Julia finds 300 million pesetas hidden in a dead man's house while selling an apartment. She's a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of ... See full summary »
In Spain, the sports journalist Juan has a perfect life with his wife Sonia: they have just had a baby and moved to an old house that needs to be repaired in a fancy neighborhood. When ... See full summary »
Álex de la Iglesia,
Rafael is the best salesman in the biggest department store of Madrid. He is a fascinating man; all his colleagues fell in love with him. He tries to live a high-standard life. He is ... See full summary »
A basque priest finds by means of a cabalistic study of the bible that the anti-christ is going to be born on Christmas day in Madrid. Helped by a heavy-metal fan and by the showman of a TV... See full summary »
Álex de la Iglesia
Armando De Razza,
A man comes into a bar in which there's only one other customer and asks the bartender to serve him a Mirinda (a Spanish orange drink). But then he refuses to pay for it, saying that the ... See full summary »
Álex de la Iglesia
José Antonio Álvarez
Julia finds 300 million pesetas hidden in a dead man's house while selling an apartment. She's a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of neighbors), headed by an unscrupulous administrator. Black humor gives way to suspense, closely followed by horror that doesn't take long in coming to a head in undisguised pandemonium. Written by
Towards the last third of the film, when Julia is searching a way to exit the building, she skips through the dead rich man's diaries and several maps of the house can be seen. But one of the last ones, on the left page, is a drawing of the comic book "13, Rue del Percebe" by Spanish artist Francisco Ibañez. See more »
Alex De La Iglesia is one of a triumvirate of Spanish directors whose deliciously black comedies have found a sizeable audience outside of Spain (the other two being Bigas Luna and the master Pedro Almodovar). Iglesia's debut ACCIONE MUTANTE was a wonderfully perverse low budget sci-fi parody, but it was his super-dark horror comedy THE DAY OF THE BEAST that first brought him international recognition, and a brief and unlikely stab at Hollywood with the entertaining PERDITA DURANGO.
LA COMMUNIDAD shows that Iglesia has matured a *lot* as a film maker, and feels much slicker and more accomplished than his earlier films. Carmen Maura (Spain's finest actress) plays an estate agent with a gift for telling lies, who discovers a stash of money in an appartment she has to show to some clients. She thinks this is what her life has been waiting for, but she doesn't count on THE COMMUNITY that inhabits the appartment building.
LA COMMUNIDAD is a wonderful thing - a horror movie about ordinary people. Forget mutants, satanists or the devil himself - none of these are as scary as the guy next door! Iglesia brings out the darkest side of our human nature, bringing out delicious black comedy, horror and thriller elements without the need to invoke anything supernatural or fantastical.
Iglesia's direction is assured - helped no doubt by having a veteren like Maura in the lead role. The pacing of the film is spot on, and the atmosphere and tension is built to great effect. The film is creepy, crazy and builds to real edge of the seat tension. The characters are all wonderful, and the cast give great performances. A great piece of work!
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