grams | The Squid and the Whale | Kings & Queen | Margot at the Wedding |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
"It's a life you've made," one of the characters in The Safety of Objects muses at one point. "Don't act like it's not yours." In this small indie picture by Rose Troche (Go Fish, Bedrooms and Hallways), four families struggle with life in suburbia, each searching for a reason to wake up the next morning. Esther Gold (Glenn Close) is a reclusive middle-aged mother who's closest friend is her comatose son (Joshua Jackson). Her daughter, Julie (Jessica Campbell), is obsessed with her weight and deals with sexual frustration. Jim Train (Dermot Mulroney) is a high-paid lawyer who is turned down for a promotion and is almost entirely isolated from the rest of his family. His wife, Susan (Moira Kelly), might be having an affair with a family friend, and his son Jake (Alex House) is developing a fetish for his sister's doll. Annette Jennings (Patricia Clarkson) has to handle with the sudden intrusion of her ex-husband asking for their children back -- one of whom is mentally incapacitated while the other (Kristen Stewart) is an androgynous 12-year-old smoker. And lastly, Helen Christianson (Mary Kay Place) is a health-nut soccer-mom alienated from her husband (C. David Johnson), son (Aaron Ashmore) and daughter (Charlotte Arnold). Phew: I think that about sums it up. But there's much more to The Safety of Objects than just a video-box synopsis; adapted from a brilliant short story collection by one of our generation's best (and most under-rated) authors, A.M. Homes, the characters in these vignettes actually live and breathe. Their situations may seem outrageous, but when you consider the outrageousness of life itself, they're eerily believable. Being a die-hard Homes fan, I was skeptical as to how anyone could bring such a complex piece of literature to the screen, and contrary to what you might read in most reviews (which were unjustly negative), Troche succeeds tremendously. Sure she takes some "artistic license," but don't ALL adapted films? Personally, I've tried to never compare the source to the movie; but even if I did, I would still be more than satisfied with this interpretation. The script (also by Troche) cleverly intertwines sketches that were connected only in theme in Homes's book (which I highly recommend to anyone, whether or not you've seen the film). And the performances ... wow! Clarkson is simply one of the best actors of all time: she is so utterly and effortlessly likable that she doesn't even have to try to gain our sympathy. Mulroney tackles the difficulty of being a middle-aged husband to perfection, and Place expresses similar frustration with subtlety and ease. But the central force among the characters is Close: while she hardly speaks a word (unless she's talking to her son, that is), her sad smile of longing gazes at all of the events around her with a combined sense of understanding and bewilderment. She reminds me (as does the film, actually) of last year's terrific Things You Can Tell Just By Looking At Her, and in a way, her role here is a companion piece to that film -- which ends with her sitting in a bar, oblivious that the man across from her just might be her soul mate. The score is quietly moving, and the direction is nearly seamless. I remember reading Roger Ebert's review for this, in which he criticized it for not being as good as American Beauty: personally, I'd say The Safety of Objects is not only as good as that film, but perhaps even better. Instead of hammering you over the head with its art (as Beauty was so obnoxiously guilty of at times), its effect sinks beneath the skin. At the end of the film, nothing is really resolved: each character will still have to find a reason to wake up the next day, and they will still struggle with their past demons. But now, they're finally able to acknowledge that this IS their life, and it's only the way it is because they made it so. The Safety of Objects reminds us that even though we can make the choice to change, it's so much easier to just cling to monotony.
Grade: A