| Jean-Marc Barr | ... | Hugo | |
| Asia Argento | ... | Anita | |
| Frances Barber | ... | Eva | |
| Andrew Tiernan | ... | Koesler | |
| Alexandra Negrão | ... | Alice | |
| Edouard Montoute | ... | Oliveira | |
| Vernon Dobtcheff | ... | Vitali | |
| Johan Leysen | ... | Travis | |
| Jean-Christophe Bouvet | ... | Lucas | |
| Carlo Brandt | ... | Vondt | |
| François Levantal | ... | Sorvan | |
| rest of cast listed alphabetically: | |||
| Dominique Bettenfeld | ... | Mitja | |
| Antonio Calpi | |||
| João Pedro Cary | ... | Child | |
| Celia Charpentier | |||
| Patrick Fontana | ... | Policeman reception | |
| Mara Lúcia Galinha | |||
| Stéphan Guérin-Tillié | ... | Julian (as Stéphane Guérin-Tillié) | |
| Rui Jesus | |||
| Ivan Marevich | ... | Mitslav | |
| Sofia Reis | |||
| Carlos Rodrigues | |||
| Joe Sheridan | |||
| Velibor Topic | |||
| Omer Husnu Turat | ... | Hitman | |
Directed by | |||
| Olivier Megaton | |||
Writing credits(in alphabetical order) | ||
| Alain Berliner | written by | |
| Robert Conrath | written by | |
| Maurice G. Dantec | novel | |
| Olivier Megaton | written by | |
| Norman Spinrad | written by | |
Produced by | |||
| Simon Arnal | .... | producer | |
| Rémi Burah | .... | associate producer | |
| Carole Scotta | .... | producer | |
Original Music by | |||
| Nicolas Bikialo | |||
Cinematography by | |||
| Denis Rouden | (director of photography) | ||
Film Editing by | |||
| Stéphanie Gaurier | |||
| Yann Hervé | |||
Casting by | |||
| Abi Cohen | |||
| Sylvie Peyrucq | |||
Production Design by | |||
| Hervé Leblanc | |||
Costume Design by | |||
| Isabelle Fraysse | |||
Makeup Department | |||
| Alexandra Bredin | .... | hair stylist | |
| Stéphanie Guillon | .... | key makeup artist | |
| Pierre Olivier Persin | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Franck Vestiel | .... | first assistant director | |
Art Department | |||
| Pedro Cardona | .... | set dresser | |
Sound Department | |||
| Pascal Armant | .... | sound recordist | |
| Hervé Buirette | .... | sound re-recording mixer | |
| Olivier Chatron | .... | post-synchronisation | |
| Frederic Dubois | .... | sound editor | |
| François Groult | .... | sound mixer | |
| Sébastien Jeannot | .... | sound editor | |
| David Lander | .... | assistant sound editor | |
| Christophe Leroy | .... | sound editor | |
| Fred Mays | .... | post-synchronization | |
| Alexandre Widmer | .... | sound editor | |
Visual Effects by | |||
| Pascal Laurent | .... | visual effects supervisor | |
| Julien Rousseau | .... | digital compositor | |
Stunts | |||
| Dominique Fouassier | .... | stunt coordinator | |
Editorial Department | |||
| Stéphanie Gaurier | .... | additional editor | |
| Yvan Lucas | .... | color timer | |
| Jérome Pey | .... | assistant editor | |
Music Department | |||
| Benjamin Caillaud | .... | music editor | |
| Régis Dupré | .... | score orchestrator | |
| Rammstein | .... | composer: song "Sonne" | |
| Stéphane Reichart | .... | music scoring mixer | |
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| Grosse Pointe Blank | The Spider Returns | The Departed | The Professional: Golgo 13 | The Memory of a Killer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
In Paris, the twelve years old girl Alice (Alexandra Negrão) arrives to the police station, and asks to meet detective Anita (Asia Argento). In her office, Alice tells that her mother Eva (Frances Barber) is a sadistic killer and delivers a video showing Eva torturing and killing their maid Sunya. The chief of police does not believe in Alice, but Anita decides to investigate by her own and finds that Eva is a powerful and wealthy leader of an international criminal organization. When Alice escapes from the guard of the detective in charge of her security, she decides to travel to Portugal to meet her father, who is supposedly dead, and is chased by two gangster of Eva's organization. Alice meets the traumatized mercenary Hugo (Jean-Marc Barr), who protects and travels with her to Portugal, trying to find her father, while Eva and Anita also travels to that country.
"La Sirène Rouge" is one of the most unbelievable and flawed screenplay I have ever seen. The storyline is actually a great absurd since the very first beginning until the last scene. Nevertheless, there are many action scenes and shooting and this movie entertains. I personally am a fan of Asia Argento, and her name in the credits was the great attraction for me to see this movie. In the hotel, in the check-in of Hugo and Alice, the soccer game is between Flamengo and another Brazilian team. Later, we can hear the speaker narrating another soccer game in Brazil. Therefore, the language is Portuguese, but the teams and the accent are not from Portugal. I found this sequence ridiculously hilarious. My vote is six.
Title (Brazil): "O Alerta Vermelho" ("The Red Alert")