| Photos (See all 13 | slideshow) | Videos |
| Ian Hart | ... | Dad | |
| Claire Hackett | ... | Mum | |
| Anthony Borrows | ... | Liam | |
| David Hart | ... | Con | |
| Megan Burns | ... | Teresa | |
| Anne Reid | ... | Mrs. Abernathy | |
| Russell Dixon | ... | Father Ryan | |
| Julia Deakin | ... | Auntie Aggie | |
| Andrew Schofield | ... | Uncle Tom | |
| Bernadette Shortt | ... | Lizzie | |
| David Carey | ... | Lizzie's husband | |
| David Knopov | ... | Mr. Samuels | |
| Jane Gurnett | ... | Mrs. Samuels | |
| Gema Loveday | ... | Jane Samuels | |
| Martin Hancock | ... | David | |
| Sylvia Gatril | ... | Nunney | |
| Chris Darwin | ... | Nunney's husband | |
| James Foy | ... | Lofty | |
| Arnold Brown | ... | Pawnbroker | |
| Billy Moocho | ... | Clubman | |
| Stephen Walters | ... | Black shirt | |
| Bryan Reagan | ... | Gaffer | |
| Sean Styles | ... | Big Micky | |
| Sean McKee | ... | Little Micky | |
| George Maudsley | ... | Man at political rally | |
| rest of cast listed alphabetically: | |||
| Tim Baker | ... | (uncredited) | |
| Christopher Schönning | ... | Policeman (uncredited) | |
Directed by | |||
| Stephen Frears | |||
Writing credits | ||
| Jimmy McGovern | (written by) | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Andrew Dunn | |||
Film Editing by | |||
| Kristina Hetherington | |||
Casting by | |||
| Leo Davis | |||
| Pippa Hall | |||
Production Design by | |||
| Stephen Fineren | |||
Art Direction by | |||
| Hannah Moseley | |||
Costume Design by | |||
| Alexandra Caulfield | |||
Makeup Department | |||
| Marrie Dorris | .... | assistant makeup artist | |
| Samantha Marshall | .... | makeup supervisor | |
| Sue Milton | .... | makeup designer | |
Production Management | |||
| Donna Molloy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| William Dutton | .... | second assistant director | |
| Trevor Gittings | .... | first assistant director | |
| Adam O'Brien | .... | third assistant director | |
Art Department | |||
| Steve Bedford | .... | construction manager (as Stephen Bedford) | |
| Richard Brockless | .... | construction team | |
| David Flower | .... | set dresser | |
| Bernard Hamill | .... | additional constructor | |
| Brian Henry | .... | stand-by props | |
| Duncan Howell | .... | stand-by art director | |
| Darren Malone | .... | set dresser | |
| Ron Pritchard | .... | production buyer | |
| Alan Pugh | .... | additional constructor | |
| Derek Roberts | .... | property master | |
| David Round | .... | production buyer | |
| Peter Skarratt | .... | stand-by carpenter | |
| Paul Tandy | .... | stand-by painter | |
| Lee Howarth | .... | rigger: art department (uncredited) | |
Sound Department | |||
| Chris Atkinson | .... | production sound mixer | |
| Matthew Gough | .... | co-sound mixer | |
| Diane Greaves | .... | foley artist | |
| Terry Isted | .... | foley recordist | |
| Peter Joly | .... | supervising sound editor | |
| Michael Redfern | .... | foley editor | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Mark Rose | .... | assistant sound editor | |
| Alison Ross | .... | boom operator | |
| Jason Swanscott | .... | foley artist | |
| Ted Swanscott | .... | foley mixer | |
Visual Effects by | |||
| Giles Livesey | .... | telecine colorist | |
| Nastuh Abootalebi | .... | visual effects (uncredited) | |
| Moritz Peters | .... | visual effects (uncredited) | |
| Matthew Twyford | .... | visual effects (uncredited) | |
Stunts | |||
| Riky Ash | .... | stunts | |
| Mark Berry | .... | stunts | |
| Bill Davey | .... | stunts | |
| Levan Doran | .... | stunts | |
| Dave Fisher | .... | stunts | |
| Paul Howell | .... | stunts | |
| Glenn Marks | .... | stunt coordinator | |
| Andy Merchant | .... | stunts | |
| Chris Pocock | .... | stunts (as Christopher Pocock) | |
| Shaun Wallace | .... | stunts | |
Camera and Electrical Department | |||
| Glenn Carvath | .... | electrician (as Glen Carvath) | |
| Michael Costelloe | .... | assistant camera | |
| Vinny Cowper | .... | electrician | |
| Daniel Gadd | .... | camera trainee | |
| Peter Goddard | .... | gaffer | |
| Brendan Judge | .... | grip | |
| Daniel Lightening | .... | clapper loader | |
| Tony O'Brien | .... | best boy | |
| Trevor Owens | .... | still photographer | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Kath Davies | .... | costume dresser | |
| Tabitha Moses | .... | costume dresser | |
| Kevin Pollard | .... | costume supervisor | |
Editorial Department | |||
| Darren Brady | .... | assistant to editor | |
Music Department | |||
| Simon Denny | .... | additional score production | |
| Simon Denny | .... | additional score recordings | |
| Daniel L. Griffiths | .... | score mixer | |
| Daniel L. Griffiths | .... | score producer | |
| John Murphy | .... | arranger | |
| Greg Francis | .... | orchestrator (uncredited) | |
Transportation Department | |||
| Terry Eden | .... | genny driver | |
Other crew | |||
| Vicki Allen | .... | additional runner | |
| Roger Arscott | .... | location manager | |
| Sarah Best | .... | production secretary | |
| Paul Codman | .... | child acting coach | |
| Laurence Easeman | .... | floor runner | |
| Mark Edwards | .... | production accountant | |
| Paul Edwards | .... | floor runner | |
| Dorothy Friend | .... | script supervisor | |
| Jenni Hicks | .... | office assistant | |
| Richard Lloyd Jones | .... | additional runner | |
| Grainne Marmion | .... | production executive: BBC | |
| Julie Scott | .... | production executive: BBC | |
| Roxy Spencer | .... | script editor | |
| Colin Taylor | .... | location assistant | |
| Jean Taylor | .... | production coordinator | |
| Ruth Taylor | .... | assistant production accountant | |
| Dean Williamson | .... | floor runner | |
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| Angela's Ashes | Little Ashes | The Lonely Passion of Judith Hearne | My Sex Life... or How I Got Into an Argument | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
When little Liam's father loses his job during the Depression, the family struggles to hold things together. As the world around them comes apart, we see how everyone in the family deals with the stress in their own way. Liam's dad joins the fascists, his brother attends secret meetings of the socialists, his sister goes to work as a housekeeper for a wealthy Jewish family, and Liam searches for answers in Catholicism, under the strict guidance of his haggard mum, his teacher, and the local priest.
As life becomes increasing more insecure, people begin to turn more desperately to their own belief system for answers. Religious, ideological, class and family ties all compete for primacy. We see Protestant versus Catholic, gentile versus Jew, fascist versus socialist, neighbor versus neighbor and father versus son. Unfortunately, life is not so simple as that, and each family member finds themselves torn between their loyalty to their loved ones, and their own pride and perception of righteousness. The tragic climax leaves no doubt as to the director's own perspective.
The young actor who plays Liam is perfectly cast as an innocent child forced to deal with the harsh realities of life. Although reminiscent of some recent films, this one is more raw than "Life is Beautiful" and more genuine than "Billy Elliot." This is not a movie for anyone who is merely seeking an escape, as it demands an intellectual commitment from the viewer. And while it makes some profound points beautifully, it ultimately leaves you with more questions than answers.