| Photos (See all 39 | slideshow) |
| Paz Vega | ... | Lucía | |
| Tristán Ulloa | ... | Lorenzo | |
| Najwa Nimri | ... | Elena | |
| Daniel Freire | ... | Carlos / Antonio | |
| Elena Anaya | ... | Belén | |
| Silvia Llanos | ... | Luna | |
| Diana Suárez | ... | Madre de Belén | |
| Javier Cámara | ... | Pepe | |
| Juan Fernández | ... | Jefe | |
| Charo Zapardiel | ... | Comadrona | |
| María Álvarez | ... | Enfermera (as María Alvarez) | |
| Javier Coromina | ... | Camarero Chiringuito (as Javier Corominas) | |
| Arsenio León | ... | Futbolista | |
| Alesandra Alvarez | ... | Luna 1 año | |
| David Bulnes | ... | Actor porno |
Directed by | |||
| Julio Medem | |||
Writing credits(in alphabetical order) | ||
| Julio Medem | ||
Produced by | |||
| Fernando Bovaira | .... | producer | |
| Anna Cassina | .... | executive producer | |
| Enrique López Lavigne | .... | producer | |
| Luis María Reyes | .... | executive producer | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| Kiko de la Rica | |||
Film Editing by | |||
| Iván Aledo | |||
Casting by | |||
| Sara Bilbatúa | |||
Art Direction by | |||
| James David Goldmark | |||
| Montse Sanz | |||
Set Decoration by | |||
| Víctor Molero | |||
Costume Design by | |||
| Estíbaliz Markiegi | (as Estibaliz Markiegui) | ||
Makeup Department | |||
| Arturo Balceiro | .... | special effects makeup technician (as Arturo Balseiros) | |
| Antoñita viuda de Ruiz | .... | wig maker | |
| David Martí | .... | special effects makeup supervisor | |
| Montse Ribé | .... | special effects makeup supervisor | |
| Gregorio Ros | .... | makeup artist | |
| Juan Valverde | .... | hair stylist (as Juan Rodríguez Valverde) | |
| Adolfo Vila | .... | special makeup effects assistant | |
Production Management | |||
| Anna Cassina | .... | production manager | |
| Teresa Cepeda | .... | production manager | |
| Iñaki Rubio | .... | production supervisor | |
| Eugenia Soler | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lucia Cassani | .... | assistant director | |
| Txarly Llorente | .... | first assistant director (as Txarli Llorente) | |
| Almudena Martín de los Santos | .... | second assistant director | |
Art Department | |||
| Natalia Affray | .... | assistant props | |
| Remedios Castillo | .... | laborer | |
| Francisco Cañadas | .... | laborer | |
| Marco Chaverri | .... | laborer | |
| Puerto Collado | .... | design of Luna's House | |
| Duncan Cuesta | .... | construction laborer | |
| Enrique Del Val | .... | laborer | |
| Nicolás J. Franca | .... | laborer | |
| Jon Garay | .... | props | |
| Helena García Mármol | .... | assistant props | |
| Raquel Gibanel | .... | laborer | |
| Apostolos Gkaranis | .... | assistant decorator | |
| Rafael Hernández | .... | laborer | |
| Mikel Izaguirre | .... | property master | |
| Koldo Jones | .... | assistant props | |
| Miguel A. Julián | .... | laborer | |
| Salvador López | .... | props | |
| Pedro J. Mas | .... | construction laborer | |
| Eduardo Mira | .... | construction laborer | |
| Víctor Molero | .... | assistant set decorator | |
| Natalia Montes | .... | storyboard artist | |
| James Nigel | .... | construction laborer | |
| Lorenzo Pepe | .... | assistant props | |
| Francisco Javier Pueyo | .... | laborer | |
| César Roca | .... | laborer | |
| Sergio Rozas | .... | storyboard artist | |
| Peio Villalba | .... | props | |
| Adolfo Álvarez | .... | laborer | |
Sound Department | |||
| Polo Aledo | .... | assistant sound editor | |
| Antonio Alfara | .... | assistant sound editor | |
| José Luis Crespo | .... | sound engineer | |
| Enrique Domínguez | .... | assistant sound mixer | |
| Clarissa Farrán | .... | sound re-recordist | |
| Patrick Ghislain | .... | foley mixer | |
| Sonia Lozano | .... | sound production assistant | |
| Gadou Naudin | .... | foley artist | |
| Gadou Naudin | .... | sound effects editor | |
| Agustín Peinado | .... | sound | |
| Manuel Peinado | .... | boom operator | |
| Alfonso Pino | .... | sound mixer | |
| Javier Santoni | .... | trainee sound technician | |
| Santiago Thévenet | .... | sound editor (as Santiago Thevenet) | |
| Ricardo Viñas | .... | dolby sound consultant | |
| Alejandro Vázquez | .... | trainee sound technician | |
Special Effects by | |||
| Merche Arque | .... | special effects makeup technician | |
| Arturo Balceiro | .... | special effects makeup technician | |
| Xavi Bastida | .... | special effects makeup technician | |
| Antonio Castillo | .... | special effects technician | |
| Manuel Floriano | .... | special effects technician | |
| David Martí | .... | special effects makeup supervisor | |
| José M. Meneses | .... | special effects technician: DDT | |
| Juan Ramón Molina | .... | special effects supervisor | |
| Montse Ribé | .... | special effects makeup supervisor | |
| Adolfo Vila | .... | special effects makeup assistant | |
Visual Effects by | |||
| Carmen Aguirre | .... | digital effects art director | |
| Helmuth Barnert | .... | digital compositor | |
| Iñaki Bilbao | .... | digital effects editor | |
| Juanjo Carretero | .... | digital effects technician | |
| Nacho Cepero | .... | digital compositor | |
| Daniel de Madrid | .... | backdraft | |
| Iñaki Gil | .... | CGI chief operator | |
| Noelia Gorrón | .... | digital effects producer | |
| Enrique Jiménez | .... | digital effects technician (as Kike Jiménez) | |
| Javier Luján | .... | graphics programmer | |
| Javier Martínez Calvo | .... | graphic designer | |
| Patricia Matiskei | .... | digital compositor | |
| Gonzalo Moure | .... | digital compositor | |
| Alfonso Nieto | .... | digital effects coordinator | |
| Alfonso Nieto | .... | digital effects design | |
| Alfonso Nieto | .... | digital effects designer | |
| Alfonso Nieto | .... | digital effects supervisor | |
| Marcos Onaindia | .... | digital compositor | |
| Raul Ortego | .... | digital compositor | |
| Beatriz Quijada | .... | CGI operator | |
| Álvaro Rodríguez | .... | digital effects producer | |
| Telson S.L. | .... | digital post production & effects | |
| Juan Tomás Sánchez | .... | second editor: digital effects (as Juanio Sánchez) | |
| Raúl Sánchez | .... | digital compositor | |
| Silvia Torralba | .... | digital effects producer | |
| Jon Uriarte | .... | CGI operator | |
| Rodrigo Vega | .... | CGI operator | |
| Óscar Villalba | .... | backdraft | |
Stunts | |||
| Enrique Benito | .... | stunts | |
| David Bulnes | .... | stunt double: Tristán Ulloa | |
| Ignacio Carreño | .... | stunt coordinator | |
| María del Mar Morilla | .... | stunt double: Paz Vega | |
| Diana Suárez | .... | stunt double: Paz Vega | |
Casting Department | |||
| Macarena Pombo | .... | casting assistant | |
| Ángel Salve | .... | extras casting | |
Costume and Wardrobe Department | |||
| Luis Alberto Gómez | .... | trainee costume designer | |
| Sofía Medem | .... | assistant costume designer | |
Music Department | |||
| Javier Casado | .... | musician: keyboards and piano | |
| Dominique Deguines | .... | musician: fagot | |
| Salvador Espasa | .... | musician: flute | |
| Carmen Guillem | .... | musician: oboe | |
| Jesús Herreros | .... | musician: clarinet | |
| Cristian Ifrim | .... | musician: viola | |
Transportation Department | |||
| Lorenzo Cortijo | .... | driver: camera car | |
| Antonio de Bernardo | .... | driver (as Antonio Martín de Bernardo) | |
| Ángel Frutos | .... | driver | |
| Juan Carlos Fuentes | .... | driver: costumes car | |
| Juan Garcés | .... | driver: costumes car (as Juan C. Garcés) | |
| Andrés García | .... | driver: production car | |
| Óscar Girón | .... | driver | |
| Carlos González | .... | driver: production car | |
| Juan Luis Grande | .... | driver | |
| Miguel Ángel López | .... | driver | |
| Carmelo Morón | .... | driver: camera car | |
| Joaquín Rodríguez | .... | driver: decoration car | |
| Javier Sánchez | .... | driver: production car | |
| Francisco Teijido | .... | driver | |
| Pablo Trasancos | .... | driver | |
Other crew | |||
| Tatiana Agredante | .... | vigilante | |
| Pablo Alfaro | .... | financial director: Sogecine | |
| Piti Alonso | .... | publicist | |
| Pablo Bemuy | .... | second production assistant | |
| Cristina Boch Moreno | .... | producer: making-of | |
| Beatriz Bodegas | .... | legal department: Sogecine | |
| Antonio Canalejas | .... | guard | |
| Blasco Cañete | .... | guard | |
| Eduardo Chapero-Jackson | .... | production controller: Sogecine (as Eduardo Chapero) | |
| José Luis Costa | .... | production coordinator | |
| Pedro Luis de la Torre | .... | production coordinator | |
| Patricia de la Uz | .... | production collaborator | |
| Javier de Oleza | .... | administration staff: Sogecine (as Javier Oleza) | |
| Fernando Esteban | .... | legal department: Sogecine | |
| Nuria Garcia Atienza | .... | marketing: Sogecine (as Nuria Garcia) | |
| Rosa Garcia Merino | .... | head of publicity | |
| David García | .... | production collaborator | |
| Juan Manuel García | .... | guard | |
| Marga García | .... | marketing: Sogecine (as Margarita García) | |
| Pedro García | .... | cashier | |
| Antonio Giménez | .... | marketing: Sogecine | |
| Montserrat González | .... | legal department: Sogecine (as Monsterrat González Tovar) | |
| Carlos Gómez Ayuso | .... | making-of: execution | |
| Carlos Haro | .... | technician: info tv | |
| María Hellín | .... | marketing: Sogecine | |
| Mar Henche | .... | cashier | |
| Alfonso Jadraque | .... | location manager | |
| Javier Leal | .... | manager: laboratory | |
| Jesús López Bonilla | .... | production coordinator | |
| José Luis López | .... | guard | |
| Susana Maisterra | .... | production collaborator | |
| Monica Martinez | .... | production controller: Sogecine | |
| Javier Martín | .... | accountant: Sogecine | |
| Luis Martín | .... | cashier: Sogecine | |
| Javier Martínez | .... | title designer | |
| José A. Mateo | .... | production collaborator | |
| Marta Murcia | .... | production collaborator | |
| Patricia Murcia | .... | first production assistant | |
| Amaya Muruzabal | .... | production controller: Sogecine | |
| Eva Muslera | .... | production controller: Sogecine | |
| Montse Ordorica | .... | script supervisor (as Montserrat Ordorica) | |
| Guillermo Peña | .... | manager: laboratory | |
| María J. Pérez | .... | guard | |
| Juana Ramos | .... | administration staff: Sogecine | |
| Cecilia Rubio | .... | legal department: Sogecine | |
| Maki Rubio | .... | story editor | |
| Francisco Sanchez Ortiz | .... | marketing: Sogecine (as Francisco Sánchez Ortíz) | |
| Charo Santamaría | .... | administration staff: Sogecine | |
| Germán Sela | .... | marketing: Sogecine | |
| Carlos Subirats | .... | guard | |
| David Sánchez | .... | publicist | |
| Julio E. Valencia | .... | guard | |
| Gregoria Victoria | .... | assistant to producer | |
| Bárbara Yacobi | .... | production secretary | |
| Aurora Yúfera | .... | production secretary (as Aurora Yúfera Ponte) | |
| Daniel Zabaco | .... | guard | |
| Jorge Zarca | .... | accountant: Sogecine | |
| Simón de Santiago | .... | international sales (uncredited) | |
Thanks | |||
| Montse Sanz | .... | dedicatee | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Spain section |
I found this film absolutely terrific. Ik know there's a lot of sex in it and yes, there are a lot of suspicious coincidences, but I looked past that.
For starters, I loved the story, it wasn't boring at all, despite what some may say. It was a sort of twisty fairytale to me, just like 'Los Amantes del Circulo Polàr' was. I love good fairy tales!
The acting was very good by most actors (I love you Najwa!), and good by the others. Even the girl that played Luna was convincing.
The film has a lot of explicit scenes (sexual and non-sexual) but besides from that Médem accomplishes to put a lot of suggestion in it (sexual and non-sexual). If you watch it attentively and past merely what you see, you will notice the subtlety of the characters and story.
Last of all i would like to say that the English title (Sex and Lucia) is an abomination to the original title (Lucia y el Sexo). The word are the same, but the word order has flipped, which gives the title a whole other meaning, to my opinion. The film is about Lucia and the meaning sex has in her life and the life of others. It is not about sex and the way Lucia handles with it. The meaning of film titles is often lost in translation (no pun intended). Why can't American (and other) people keep the original title? We can in Belgium.
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