Born in Jaunpur, Uttar Pradesh, Ram Saran Pandey, relocates to Bombay, Maharashtra, to improve his lifestyle, leaving behind his mom and dad, Sudama, with a promise to call them to Bombay ... See full summary »
In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.
Chandra Prakash Dwivedi
Krishna Patil is a poor, unemployed, unsuccessful and short tempered youth who stays in a chawl with his father Ramakant and elder sister Mansi. He tries to secure a job in the police ... See full summary »
Zubeida, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
The movie tells the story of the bandit queen Phoolan Devi who was sent to prison in 1983 and got free in 1994. During five years she was prosecuted by the Indian police and turned into a ... See full summary »
Where beasts feared to tread, he made it his home; Where the scorching sun could not reach, he shined in the cold bloodedness. Where the police never managed to catch him, he always killed ... See full summary »
Ram Gopal Varma
Panna is the only daughter of politician Maltidevi. Panna is very critical of her mother, when she decides to separate from her dad, and asked Chief Minister Sawantrao Gadre to move in with... See full summary »
Arghya is a serial killer, with a God complex and a fetish for human emotions. He believes that emotions blur logical reasoning and thus, selects his projects accordingly. His apprentice, ... See full summary »
Macbeth meets the Godfather in present-day Bombay. The Scottish tragedy set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the ... See full summary »
Born in Jaunpur, Uttar Pradesh, Ram Saran Pandey, relocates to Bombay, Maharashtra, to improve his lifestyle, leaving behind his mom and dad, Sudama, with a promise to call them to Bombay when he is well settled. Ram gets employed as a garage mechanic, and this is where he meets with a customer named Kamya Lal, a Journalist, who is impressed by his honesty. She decides to write a number of articles on him, making him immensely popular. She allows him to visit her at all times in her palatial bungalow, giving Ram the impression that she is attracted to him. Then one night, a drunken Ram decides to ask Kamya for her hand in marriage - and this is the night that Ram will be thrust into a world that he has never known before - changing, if not risking his life, forever. Written by
Don't take this movie too seriously, for heaven's sake...
Like all Bollywood movies, this movie requires a little bit of suspension of disbelief.
"Dil Pe Mat Le, Yaar!" means "Don't Take It To Heart, For Heaven's Sake". "Yaar" is an exclamation used in Hindi similar to our "eh" or our saying "Geez" or worse.
The main characters' acting is superb, but the fact that this movie is still a musical and was produced in traditional formulaic Bollywood style is what hurts it.
The fact that people break out in song and that the premise of the movie is so banal ruin an otherwise excellent production.
Yes, some of the supporting cast is not up to the caliber of the main actors. Yes, it's a jumble of genres - musical, black comedy and dramatic tear jerker, but to have a project sold in Bollywood, one must follow certain formulae to please the masses.
The message of the movie is good, if rather inconsequential, but it's not a travesty or waste of money.
Take a look at the movie, and you'll be able to pick out the good from the bad. And for heaven's sake, don't take it too seriously.
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