A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
Following the death of his wife Audrey, John Munn moves with his two sons, mid-teen Chris Munn and adolescent Tim Munn, to a pig farm in rural Drees County, Georgia, where they lead a ... See full summary »
A family relocates from the city to a dilapidated house in the country that was once a grand estate. As they begin to renovate the place they discover their new home harbors secrets, conceals a horrific past, and may not be free of the former inhabitants completely.
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
L.A. soft-porn writer Carter Webb is frustrated enough, after his actress girlfriend dumps him, to need a serious break. He decides to spend it with his grandmother, who can't really take ... See full summary »
A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a tailspin when he's passed over for a promotion; Annette Jennings' family is struggling in the wake of her divorce; Helen Christianson is determined to shake up her mundane life. Written by
Timothy Olyphant's character Randy kidnaps a boy named Erol. In the movie adaptation they change the sex of Enrol and provide her with an ambiguous name (Sam, could be from Samuel or from Samantha) and ambiguous appearance (Sam wears boyish clothes most of the time. See more »
In the opening credits when the families are being listed, the Jennings family is listed as "The Jennings." The correct plural is "The Jenningses." See more »
When you start collecting things, you start thinking you care about stuff. And when they're gone; when they break or someone steals them, you feel like a part of you is gone, too. When you have things and suddenly you don't, it feels like you disappeared. Nothing should make you feel that way... Except when you lose a person
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There has been much talk of how the film represents (or apparently misrepresents) the American psyche but you don't have to be an American to empathise, or indeed sympathise, with these characters. Like it or not, all families are dysfunctional; we are all damaged in some way and that is the beauty of this film. I may not be a manic depressive, masturbate comatosed boys or have had a questionable relationship with my Barbies but life can be 'distasteful', 'brooding', 'pervy', 'joyless' and 'selfish' just as much as it can be wonderful, uplifting and compassionate. No, not every American suburban family are as impaired as these, nor as a Brit do I see a mirror of myself watching Eastenders or Coronation Street. It's just one point of view and I think Rose Troche has handled such social nuances sensitively and with care. I'm not saying the film is perfect. However, complaining because it makes disturbing or uncomfortable viewing smacks of it hitting a nerve.... If you're seeking a no-brainer, go and see the latest Seann William Scott flick. But if you want an alternative slice of American pie - and a more realistic and universal one at that - feast on this.
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