Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a ... See full summary »
Jota is about to commit suicide. As he fighting against himself, trying to jump off a bridge, a girl riding a motorcycle falls off the bridge. He runs to help her, and goes with her to the ... See full summary »
Angel, an exterminator recently released from a mental hospital, comes to rid a small Spanish town of tiny grubs in the soil. The local wine-making industry has found these pests ... See full summary »
Can strangers connect? Can casual sex become something else? In Santiago, Daniela and Bruno, both about 30, meet at a party, go to another and end up in a hotel. We join them there as ... See full summary »
Lucía is a young waitress in a restaurant in the centre of Madrid. After the loss of her long-time boyfriend, a writer, she seeks refuge on a quiet, secluded Mediterranean island. There, bathed in an atmosphere of fresh air and dazzling sun, Lucía begins to discover the dark corners of her past relationship, as if they were forbidden passages of a novel which the author now, from afar, allows her to read. Written by
Some of the most sexual explicit content was made by doubles, not by the main actors. See more »
[At Lorenzo's birthday party]
Well, the baby girl was born in Madrid. But she was conceived on a beach, on an island, a night like tonight, with a stranger from Madrid. It was his birthday. If you write this well, it'll be the story of your life. And my birthday gift to you.
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Credits scroll in the opposite direction. See more »
This Spanish film has an unusual look and feel and dares to take chances in the way that it mixes fantasy and reality. The result is an interesting film, which is often confusing and frustrating. I'm sure that this was not entirely accidental and that the filmmakers wanted to keep the audience in a state of disorientation. Nevertheless, the convolutions of the story appear to serve no other purpose than to keep us off balance.
The films biggest sin is the scene in the middle of the film where the daughter Luna opens the bedroom door. The following event is presented in such a way that we are left guessing as to what has just happened. There's no reason for withholding it, except the misguided idea that lack of clarity is artistically valuable. I think that despite it's flaws, this film shows a great vibrancy and energy.
People talk a lot about the sex scenes. The film doesn't have much to say about sex and it certainly isn't about sex. Nevertheless, the scenes do not seem tacked on for the sake of it and, in an era when Hollywood seems to be gripped by a new puritanism, it's refreshing to see a frank depiction of what is, after all, an important aspect of the relationship between these characters.
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