| Rose Byrne | ... | B.G. | |
| Rikiya Kurokawa | ... | J.M. | |
| Nicholas Hope | ... | Grandpa | |
| Elise McCredie | ... | Marie | |
| Tim Richards | ... | Drummer Boy | |
| Bree Beadman | ... | B.G. aged 9 | |
| Satya Gumbert | ... | Marie aged 9 | |
| Tina Bursill | ... | Esther | |
| Dominic Condon | ... | Mr. Hughes | |
| Tim McGarry | ... | Detective | |
| John Boxer | ... | Barman | |
| Harry Lawrence | ... | Old Man in Bar | |
| Masao Ishiguro | ... | Noodle Man | |
| Stephanie Daniel | ... | Radio Announcer (voice) | |
| Jean-Pierre Mignon | ... | D.S. Sergeant (voice) | |
| rest of cast listed alphabetically: | |||
| Fred Brophy | ... | Boxing Spruiker (voice) | |
| Lauren Clark | ... | Little Girl | |
| Katie Kermond | ... | Mrs. Hughes | |
| Judith Knapp | ... | Woman in bar | |
| Louise Lohse | ... | School teacher | |
| Koji Miyashita | ... | Truck driver | |
| Sean Read | ... | Road Rage Driver | |
| Masato Sakai | ... | J.M.'s Friend | |
| Makiko Sato | ... | Woman in Street | |
| Yoshiko Tatsumi | ... | J.M.'s girlfriend | |
Directed by | |||
| Clara Law | |||
Writing credits(in alphabetical order) | ||
| Eddie Ling-Ching Fong | ||
| Clara Law | ||
Original Music by | |||
| Jen Anderson | |||
Cinematography by | |||
| Dion Beebe | |||
Film Editing by | |||
| Kate Williams | |||
Casting by | |||
| Yôko Narahashi | |||
| Anousha Zarkesh | |||
Production Design by | |||
| Nicholas McCallum | |||
Costume Design by | |||
| Annie Marshall | |||
| Helen Mather | |||
Production Management | |||
| Christian Gazal | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tanya Jackson | .... | second assistant director (as Tanya Jackson-Vaughan) | |
| Scott Lovelock | .... | third assistant director | |
| Chris Webb | .... | first assistant director | |
Art Department | |||
| Geoff Howe | .... | construction coordinator | |
| Adrienne Ogle | .... | stand-by props | |
Sound Department | |||
| Peter Grace | .... | sound recordist | |
| Sue Kerr | .... | boom operator | |
| Livia Ruzic | .... | dialogue editor | |
Visual Effects by | |||
| Andrea Parkes | .... | visual effects producer | |
| Chris Schwarze | .... | visual effects producer | |
| Peter Webb | .... | visual effects | |
Animation Department | |||
| Scott Otto Anderson | .... | animation director | |
Casting Department | |||
| Dani Skye | .... | casting associate | |
Editorial Department | |||
| Billy Browne | .... | post-production assistant | |
| Laurie Butler | .... | editor: promo reel | |
| Arthur Cambridge | .... | color grader | |
| Adrian Hauser | .... | colorist: video master | |
| Caroline Scott | .... | assistant editor | |
Music Department | |||
| Ross Cockle | .... | music score engineer | |
| Christine Woodruff | .... | music supervisor | |
Other crew | |||
| Scott Otto Anderson | .... | title designer | |
| Claude Gonzalez | .... | assistant to the director | |
| Claude Gonzalez | .... | continuity | |
| Katie Gordon | .... | production coordinator | |
| 'Aussie' Auslan Ismail | .... | location manager | |
| Eijiro Ozaki | .... | interpreter | |
| Aubrey Tredget | .... | production coordinator (as Aubs Tredget) | |
| Recent Posts (updated daily) | User |
|---|---|
| did BG aka Rose Byrne murder? anyone | neo-252 |
| A waste of time | tody711 |
| Just watched it | stevecs |
| song in the bar | fnnelson |
| add German AKA title 'Der Japaner und die Göttin' | w-sky |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Australia section |
Clare Law was a successful blockbuster director while she was in Hong Kong, who made films like The Reincarnation of Golden Lotus. Her artistic ambition has taken her to another level of filmmaking. The Goddess of 1967 is highly experimental in style. Unlike many experimental works, however, this film does not seem pointless. On the contrary, it has a very powerful story. The story is therapeutic; it deals with abuse, incest and obsession, with an ending of recognition and reconciliation (but not the kind of phony sentimental type that is typical of Hollywood drama). This film is a work of art. Its cinematography is beautiful; its writing is humorous, despite the fact that the story is heavy. I hope the DVD will be released soon.