Jota is about to commit suicide. As he fighting against himself, trying to jump off a bridge, a girl riding a motorcycle falls off the bridge. He runs to help her, and goes with her to the ... See full summary »
Angel, an exterminator recently released from a mental hospital, comes to rid a small Spanish town of tiny grubs in the soil. The local wine-making industry has found these pests ... See full summary »
Lucía is a young waitress in a restaurant in the centre of Madrid. After the loss of her long-time boyfriend, a writer, she seeks refuge on a quiet, secluded Mediterranean island. There, bathed in an atmosphere of fresh air and dazzling sun, Lucía begins to discover the dark corners of her past relationship, as if they were forbidden passages of a novel which the author now, from afar, allows her to read. Written by
The movie is divided in two chapters: "Lucía" and "El Sexo" which gives its title to the movie. See more »
Which do you prefer? Wild sex with a stranger? Or sex with someone you know, someone you love, but also wild?
You have to choose. Wild sex with a stranger, or wild sex with someone who's crazy about you, and who you love? Go ahead. Be frank.
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Credits scroll in the opposite direction. See more »
Give Me the Seventies
Performed by Carlos Jean (as Jean)
(Carlos Jean (as Carlos Jean Arriaga))
(c) Warner Chappell Music Spain, S.A. / Pizza Pop, S.L.
Por cortesía de Subterfuge Records, S.L. See more »
Written reality. I had the unexpected pleasure of seeing this soon after Ruiz's Proust. Both about writers creating a life.
Time folding. Narrative layers.
The three sisters from 'Alice in Wonderland,' here named Alsi/Elana, Lucia (the Alice, an anagram, in fact one that Carroll used) and Belin. The story is to Alice, for Alice, about Alice and generates the world that Alice lives in. The lighthouse and hole.
Its less than intelligent in the level of the story: lust drives meaning, but that's because the written novel is at that vulgar level. This film starts slow and ordinary, just as the novel within. But we soon weave all sorts of ambiguous narrative threads, each creating the other. The last half of the film is a bedtime story, a novel, a suicide note, a coma-induced dream, a recipe, an internet communication, a climax-induced hallucination, a blindfolded taste.
A man loves three women. Another man mirrors him. Lots of coupling, ethereal angst,
Two of the sisters plus the author (and his double), all possibly dead (all possibly fictional), on the island of conception. And the story starts again halfway.
Some lightly nuanced direction here. Endearment without cloying. The only thing in this film that is not sensually romantic is that the computer is a PeeCee and not a Mac. You'd think they'd know.
Ted's Evaluation -- 3 of 4: Worth watching.
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