A film about the grueling construction of not one but two world class restaurants. We follow Danny Meyer, arguably the most successful restaurateur in America. Our cameras follow the ... See full summary »
A young, incredibly talented chef quits the profession after a contest to head a world-class restaurant ends in tragedy. Retiring to a small rural town with his grandfather, he finds a new ... See full summary »
Twenty-something mates Francisco, Ignacio, and Dani meet for their Sunday rituals: a paella, a dip in the sea. After spotting an obituary for a schoolmate, they decide to attend the funeral... See full summary »
The young art student Eddie wants to live a life without troubles or responsibilities. He meets Pam and they fall in love. But happy-go-lucky Eddie declares that he won't marry her. Soon ... See full summary »
Stella Elizabeth Matthews has been a cook in the Canadian High Commission in New Delhi for 30 years. She is brilliant as a cook, and brilliant at creatively padding her salary - with a few ... See full summary »
Retired Mexican-American chef Martin Naranjo shares an L.A. home with his three gorgeous, but single, adult daughters. Though he long ago lost his ability to taste, Martin still lives to cook incredibly lavish dinners for his loved ones and to serve them in a family-style ritual at traditional sit-down meals. Although the women humor their father's old-fashioned ways, each of them is searching for fulfillment outside the family circle. College student Maribel is growing increasingly frustrated with the singles scene and wants a steady man; gorgeous career woman Carmen is fed up with her boyfriend and his wandering eye; meanwhile, eldest daughter Letitia, who has suppressed her own romantic longings, senses something missing in her life. Things take a turn for the romantic when Dad, a widower, meets a vivacious divorcee on the lookout for a mate and each of his daughters, in turn, finds someone. But they'll all discover that the recipe for happiness may call for some unexpected ... Written by
Sujit R. Varma
The three poems that Leti's "secret admirer" sends her are "To His Coy Mistress" by Andrew Marvell, "Her Face, Her Tongue, Her Wit" by Arthur Gorges, and "To the Virgins, to Make Much of Time" by Robert Herrick. The last note is from Titania's speech in Act III, Scene 1 of Shakespeare's "A Midsummer Night's Dream." See more »
At the end when Carmen is leaving the kitchen to serve her family, at first she has one plate without the lobster, then when she is leaving the kitchen, as she is turning the corner, she has the plate with a lobster. Then, coming out of the kitchen, the lobster has disappeared, then reappears again when she turns towards the tables. See more »
Just remember, when you're as pretty as you are a man is incapable of telling the truth.
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Well, well, it's hard to describe this film. Sometimes you always feel good when you're watching a film. I don't know exactly the reason. I just know that in some occasions you fell not so good because of the events that occur in one film. Here it's about feeling good.
It's very comforting to see Hector Elizondo here. I have always liked him. And I have never thought of his acting qualities, or evaluated him as an actor, I just have always had fun watching him on screen. This movie is no exception. I gotta give him the fact that he actually looks like a cook (chef). He actually seems to enjoy the meals he prepares daily. And also seems his family, people who love him. And there wouldn't be much a film without this love.
Martin's (Elizondo) three daughters are the center of the film, of course, including their dad. Tamara Bello is beautiful. It's the first time I see her in a movie, but there's such charm in her face, and she makes Maribel the kind of girl some teenagers may identify with.
Leticia (Peña) is also some kind of misteryous, but understandable. We get her situation, and maybe know there's no way out. But we are also by her side, when she has the time to improve. She has kept his feelings for too long, as if she was obliged to, and know she's desperate to let them go.
Carmen (Obradors) might be the opposite. She has let her feelings go, but has kept some of them inside also. It is like she knows she must take some decisions, and she takes them, only she may not be so sure, she may just think she is.
The rest of the actors are perfect choices, and make each of the characters they play another part of this charming film.
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