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Possession (2002)

6.4
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Ratings: 6.4/10 from 10,580 users   Metascore: 52/100
Reviews: 167 user | 100 critic | 34 from Metacritic.com

A pair of literary sleuths unearth the amorous secret of two Victorian poets only to find themselves falling under a passionate spell.

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(novel), (screenplay), 2 more credits »
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Title: Possession (2002)

Possession (2002) on IMDb 6.4/10

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Cast

Cast overview, first billed only:
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Blanche Glover
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Ellen Ash
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Fergus Wolfe
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Cropper
Tom Hickey ...
Blackadder
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Paola
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Euan
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Sir George
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Lady Bailey
Craig Crosbie ...
Hildebrand
Christopher Good ...
Crabb-Robinson
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Storyline

Roland Michell is an American scholar trying to make it in the difficult world of British Academia. He has yet to break out from under his mentor's shadow until he finds a pair of love letters that once belonged to one of his idols, a famous Victorian poet. Michell, after some sleuthing, narrows down the suspects to a woman not his wife, another well known Victorian poet. Roland enlists the aid of a Dr. Maud Bailey, an expert on the life of the woman in question. Together they piece together the story of a forbidden love affair, and discover one of their own. They also find themselves in a battle to hold on to their discovery before it falls into the hands of their rival, Fergus Wolfe. Written by C.D.

Plot Summary | Add Synopsis

Taglines:

The past will connect them. The passion will possess them.

Genres:

Romance | Drama | Mystery

Motion Picture Rating (MPAA)

Rated PG-13 for sexuality and some thematic elements | See all certifications »
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Details

Official Sites:

Country:

|

Language:

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Release Date:

30 August 2002 (USA)  »

Also Known As:

Possession  »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$66,775 (Australia) (6 December 2002)

Gross:

$66,775 (Australia) (6 December 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Ralph Fiennes was offered the role of Randolph Henry Ash. See more »

Goofs

When Maude is in her car waiting for Roland to come out of the museum, her window is down. When he gets in the car and they begin talking, it is rolled up. See more »

Quotes

[first lines]
Randolph Ash: They say that women change. 'Tis so, but you are ever-constant in your changefulness. Like that still thread of falling river, one from source to last embrace, in the still pool ever-renewed and ever-moving on, from first to last, a myriad water-drops.
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Connections

References The French Lieutenant's Woman (1981) See more »

Soundtracks

Possesso
Performed by Ramón Vargas
Conducted by Gabriel Yared
Music by Gabriel Yared
Original lyrics by Peter Gosling
Italian translation: Michela Antonello
Orchestra leader: Cathy Thompson
Produced by Gabriel Yared and Graham Walker
See more »

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User Reviews

Refreshing change
12 November 2002 | by (United Kingdom) – See all my reviews

I'm a big fan of Gwyneth Paltrow whom I regard as an actress of rare talent and beauty so, in spite of many reviewers being parsimonious in their praise for this film, I ventured out to London's Leicester Square to make my own judgement and did not regret it. Following her performances in "Emma", "Sliding Doors" and "Shakespeare In Love", for the fourth time Paltrow adopts an impeccable English accent.

This time she plays an academic specialising in the work of an obscure 19th century poet called Christabel LaMotte (Jennifer Ehle, whom I enjoyed in "This Year's Love"). She is approached by an American researcher, Roland Michell, played by a permanently unshaven Aaron Eckhart, who has discovered a possible romantic connection between LaMotte and fellow poet Randolph Henry Ash (Jeremy Northam, last seen in that other costume drama "Gosford Park"). It turns out that Ash's marriage has no physical side (for reasons which are not explained), while LaMotte's lesbian relationship may not be as exclusive as was thought.

All this sounds more raunchy that it is. There is in fact little sex and no nudity at all on show; yet director Neil LaBute ensures that sensuality imbues scene after scene. Set against the unusual locations of Lincoln and Whiteby, the modern-day academics retrace the steps of the two poets both physically and romantically in cross-cutting scenes that reminded me of the structure of "The French Lieutenant's Woman". If you're a pubescent popcorn-guzzler, you'll hate this movie and find it terribly slow and literary (it is based on the Booker Prize-winning novel by A S Byatt); on the other hand, if you'd like something different from the usual mindless, blockbuster fare, you'll probably find this a refreshing change.


14 of 17 people found this review helpful.  Was this review helpful to you?

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