A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a ... See full summary »
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Robert John Burke
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
A series of overlapping stories about four suburban families dealing with different maladies. Esther Gold's life is consumed by caring for her comatose son; Jim Train is sent into a tailspin when he's passed over for a promotion; Annette Jennings' family is struggling in the wake of her divorce; Helen Christianson is determined to shake up her mundane life. Written by
Timothy Olyphant's character Randy kidnaps a boy named Erol. In the movie adaptation they change the sex of Enrol and provide her with an ambiguous name (Sam, could be from Samuel or from Samantha) and ambiguous appearance (Sam wears boyish clothes most of the time. See more »
In the opening credits when the families are being listed, the Jennings family is listed as "The Jennings." The correct plural is "The Jenningses." See more »
How did I get here? Somewhere along the way, things have gotten out of hand. I don't know how. I tried to do things right, but... maybe that's the problem. Maybe there is no right or wrong. We're ruled by chaos. That would make more sense. That there are no rewards, no punishments. Life isn't a series of results of things done right or wrong. It's all just random. Those are the rules. There are no rules.
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Although not as powerful as the (actually unrelated) short stories in the book, Rose Troche has adapted A.M Homes admirably to the big screen... which I was positive couldn't be done. The excellent performances of the entire cast are what hold some of the more thin connections together and although I was personally disappointed by some of the changes Troche made, I understand the necessity to a cohesive narrative. Had I not read the book, I think I would have enjoyed the movie more so I highly recommend viewers and readers who crave great stories about dysfunctional suburbia to check out any and all of my favorite female authors work... beginning with The Safety Of Objects and The End Of Alice.
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