| Photos (See all 42 | slideshow) |
| Paz Vega | ... | Lucía | |
| Tristán Ulloa | ... | Lorenzo | |
| Najwa Nimri | ... | Elena | |
| Daniel Freire | ... | Carlos / Antonio | |
| Elena Anaya | ... | Belén | |
| Silvia Llanos | ... | Luna | |
| Diana Suárez | ... | Madre de Belén | |
| Javier Cámara | ... | Pepe | |
| Juan Fernández | ... | Jefe | |
| Charo Zapardiel | ... | Comadrona | |
| María Álvarez | ... | Enfermera (as María Alvarez) | |
| Javier Coromina | ... | Camarero Chiringuito (as Javier Corominas) | |
| Arsenio León | ... | Futbolista | |
| Alesandra Alvarez | ... | Luna 1 año | |
| David Bulnes | ... | Actor porno |
Directed by | |||
| Julio Medem | |||
Writing credits(in alphabetical order) | ||
| Julio Medem | ||
Produced by | |||
| Fernando Bovaira | .... | producer | |
| Anna Cassina | .... | executive producer | |
| Enrique López Lavigne | .... | producer | |
| Luis María Reyes | .... | executive producer | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| Kiko de la Rica | |||
Film Editing by | |||
| Iván Aledo | |||
Casting by | |||
| Sara Bilbatúa | |||
Art Direction by | |||
| James David Goldmark | |||
| Montse Sanz | |||
Set Decoration by | |||
| Víctor Molero | |||
Costume Design by | |||
| Estíbaliz Markiegi | (as Estibaliz Markiegui) | ||
Makeup Department | |||
| Arturo Balceiro | .... | special effects makeup technician (as Arturo Balseiros) | |
| Antoñita viuda de Ruiz | .... | wig maker | |
| David Martí | .... | special effects makeup supervisor | |
| Montse Ribé | .... | special effects makeup supervisor | |
| Gregorio Ros | .... | makeup artist | |
| Juan Valverde | .... | hair stylist (as Juan Rodríguez Valverde) | |
| Adolfo Vila | .... | special makeup effects assistant | |
Production Management | |||
| Anna Cassina | .... | production manager | |
| Teresa Cepeda | .... | production manager | |
| Iñaki Rubio | .... | production supervisor | |
| Eugenia Soler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lucia Cassani | .... | assistant director | |
| Txarly Llorente | .... | first assistant director (as Txarli Llorente) | |
| Almudena Martín de los Santos | .... | second assistant director | |
Sound Department | |||
| Polo Aledo | .... | assistant sound editor | |
| Antonio Alfara | .... | assistant sound editor | |
| José Luis Crespo | .... | sound engineer | |
| Enrique Domínguez | .... | assistant sound mixer | |
| Clarissa Farrán | .... | sound re-recordist | |
| Patrick Ghislain | .... | foley mixer | |
| Sonia Lozano | .... | sound production assistant | |
| Gadou Naudin | .... | foley artist | |
| Gadou Naudin | .... | sound effects editor | |
| Agustín Peinado | .... | sound | |
| Manuel Peinado | .... | boom operator | |
| Alfonso Pino | .... | sound mixer | |
| Javier Santoni | .... | trainee sound technician | |
| Santiago Thévenet | .... | sound editor (as Santiago Thevenet) | |
| Ricardo Viñas | .... | dolby sound consultant | |
| Alejandro Vázquez | .... | trainee sound technician | |
Special Effects by | |||
| Merche Arque | .... | special effects makeup technician | |
| Arturo Balceiro | .... | special effects makeup technician | |
| Xavi Bastida | .... | special effects makeup technician | |
| Antonio Castillo | .... | special effects technician | |
| Manuel Floriano | .... | special effects technician | |
| David Martí | .... | special effects makeup supervisor | |
| José M. Meneses | .... | special effects technician: DDT | |
| Juan Ramón Molina | .... | special effects supervisor | |
| Montse Ribé | .... | special effects makeup supervisor | |
| Adolfo Vila | .... | special effects makeup assistant | |
Visual Effects by | |||
| Carmen Aguirre | .... | digital effects art director | |
| Helmuth Barnert | .... | digital compositor | |
| Iñaki Bilbao | .... | digital effects editor | |
| Juanjo Carretero | .... | digital effects technician | |
| Nacho Cepero | .... | digital compositor | |
| Daniel de Madrid | .... | backdraft | |
| Iñaki Gil | .... | CGI chief operator | |
| Noelia Gorrón | .... | digital effects producer | |
| Enrique Jiménez | .... | digital effects technician (as Kike Jiménez) | |
| Javier Luján | .... | graphics programmer | |
| Javier Martínez Calvo | .... | graphic designer | |
| Patricia Matiskei | .... | digital compositor | |
| Gonzalo Moure | .... | digital compositor | |
| Alfonso Nieto | .... | digital effects coordinator | |
| Alfonso Nieto | .... | digital effects design | |
| Alfonso Nieto | .... | digital effects designer | |
| Alfonso Nieto | .... | digital effects supervisor | |
| Marcos Onaindia | .... | digital compositor | |
| Raul Ortego | .... | digital compositor | |
| Beatriz Quijada | .... | CGI operator | |
| Álvaro Rodríguez | .... | digital effects producer | |
| Telson S.L. | .... | digital post production & effects | |
| Juan Tomás Sánchez | .... | second editor: digital effects (as Juanio Sánchez) | |
| Raúl Sánchez | .... | digital compositor | |
| Silvia Torralba | .... | digital effects producer | |
| Jon Uriarte | .... | CGI operator | |
| Rodrigo Vega | .... | CGI operator | |
| Óscar Villalba | .... | backdraft | |
Stunts | |||
| Enrique Benito | .... | stunts | |
| David Bulnes | .... | stunt double: Tristán Ulloa | |
| Ignacio Carreño | .... | stunt coordinator | |
| María del Mar Morilla | .... | stunt double: Paz Vega | |
| Diana Suárez | .... | stunt double: Paz Vega | |
Camera and Electrical Department | |||
| Asier Altuna Iza | .... | chief electrician (as Asier Altuna 'Koo') | |
| Josu Cejuela | .... | electrician | |
| Iñigo Fernández Ostolaza | .... | video assistant | |
| Antonio Fernández Santamaría | .... | key grip | |
| Elías Fernández | .... | electrician | |
| Joaquín Fernández | .... | assistant camera | |
| Raúl García | .... | assistant camera | |
| Sebastián Hernandis | .... | camera operator | |
| José Hernández | .... | electrician | |
| José Manuel Herrero | .... | assistant camera | |
| Josu Inchaustegui | .... | Steadicam operator | |
| Josu Inchaustegui | .... | second camera operator | |
| Diego López Calvin | .... | still photographer | |
| Paco Mayo | .... | chief electrician | |
| Francisco Javier Merino | .... | key grip (as Javier Merino) | |
| Francisco Ramos | .... | key grip | |
| Irene Ramos | .... | trainee assistant camera | |
| Francisco Javier Roa | .... | camera operator: making-of documentary | |
| César Roca | .... | electrician | |
| Usue Sanz | .... | assistant camera | |
| Francisco Sánchez | .... | key grip | |
| Joan Tomás | .... | still photographer | |
| Xavier Torres | .... | grip | |
| José Luis Ávila | .... | electrician | |
Casting Department | |||
| Macarena Pombo | .... | casting assistant | |
| Ángel Salve | .... | extras casting | |
Costume and Wardrobe Department | |||
| Luis Alberto Gómez | .... | trainee costume designer | |
| Sofía Medem | .... | assistant costume designer | |
Music Department | |||
| Javier Casado | .... | musician: keyboards and piano | |
| Dominique Deguines | .... | musician: fagot | |
| Salvador Espasa | .... | musician: flute | |
| Carmen Guillem | .... | musician: oboe | |
| Jesús Herreros | .... | musician: clarinet | |
| Cristian Ifrim | .... | musician: viola | |
Transportation Department | |||
| Lorenzo Cortijo | .... | driver: camera car | |
| Antonio de Bernardo | .... | driver (as Antonio Martín de Bernardo) | |
| Ángel Frutos | .... | driver | |
| Juan Carlos Fuentes | .... | driver: costumes car | |
| Juan Garcés | .... | driver: costumes car (as Juan C. Garcés) | |
| Andrés García | .... | driver: production car | |
| Óscar Girón | .... | driver | |
| Carlos González | .... | driver: production car | |
| Juan Luis Grande | .... | driver | |
| Miguel Ángel López | .... | driver | |
| Carmelo Morón | .... | driver: camera car | |
| Joaquín Rodríguez | .... | driver: decoration car | |
| Javier Sánchez | .... | driver: production car | |
| Francisco Teijido | .... | driver | |
| Pablo Trasancos | .... | driver | |
Other crew | |||
| Tatiana Agredante | .... | vigilante | |
| Pablo Alfaro | .... | financial director: Sogecine | |
| Piti Alonso | .... | publicist | |
| Pablo Bernuy | .... | second production assistant | |
| Cristina Boch Moreno | .... | producer: making-of | |
| Beatriz Bodegas | .... | legal department: Sogecine | |
| Antonio Canalejas | .... | guard | |
| Blasco Cañete | .... | guard | |
| Eduardo Chapero-Jackson | .... | production controller: Sogecine (as Eduardo Chapero) | |
| José Luis Costa | .... | production coordinator | |
| Pedro Luis de la Torre | .... | production coordinator | |
| Patricia de la Uz | .... | production collaborator | |
| Javier de Oleza | .... | administration staff: Sogecine (as Javier Oleza) | |
| Fernando Esteban | .... | legal department: Sogecine | |
| Nuria Garcia Atienza | .... | marketing: Sogecine (as Nuria Garcia) | |
| Rosa Garcia Merino | .... | head of publicity | |
| David García | .... | production collaborator | |
| Juan Manuel García | .... | guard | |
| Marga García | .... | marketing: Sogecine (as Margarita García) | |
| Pedro García | .... | cashier | |
| Antonio Giménez | .... | marketing: Sogecine | |
| Montserrat González | .... | legal department: Sogecine (as Monsterrat González Tovar) | |
| Carlos Gómez Ayuso | .... | making-of: execution | |
| Carlos Haro | .... | technician: info tv | |
| María Hellín | .... | marketing: Sogecine | |
| Mar Henche | .... | cashier | |
| Alfonso Jadraque | .... | location manager | |
| Javier Leal | .... | manager: laboratory | |
| Jesús López Bonilla | .... | production coordinator | |
| José Luis López | .... | guard | |
| Susana Maisterra | .... | production collaborator | |
| Javier Martín | .... | accountant: Sogecine | |
| Luis Martín | .... | cashier: Sogecine | |
| Javier Martínez | .... | title designer | |
| Mónica Martínez | .... | production controller: Sogecine | |
| José A. Mateo | .... | production collaborator | |
| Marta Murcia | .... | production collaborator | |
| Patricia Murcia | .... | first production assistant | |
| Amaya Muruzabal | .... | production controller: Sogecine | |
| Eva Muslera | .... | production controller: Sogecine | |
| Montse Ordorica | .... | script supervisor (as Montserrat Ordorica) | |
| Guillermo Peña | .... | manager: laboratory | |
| María J. Pérez | .... | guard | |
| Juana Ramos | .... | administration staff: Sogecine | |
| Cecilia Rubio | .... | legal department: Sogecine | |
| Maki Rubio | .... | story editor | |
| Francisco Sanchez Ortiz | .... | marketing: Sogecine (as Francisco Sánchez Ortíz) | |
| Charo Santamaría | .... | administration staff: Sogecine | |
| Germán Sela | .... | marketing: Sogecine | |
| Carlos Subirats | .... | guard | |
| Julio E. Valencia | .... | guard | |
| Gregoria Victoria | .... | assistant to producer | |
| François Vila | .... | press agent | |
| Bárbara Yacobi | .... | production secretary | |
| Aurora Yúfera | .... | production secretary (as Aurora Yúfera Ponte) | |
| Daniel Zabaco | .... | guard | |
| Jorge Zarca | .... | accountant: Sogecine | |
| Simón de Santiago | .... | international sales (uncredited) | |
Thanks | |||
| Montse Sanz | .... | dedicatee | |
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| Enter the Void | Head-On | Munich | I Am Love | The Witnesses |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
This is one of the better structured movies ever put to screen. It's as complex as Lynch's Lost Highway, but that only adds to the experience. A non-linear structure (in time and space) is applied and Lucia y el Sexo blurs the line between reality and imagination.
Basically, it's like Mulholland Drive: Most of what we see is a dream, imagination. Only a relatively small part did really happen. But this goes one step further: What part is in the eye of the beholder here, because little clues are given so the mystery format is only used to keep us entertained at a basic level.
A writer is the center here. Some parts of his life are probably true (trouble at home, sickness), others are ambiguous, others are certainly imagined. He is in the meta-story, but also places himself in threads in the other stories that come from his imagination. His imagination is formed by applying smaller and larger events (meeting a person at a party, seeing someone in front of the house) in his personal life to his fantasies. His erotic fantasies explain the title, as sex is one of the characters of the story. One of the story lines is again about his script read on the island by one of his imagined characters. Writing the story and telling the story is done simultaneously. As he becomes sick, the characters become helpless in the story. Overall it helps a lot if you keep imagining that you're watching imagined characters being manipulated by the writer. This combines meta-story and story, real with imagination, weaving several threads in a complicated web of story lines. In the end, it is made clear that the story doesn't end but starts again halfway, giving further evidence that viewers can use their imagination at random on this and create their own story out of it.
The meta-story is interesting, but by mixing it with the story itself we see the real story as what it is, a writing trick with imagined characters. That unfortunately diminishes the emotions a movie tries to convey. We're merely watching how a movie is structured, with the imagined story not having the usual dramatic impact.
It's remarkable that so many people are offended about the sex scenes, as it's already in the title. Do they also complain about the presence of aliens in Alien? I found the sex scenes to be made with some honesty; and at least they didn't even shy away of male nudity.