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The Goddess of 1967 (2000)
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Overview
User Rating:
Release Date:
26 January 2001 (Italy) morePlot:
"Goddess" stands for French "Déesse", the nickname of Citroën DS, the name of a famous car designed in the fifties... more | add synopsisAwards:
4 wins & 3 nominations moreNewsDesk:
(2 articles)
Mexican Film A Winner In Chicago (From Studio Briefing - Film News. 17 October 2000)
Venice, Deauville Winners Named
(From Studio Briefing - Film News. 11 September 2000)
User Comments:
Superb drama more (28 total)Cast
(Credited cast)| Rose Byrne | ... | B.G. | |
| Rikiya Kurokawa | ... | J.M. | |
| Nicholas Hope | ... | Grandpa | |
| Elise McCredie | ... | Marie | |
| Tim Richards | ... | Drummer Boy | |
| Bree Beadman | ... | B.G. aged 9 | |
| Satya Gumbert | ... | Marie aged 9 | |
| Tina Bursill | ... | Esther | |
| Dominic Condon | ... | Mr. Hughes | |
| Tim McGarry | ... | Detective | |
| John Boxer | ... | Barman | |
| Harry Lawrence | ... | Old Man in Bar | |
| Masao Ishiguro | ... | Noodle Man | |
| Stephanie Daniel | ... | Radio Announcer (voice) | |
| Jean-Pierre Mignon | ... | D.S. Sergeant (voice) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
119 minCountry:
AustraliaColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
StereoCertification:
Australia:MA | Brazil:12 | France:-12 | Hong Kong:III | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud)FAQ
This FAQ is empty. Add the first question.more (28 total)
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Superb, visually and emotionally stunning drama, following one young woman's battle to beat her inner demons. Rose Byrne plays BG, a blind woman of about 20, whose real problems date back to her childhood and even before she was born, as well-handled flashbacks to 3, 10 and 30 years ago respectively detail. Byrne's performance is absolutely top-notch: if she doesn't win the AFI's Best Actress in a Lead Role category this year, something's definitely wrong. The viewer is never comfortable when watching this film - we may enjoy parts of it (for example the dancing scene), but we're never "comfortable", mainly due to the unevenness, which looks as though it was intended, and the bizarre injections of sections of plot which really don't matter but which all work together beautifully in a complex, poignant story that needs to be told. If there's one major gripe I've got with this one it's the length - the film's probably about 20 minutes too long, but the quality of the film is such that many viewers shouldn't notice this. If you get a chance, see this one, though potential viewers should note it IS defined as "art-house", so if you prefer safe little Hollywood blockbusters then this mightn't be your thing. 71/100