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La sirène rouge (2002)

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Nearly 13, Alice rebels, telling the Paris police that her mother is a murderer. Alice has no evidence; her mother, Eva, rich and powerful, avoids charges. Alice promptly runs away, ... See full summary »

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Cast

Credited cast:
...
...
Anita
...
Eva
...
Koesler
Alexandra Negrão ...
Alice
Edouard Montoute ...
Oliveira
...
Vitali
...
Travis
...
Lucas
Carlo Brandt ...
Vondt
François Levantal ...
Sorvan
Rest of cast listed alphabetically:
Dominique Bettenfeld ...
Mitja
Antonio Calpi
João Pedro Cary ...
Child
Celia Charpentier
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Storyline

Nearly 13, Alice rebels, telling the Paris police that her mother is a murderer. Alice has no evidence; her mother, Eva, rich and powerful, avoids charges. Alice promptly runs away, determined to find her dad whom she claims lives in Portugal. The police believe he is dead and that Alice is in denial. Nonetheless, they dispatch Anita, an Italian police officer on loan to the French, to find Alice and bring her back. Meanwhile, Eva has launched her own paramilitary force to hunt for Alice, and Alice has found a protector in Hugo, an ex-soldier turned hit man and gang member. He promises to get her to her father. All roads lead to a small town on the Portuguese coast. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Crime | Thriller | Action

Motion Picture Rating (MPAA)

Rated R for strong violence and language | See all certifications »
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Details

Country:

Language:

| |

Release Date:

21 August 2002 (France)  »

Also Known As:

The Red Siren  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jean-Marc Barr's character is none other than Hugo Toorop, the character played by Vin Diesel in Babylon A.D. See more »

Goofs

When Alice fires her handgun (a semi-automatic) even tho shot in slow-motion, the slide doesn't move back. This is a simple identifiable function of this sort of weapon which is shot in slow-mo intentionally in many other films for it's dramatic effect. Instead, Alice jerks the weapon back as if it were fired, and the target is magically struck by a bullet that could not have come from Alice's gun. See more »

Quotes

Hugo: [first lines - sighting his rifle] Where'd that fourth guy disappear to?
Vitali: Take it easily Hugo.
Hugo: Christ Vitali. They're getting younger every day. I didn't come here to kill kids.
Vitali: If you don't, they won't spare *you*.
Hugo: What if that would suit me just fine. Really.
Vitali: Come on Hugo, they need us here.
Hugo: But they're just kids! What the fuck am I doing here Vitali?
Vitali: God only knows.
Hugo: God would never let things get this fucked up.
Vitali: Don't try to blame all mankind's fuck ups on God. Now you tell me why a young man ...
[...]
See more »

Connections

Followed by Babylon A.D. (2008) See more »

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User Reviews

 
Some good parts, great cinematography.
14 February 2004 | by (Melbourne, Australia) – See all my reviews

The main reason for seeing this film would the chance to see Jean-Marc Barr make good work of his strong role in an otherwise far fetched but entertaining film with a weak supporting cast and a poor script. What really struck me upon first viewing was how dark the story got as the storyline unfolded. Nice images and some good action shots hold it together when the majority of the actors can't.

I have to state that the character of the mother (Eva) is the worst characterization that I've seen in quite some time. I readily will credit European cinema (incl UK) in more originality and risk taking, but this character seems to be derived directly from Cruela Deville in "101 Dalmations" crossed with Jude from "The Crying Game" in both appearance and manner and it doesn't work at all. She's more of a nuisance than a threat. It's her henchmen that are the real antagonists here instead.

Jean-Marc delivers a solid performance and his good press for his acting is well credited in this film. The child "Alice" is okay, but I don't feel as though I connected as well as I could have with this character. What's strongest here is the cinematography and art direction, with some strength from the director in his action shots, believable or not. Overall, it's an interesting film and worth a try but definitely an acquired taste.


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