The third installment of Irish author Roddy Doyle's 'Barrytown Trilogy', following 'The Commitments' and 'The Snapper', depicts the hilarious yet poignant adventures of Bimbo. Upon being ... See full summary »
Sammy and Rosie are an unconventional middle-class London married couple. They live in the midst of inner-city chaos, surround themselves with intellectual street people, and sleep with ... See full summary »
Ali's biggest match, his fight with the US government. A film about the politics and hubris surrounding the Vietnam War and the revenge exacted on America's greatest sportsman of the 20th century because he refused to fight in that war.
Ed Begley Jr.
Ten years later, after ratting on his old mobster friends in exchange for personal immunity, two hit men drive a hardened criminal to Paris for his execution. However, while on the way, whatever can go wrong, does go wrong.
A morality tale of xenophobia, religious prejudice, mob violence, poverty, and their effect on two children in Liverpool during the Depression. When a shipyard closes, Liam and Teresa's dad loses his job. Liam, who's about 8, making his first Holy Communion, gets a regular dose of fire and brimstone at church. Teresa, about 13, has a job as a maid to the Jewish family that owns the closed shipyard. The lady of that house is having an affair, and Teresa becomes an accomplice. Liam stutters terribly, especially when troubled. Dad comes under the sway of the Fascists, who blame cheap Irish labor and Jewish owners. A Molotov cocktail brings things to a head. Written by
Move a Dickens story up into the time of the Depression. Add elements of Steinbeck's "Grapes of Wrath." Add the blackshirt Fascists from "1900." Add a little boy whose father and brother are involved in desperate economic problems complete with unions and favoritism, as in "Billy Elliot."
Make it very dark, and very drear. Let the camera see drearily, smokily, darkly, unclearly.
Let the characters speak in their own, natural way, without regard to an American audience having difficulty understanding them.
This is "Liam." It is an indictment of religion, the undeniable caste system of the UK, and of government in general. It is a film that was difficult to watch, although never did I say anything like "this is bad." It was just difficult to watch.
Everything rang true, and it was heartbreaking, with a few uplifting moments...but very few. This is an excellent film, a very well-acted film, well-directed and with an excellent screenplay. But difficult to watch, in spots.
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