A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Robert John Burke
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a tailspin when he's passed over for a promotion; Annette Jennings' family is struggling in the wake of her divorce; Helen Christianson is determined to shake up her mundane life. Written by
Timothy Olyphant's character Randy kidnaps a boy named Erol. In the movie adaptation they change the sex of Enrol and provide her with an ambiguous name (Sam, could be from Samuel or from Samantha) and ambiguous appearance (Sam wears boyish clothes most of the time. See more »
In the opening credits when the families are being listed, the Jennings family is listed as "The Jennings." The correct plural is "The Jenningses." See more »
Better than the 'B' our local newspaper critic gave it
The Safety of Objects was Altman-like in its intertwining of stories but without the messy overlay of voices and sound. The connections among the families in a suburban neighborhood created an interesting tension, as crucial information and backstory emerged. Watch how short stories from a collection are woven to make a quilt about life in the burbs (and the secret life of kids, as well as couples)
What I especially found provocative in this film was how some dangerous situations turned out as one would expect, but others teetered on the edge of 'Oh, no,' yet were resolved without harm.
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